Border art since 1965

Postborder City: Cultural Spaces of Bajalta California

Volumn , Issue , 2013, Pages 143-181

  Berelowitz, Jo Anne ^a  

^a SAN DIEGO STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 21244469529     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315810935     Document Type: Chapter

References (11)

1. James Meyer's –The Functional Site; or The Transformation of Site Specificity,— in Erika Suderburg (ed.), Space Site Intervention: Situating Installation Art (Minneapolis: University of Minnesota Press, 2000).
2. Jose Gómez, Philip Brookman, –El Centro Cultural de la Raza Fifteen Years,— in Philip Brookman and Guillermo Gómez-Pena (eds.), Made in Aztlăn (San Diego: Centro Cultural de la Raza, 1986)
3. Douglas Crimp, –Photographs at the End of Modernism,— in On the Museum's Ruins (Cambridge, MA: MIT Press, 1993), 17.
4. –The Spirit of Place: Border Art in San Diego,— Visions Art Quarterly, Summer, 1989.
5. Shifra Goldman, –La Casa de Cambio,— in Dimensions ofthe Americas (Chicago: University of Chicago Press, 1988).
6. –Conflict Over 'Border Art—: Whose Subject, Whose Border, Whose Show?" Third Text, Autumn 1997, 40.
7. George Yudice, New York University –Producing the Cultural Economy: The Collaborative Art of InSite,— unpublished manuscript.
8. Olivier Debroise, –Private Time in Public Space: A dialogue with the curatorial team: Jessica Bradley, Olivier Debroise, Ivo Mesquita, Sally Yard,— in Sally Yard (ed.), Private Time in Public Space (China: Palace Press International, San Diego, 1998), 57.
9. Miwon Kwon. Non-Places: Introduction to an Anthropology of Supermodernity (Verso, New York, 1995), 34.
10. Julia Kristeva, Strangers to Ourselves, Leon S. Roudiez (trans.) (New York: Columbia University Press, 1991), 7.
11. Wodiczko, Critical Vehicles: Writings, Projects, Interviews (Cambridge, MA: MIT Press, 1999), 11.