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Volumn , Issue , 1998, Pages

A MODEL TO ADD EXPRESSIVENESS TO AUTOMATIC MUSICAL PERFORMANCE

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER ARCHITECTURE; ELASTIC WAVES;

EID: 20244365215     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (7)

References (15)
  • 1
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    • Analysis of expressive intentions in pianistic performances
    • Genova: Associazione di Informatica Musicale Italiana
    • Battel G.U., & Fimbianti R. (1997). “Analysis of expressive intentions in pianistic performances”. In Proceedings of the Int. Kansei Workshop 1997 (pp. 128-133). Genova: Associazione di Informatica Musicale Italiana.
    • (1997) Proceedings of the Int. Kansei Workshop 1997 , pp. 128-133
    • Battel, G.U.1    Fimbianti, R.2
  • 2
    • 84948987065 scopus 로고    scopus 로고
    • Perceptual analysis of the musical expressive intention in a clarinet performance
    • M. Leman (ed), Berlin, Heidelberg: Springer-Verlag
    • Canazza, S., De Poli, G., & Vidolin, A. (1997a). “Perceptual analysis of the musical expressive intention in a clarinet performance”. In M. Leman (ed), Music, gestalt, and computing. Studies in cognitive and systematic musicology (pp. 441-450) Berlin, Heidelberg: Springer-Verlag.
    • (1997) Music, gestalt, and computing. Studies in cognitive and systematic musicology , pp. 441-450
    • Canazza, S.1    De Poli, G.2    Vidolin, A.3
  • 4
    • 77950812924 scopus 로고    scopus 로고
    • Analysis and synthesis of expressive intentions in musical performance
    • Tessaloniki: International Computer Music Association
    • Canazza, S., De Poli, G., Roda’, A., & Vidolin, A. (1997c). “Analysis and synthesis of expressive intentions in musical performance”. In Proceedings of the International Computer Music Conference 1997 (pp. 113-120). Tessaloniki: International Computer Music Association.
    • (1997) Proceedings of the International Computer Music Conference 1997 , pp. 113-120
    • Canazza, S.1    De Poli, G.2    Roda’, A.3    Vidolin, A.4
  • 5
    • 0000462927 scopus 로고    scopus 로고
    • Note-by-note analysis of the influence of expressive intentions and musical structure in violin performance
    • press
    • De Poli G., Roda' A., Vidolin A., (1998). “Note-by-note analysis of the influence of expressive intentions and musical structure in violin performance”. Journal of New Music Research, in press.
    • (1998) Journal of New Music Research
    • De Poli, G.1    Roda', A.2    Vidolin, A.3
  • 7
    • 0026172932 scopus 로고
    • Generative rules for musical performance: a formal description of a rule system
    • Friberg A. 1991. “Generative rules for musical performance: a formal description of a rule system,” Computer Music Journal, Volume 15, Number 2, pp. 56-71.
    • (1991) Computer Music Journal , vol.15 , Issue.2 , pp. 56-71
    • Friberg, A.1
  • 8
    • 0002764121 scopus 로고
    • Expressive intention and performance
    • R. Steinberg (ed) Berlin, Heidelberg, New York: Springer-Verlag
    • Gabrielsson, A. (1995). “Expressive intention and performance”. In R. Steinberg (ed.) Music and the mind machine, (pp. 37-47), Berlin, Heidelberg, New York: Springer-Verlag.
    • (1995) Music and the mind machine , pp. 37-47
    • Gabrielsson, A.1
  • 9
    • 0002583251 scopus 로고    scopus 로고
    • Music Performance”. The psychology of music
    • D. Deutsch (Ed) 2nd. ed. New York: Academic
    • Gabrielsson, A. (1997). “Music Performance”. The psychology of music, In D. Deutsch (Ed.) The psychology of Music, 2nd. ed. New York: Academic.
    • (1997) The psychology of Music
    • Gabrielsson, A.1
  • 10
    • 0001426450 scopus 로고    scopus 로고
    • Emotional expression in music performance: between the performer’s intention and the listener’s experience
    • Gabrielsson, A. & Juslin, P. N. (1996). “Emotional expression in music performance: between the performer’s intention and the listener’s experience”. Psychology of music, 24, 68-91.
    • (1996) Psychology of music , vol.24 , pp. 68-91
    • Gabrielsson, A.1    Juslin, P. N.2
  • 11
    • 84968274355 scopus 로고
    • The communication of musical expression
    • Kendall, R. A., & Carterette, E. C. (1990). “The communication of musical expression”. Music Perception, 8, 129-164.
    • (1990) Music Perception , vol.8 , pp. 129-164
    • Kendall, R. A.1    Carterette, E. C.2
  • 12
    • 84863772450 scopus 로고
    • Speech Analysis / Synthesis based on a sinusoidal representation
    • August
    • McAulay, R. J., & Quatieri, T. F., (1986). “Speech Analysis / Synthesis based on a sinusoidal representation”, IEEE Trans. ASSP vol. 34 No. 4, August, pp. 744-754.
    • (1986) IEEE Trans. ASSP , vol.34 , Issue.4 , pp. 744-754
    • McAulay, R. J.1    Quatieri, T. F.2
  • 13
    • 0642307574 scopus 로고
    • University of Iowa Studies in the Psychology of Music, Iowa City: University of Iowa
    • Seashore, C. E. (1937). “Objective analysis of musical performance”. University of Iowa Studies in the Psychology of Music, Volume IV. Iowa City: University of Iowa.
    • (1937) Objective analysis of musical performance , vol.IV
    • Seashore, C. E.1
  • 14
    • 85069154781 scopus 로고    scopus 로고
    • Musical Sound Modeling with sinusoid plus noise
    • Ed. by C. Roads, S. T. Pope, A. Piccialli and G. De Poli, Swets and Zeitlinger Publ
    • Serra, X. (1997). “Musical Sound Modeling with sinusoid plus noise”, in Musical Signal Processing, Ed. by C. Roads, S. T. Pope, A. Piccialli and G. De Poli, Swets and Zeitlinger Publ., pp. 91-122.
    • (1997) Musical Signal Processing , pp. 91-122
    • Serra, X.1
  • 15
    • 84963175302 scopus 로고
    • The communication of musical metre in piano performance
    • Sloboda, J. A. (1983). “The communication of musical metre in piano performance”. Quarterly Journal of Experimental Psychology, 35A, 337-396.
    • (1983) Quarterly Journal of Experimental Psychology , vol.35A , pp. 337-396
    • Sloboda, J. A.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.