Wavetable synthesis strategies for mobile devices

AES: Journal of the Audio Engineering Society

Volumn 53, Issue 3, 2005, Pages 205-212

  Maher, Robert C ^a  

^a MONTANA STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

AUDIO ACOUSTICS; BANDWIDTH; COMPUTER MUSIC; DATA COMPRESSION; DIGITAL TO ANALOG CONVERSION; SOUND RECORDING;

DIGITAL AUDIO RECORDINGS; MUSIC SYNTHESIS;

MOBILE TELECOMMUNICATION SYSTEMS;

EID: 17244375160     PISSN: 15494950     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (12)

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3. M. Mathews, The Technology of Computer Music (MIT Press, Cambridge, MA, 1969).
4. C. Dodge and T. Jerse, Computer Music: Synthesis, Composition, and Performance, 2nd ed. (Schirmer, New York, 1997).
5. R. Bristow-Johnson, "Wavetable Synthesis 101, A Fundamental Perspective," presented at the 101st Convention of the Audio Engineering Society, J Audio Eng. Soc. (Abstracts), vol. 44, p. 1176 (1996 Dec.), preprint 4400.
6. M. Hans and R. W. Schafer, "Lossless Compression of Digital Audio," IEEE Signal Process. Mag., vol. 18, no. 4, pp. 21-32 (2001).
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8. N. S. Jayant and P. Noll, Digital Coding of Waveforms (Prentice-Hall, Englewood Cliffs, NJ, 1984).
9. D. Rossum, "An Analysis of Pitch-Shifting Algorithms," presented at the 87th Convention of the Audio Engineering Society, J. Audio Eng. Soc. (Abstracts), vol. 37, p. 1072 (1989 Dec.), preprint 2843.
10. D. C. Massie, "Wavetable Sampling Synthesis," in Applications of Digital Signal Processing to Audio and Acoustics, M. Kahrs and K. Brandenburg, Eds. (Kluwer, Boston, MA, 1998).
11. MIDI Manufacturers Association, Complete MIDI 1.0 Detailed Specification, version 96.1 (MMA, La Habra, CA, 2001).
12. E. Lindemann, "Audio Data Decompression and Interpolation Apparatus and Method," U.S. patent 5,890,126 (1999).