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Volumn 52, Issue 2, 2005, Pages 138-155

Looking to cinema for direction: Incorporating motion into on-screen presentations of technical information

Author keywords

[No Author keywords available]

Indexed keywords


EID: 18944382198     PISSN: 00493155     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article
Times cited : (7)

References (45)
  • 3
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    • ed. E. J. Martin and A. W. Melton. Washington DC: V.H. Winston
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    • (1972) Processes in Human Memory
    • Attneave, F.1
  • 17
    • 23044518954 scopus 로고    scopus 로고
    • Guidelines for designing Web navigation
    • Farkas, D. K., and J. B. Farkas. 2000. Guidelines for designing Web navigation. Technical Communication 47(3): 341-58.
    • (2000) Technical Communication , vol.47 , Issue.3 , pp. 341-358
    • Farkas, D.K.1    Farkas, J.B.2
  • 28
    • 18944362304 scopus 로고
    • The twentieth century encounter between alphabetic and electronic faces of culture confers on the printed word a crucial role in staying the return to the Africa within
    • Toronto, ON: University of Toronto Press
    • McLuhan, M. 1962. The twentieth century encounter between alphabetic and electronic faces of culture confers on the printed word a crucial role in staying the return to the Africa within. In The Gutenberg galaxy: The making of typographic man. Toronto, ON: University of Toronto Press.
    • (1962) The Gutenberg Galaxy: The Making of Typographic Man
    • McLuhan, M.1
  • 34
    • 18944377791 scopus 로고
    • The power of constraints
    • New York, NY: Doubleday Currency
    • _. 1988. The power of constraints. In The design of everyday things. New York, NY: Doubleday Currency, pp. 60-62.
    • (1988) The Design of Everyday Things , pp. 60-62
  • 38
    • 84917217964 scopus 로고    scopus 로고
    • British Film Institute, and Zentrum für Kunst und Medientechnologie Karlsruhe. London, UK: BFI
    • Rieser, M., A. Zapp, British Film Institute, and Zentrum für Kunst und Medientechnologie Karlsruhe. 2002. New screen media: Cinema/art/narrative. London, UK: BFI.
    • (2002) New Screen Media: Cinema/art/narrative
    • Rieser, M.1    Zapp, A.2
  • 39
    • 0012316199 scopus 로고
    • The screener's maps: Michel de Certeau's "Wandermanner" and Paul Auster's hypertextual detective
    • ed. George P. Landow, 123. Baltimore, MD: The Johns Hopkins University Press
    • Rosello, M. 1994. The screener's maps: Michel De Certeau's "Wandermanner" and Paul Auster's hypertextual detective. In Hyper/Text/Theory, ed. George P. Landow, 123. Baltimore, MD: The Johns Hopkins University Press, pp. 121-158.
    • (1994) Hyper/Text/Theory , pp. 121-158
    • Rosello, M.1
  • 42
    • 18944365510 scopus 로고
    • Soviet union reel images, and video images (Firm)
    • Monroe, CT, and Sandy Hook, CT: Reel Images and Video Images
    • Ureneva, I., R. V. Katanian, Soviet Union Reel Images, and Video Images (Firm). 1981. Sergei Eisenstein. Monroe, CT, and Sandy Hook, CT: Reel Images and Video Images.
    • (1981) Sergei Eisenstein
    • Ureneva, I.1    Katanian, R.V.2
  • 44
    • 18944383151 scopus 로고    scopus 로고
    • London, UK, and New York, NY: Arnold and Oxford University Press
    • Williams, L., and C. Gledhill. 2000. Reinventing film studies. London, UK, and New York, NY: Arnold and Oxford University Press.
    • (2000) Reinventing Film Studies
    • Williams, L.1    Gledhill, C.2
  • 45
    • 23044526417 scopus 로고    scopus 로고
    • Technical communication in an altered technology landscape: What might be
    • Zimmerman, M. 2001. Technical communication in an altered technology landscape: What might be. Technical communication 48:200-05.
    • (2001) Technical Communication , vol.48 , pp. 200-205
    • Zimmerman, M.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.