Using photography in art education research: A reflexive inquiry

International Journal of Art and Design Education

Volumn 22, Issue 1, 2003, Pages 5-22

  Cruickshank, Iona ^a   Mason, Rachel ^b  

^a DE MONTFORT UNIVERSITY   (United Kingdom)

^b UNIVERSITY OF ROEHAMPTON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 21244467824     PISSN: 14768062     EISSN: 14768070     Source Type: Journal    
DOI: 10.1111/1468-5949.00335     Document Type: Article

References (26)

1. Edwards, E. (Ed.)(1992) Anthropology and Photography)1860-920, London: Yale University Press, p. 12.
2. Sontag, S. (1977) A brief anthology of quotations', in On Photography, London: Penguin, p.192.
3. Peress, G. (1997) 'Images, Reality and the Curse of History', in Conversations with History, Berkeley: Institute of International Studies, University of California. globetrotter.berkley.edu/Peress/press.con4.html
4. Hall, S. (Ed.) (1997) Representation: cultural representations and signifying practices, London: Sage.
5. Templin IP (1982) Still photography in evaluation, in Smith, N. L (ed.) Communication Strategies in Evaluation. Sage London, quoted byAdelman, C.(1998)in Prosser J. and Schwartz, D. (eds.) Image Based Research: A Source Bookfor Qualitative Researchers, London: Falmer, p.148.
6. The definition of gaze used in our reflection is "the lines of sight or look perceptible in a photograph that create photographic meaning". See Lutz, C. & Collins, J. (1993) Reading National Geographic, Chicago: University of Chicago Press, p. 187.
7. Lutz, C. & Collins, J. (1993)Op. cit.
8. Mason, R SRichter, I. (2000)'Celebrating artful experience in the home: Case studies from Brazil', Journal of Research in Art and Education, Vol. 1, pp.141-153.
9. Sontag, S. (1977)Op. cit.
10. Lutz, C. & Collins, J. (1993)Op. cit. p.280.
11. Nichols, B (1994)'The Ethnographer's Tale' in Taylor, L. (Ed) (1994) Visualising Theory, London, Routledge, p.63.
12. Bishop, W. (1997) Realising Personal Truths in Photography. London, Inscape, pp.53-54.
13. Ewald, W. (1998)'The Innocent Eye' in Conversations with History, Berkeley: Institute of International Studies, University of California. globetrotter.berkley.edu/Ewald.con2.html
14. Lutz, C. & Collins, J. (1993) Conversations with History, Berkeley: Institute of International Studies, University of California, Op. cit.
15. Lutz C. Collins J., Conversations with History, Berkeley: Institute of International Studies, University of California, 1993, Ibid.
16. Lutz C. Collins J., Conversations with History, Berkeley: Institute of International Studies, University of California, 1993, Ibid.
17. Ball, M. (1998)'Remarkson visual competence as an integral part of ethnographic fieldwork practice: the visual availability of culture', in Prosser, J. & Schwartz, D. (1998) Im age Based Research, A Source Book for Qualitative Researchers, London: Falmer.
18. Smnel, G (1921)quoted by Ball, M. Ibid, p.135.
19. Ethnographic products tend to be characterised by the quality of their description according to Ball, Op cit, p.133. Geertz.
20. Prosser, J. & Schwartz, D. (1998) 'Photographs within the sociological research process', in Prosser, J. & Schwartz, D. Op. cit.
21. Collier, J. (1967) Visual Anthropology: Photography as a Research Method, New York: Holt Rhinehart and Winston.
22. Chaplin, E (1994) Sociology and Visual Representation, London: Routledge.
23. Harper, D. (1998) An argument for visual sociology', in Prosser J. & Schwartz, Op.cit. p.31.
24. Prosser, J. & Schwartz, D. (1998). Op.cit.
25. Adelman, C. (1998)'Photocontexf, in Prosser, J. & Schwartz, D. Op, cit, p.15O. Fbrthe camera to follow and capture significant action rather than trying to record it. To a certain extent this happened in the situation with Doralina.
26. Adelman C., Photocontexf, 1998, Ibid.