Atomic pro: A multiple sensor acquisition device

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2002, Pages

  Fléty, Emmanuel ^a  

^a IRCAM   (France)

Author keywords

Gestural controller; MIDI; Music; Sensor

Indexed keywords

COMPUTER MUSIC;

ACQUISITION DEVICE; GESTURAL CONTROLLER; IN COMPOSITIONS; MIDI; MULTIPLE SENSORS; SENSOR ACQUISITION; SOUND PROCESSING; SOUND-SYNTHESIS; SYNTHESIS AND PROCESSING; TECHNICAL ASPECTS;

MUSIC;

EID: 21244446506     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (11)

1. Fléty, E., and M.-H. Serra. 1998. “Recent use of gestural sensors for Ircam musical creations.” Proceedings of the Journées d'Informatique Musicale, JIM98-La Londe-les-Maures – France, pp. D3-1-D3-4.
2. Wanderley, M. M., M.-H. Serra, and M. Battier. “Gestural Control at Ircam.” Submitted for publication.
3. Wanderley, M. 1998. “Gesture-Sensors-Feedback: Some Comments on the Design of Gestural Interfaces.” Technical report, Ircam Centre Pompidou.
4. Starkier, M and Prevot P. “Real-Time Gestural Control”. In Proc. of the 1986 International Computer Music Conference. San Francisco, Calif.: International Computer Music Association, pages 423–426, 1986.
5. Waiswisz, M. “The Hands, a Set of Remote MIDI-Controllers”. In Proc. of the 1985 International Computer Music Conference. San Francisco, Calif.: International Computer Music Association, pages 313–318, 1985.
6. McAdams, S. 2001. “Shape and time: perception through a musical piece”. Conference on Art and Science. Presented during Festival Agora 2001 in Paris, France, with the collaboration of the University of San Diego, California, USA.
7. Freed, A. and Wright, M. “Open SoundControl: A New Protocol for Communicating with Sound Synthesizers” In Proc. of the 1997 International Computer Music Conference. San Francisco, Calif.
8. Auzet, R. 1997. “OROC.PAT” Musical piece for Zarb and live electronics. Composed in 1997 during Ircam Course in Composition and Computer Music.
9. Auzet, R. 1999-2000. “Le cirque du Tambour.” Performance for percussion, live electronics, video and acrobats. Premiered in December 1998 in Châlon / Saône, France.
10. Reynolds, R. 2001. “Angel of Death”. Musical piece for piano and live electronics. Premiered in June 2001 at the Centre Pompidou, Paris, France.
11. Moullet, P. 2001. “l’Omni II”. Interactive sound installation. Exposed at the “Cité de la Musique”, Paris, France.