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Volumn 128, Issue 3, 1999, Pages 129-162

Museums of the future: The impact of technology on museum practices

Author keywords

[No Author keywords available]

Indexed keywords


EID: 18144396990     PISSN: 00115266     EISSN: 15486192     Source Type: Journal    
DOI: None     Document Type: Article
Times cited : (30)

References (53)
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  • 2
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    • "The Rise of the Aura." Excerpted from Brian O'Doherty, "Inside the White Cube: Notes to the Gallery Space" [Part 3]. Context as Content
    • New York: November
    • Brüderlin, Markus. "The Rise of the Aura." Excerpted from Brian O'Doherty, "Inside the White Cube: Notes to the Gallery Space" [Part 3]. Context as Content, in Artforum. New York: November 1976.
    • (1976) Artforum
    • Brüderlin, M.1
  • 12
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    • Druckrey, Timothy, ed. New York: International Center of Photography
    • Druckrey, Timothy, ed. Iterations: The New Image. New York: International Center of Photography, 1993.
    • (1993) Iterations: The New Image
  • 13
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    • The Implications of Emerging Technologies for Museums and Galleries
    • Fopp, Michael A. "The Implications of Emerging Technologies for Museums and Galleries." Museum Management and Curatorship 16 (2) (1997): 143-153.
    • (1997) Museum Management and Curatorship , vol.16 , Issue.2 , pp. 143-153
    • Fopp, M.A.1
  • 18
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    • New York: H. N. Abrams; Syracuse: Everson Museum of Art
    • Goodman, Cynthia. Digital Visions: Computers and Art. New York: H. N. Abrams; Syracuse: Everson Museum of Art, 1987.
    • (1987) Digital Visions: Computers and Art
    • Goodman, C.1
  • 20
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    • (1986) Dædalus , vol.115 , Issue.3
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    • Winter
    • Originally appeared as Dædalus 117 (1) (Winter 1988).
    • (1988) Dædalus , vol.117 , Issue.1
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    • Perspective and Meaning: Illusion, Allusion and Collusion
    • ed. Andrew Harrison. Dordrecht: Reidel Pub. Co.
    • Kemp, Martin. "Perspective and Meaning: Illusion, Allusion and Collusion." In Philosophy and the Visual Arts: Seeing and Abstracting, ed. Andrew Harrison. Dordrecht: Reidel Pub. Co., 1987.
    • (1987) Philosophy and the Visual Arts: Seeing and Abstracting
    • Kemp, M.1
  • 30
    • 0004028916 scopus 로고
    • reprint. New York: Free Press
    • Lippmann, Walter. Public Opinion. 1922 reprint. New York: Free Press, 1965.
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  • 31
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    • Culture and Machine Art
    • ed. R. L. Leonard and C. A. Glassgold. New York: Ives Washburn and the American Union of Decorative Arts and Craftsmen
    • Mumford, Lewis. "Culture and Machine Art." In Annual of American Design 1931, ed. R. L. Leonard and C. A. Glassgold. New York: Ives Washburn and the American Union of Decorative Arts and Craftsmen, 1930.
    • (1930) Annual of American Design 1931
    • Mumford, L.1
  • 32
    • 84887806073 scopus 로고
    • "Inside the White Cube: Notes to the Gallery Space" [Part 3], Context as Content
    • New York: November
    • O'Doherty, Brian. "Inside the White Cube: Notes to the Gallery Space" [Part 3], Context as Content, in Artforum. New York: November 1976.
    • (1976) Artforum
    • O'Doherty, B.1
  • 36
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    • From the Easel to the Machine
    • Ed. and trans. Christina Loder. Moscow: n.p.
    • Tarabukin, Nikolai. "From the Easel to the Machine." Ed. and trans. Christina Loder. From "Ot mol'berta k maschine." Moscow: n.p., 1923.
    • (1923) From "Ot Mol'berta K Maschine."
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    • Francis Frascina and Charles Harrison, eds., London: Harper & Row
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    • Don Tapscott, The Net Generation, aired in 1996 on the national Canadian broadcast of the Pamela Wallin Live show on CBC.
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    • Die Weisse Wand
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  • 50
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    • The Work of Art in the Age of Mechanical Reproduction
    • trans. Harry Zohn, in Francis Frascina and Charles Harrison, eds., London: Harper & Row
    • Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction," trans. Harry Zohn, in Francis Frascina and Charles Harrison, eds., Modern Art and Modernism: A Critical Anthology (London: Harper & Row, 1982), 218.
    • (1982) Modern Art and Modernism: A Critical Anthology , pp. 218
    • Benjamin, W.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.