Feedback and music: You provide the noise, the order comes by itself

Kybernetes

Volumn 34, Issue 3-4, 2005, Pages 490-496

  Aufermann, Knut ^a  

^a Resonance1044fm ^*  (United Kingdom)

Author keywords

Cybernetics; Feedback; Music; Noise; Oscillations

Indexed keywords

FEEDBACK;

DESIGN/METHODOLOGY/APPROACH; EXPERIMENTAL MUSICS; FEEDBACK MECHANISMS; GRAPHIC REPRESENTATION; MUSIC; NOISE; OSCILLATIONS; SELECTED EXAMPLES;

CYBERNETICS;

EID: 20444451200     PISSN: 0368492X     EISSN: None     Source Type: Journal    
DOI: 10.1108/03684920510581675     Document Type: Article

References (7)

1. Collins, N. (2002), "All this and brains too: 30 years of howling round", Resonance, Vol. 9 No. 2, London Musicians' Collective, London.
2. Lucier, A. (1995), Reflections - Interviews, Scores, Writings, MusikTexte, Köln.
3. Nakamura, T. (2002), "A few of my waking times", Resonance, Vol. 9 No. 2, London Musicians' Collective, London.
4. Prigogine, I. and Stengers, I. (1985), Order out of Chaos - Man's New Dialogue with Nature, Fontana, London.
5. Stockhausen, K. (1968), Nr. 12, Kontakte, Elektronische Musik, Realisationspartitur, Universal edition, London.
6. Varela, F. (1985), "Der kreative Zirkel", in Watzlawick, P. (Ed.), Die erfundene Wirklichkeit, München, Piper. English version available at: http://members.ozemail.com.au/~jcull/articles/artcircularity.htm (accessed 20 June 2003).
7. von Foerster, H. and Bröcker, M. (2002), Teil der Welt, Carl-Auer-Systeme, Heidelberg.