The power‐ful art of qajar photography: Orientalism and (self)‐orientalizing in nineteenth‐century iran

Iranian Studies

Volumn 34, Issue 1-4, 2001, Pages 141-151

  Behdad, Ali ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 21244475295     PISSN: 00210862     EISSN: 14754819     Source Type: Journal    
DOI: 10.1080/00210860108702001     Document Type: Article

References (14)

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2. Perez, Nissan N., 1988. Focus East: Early Photography in the Near East, 1839–1885, 15New York: Harry N. Abrams.
3. Sevruguin: Orientalist or Orienteur?” in Sevruguin and the Persian Image: Photographs of Iran, 1870–1930, ed. Frederick N., Bohrer, (Washington: Arthur M. Sackler Gallery, Smithsonian Institution, and the University of Washington Press, Seattle, 1999), 79 ‐ 98.
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11. Raymond, Schwab, The Oriental Renaissance: Europe's Rediscovery of India and the East, 1680–1880, trans. Gene, Patterson‐Black and Victor, Reinking, (New York: Columbia University Press, 1984), ix.
12. Bohrer, Frederick N., ed. Sevruguin and the Persian Image 33–53.
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14. Diba and Ekhtiar. Royal Persian Paintings 31