The Therapeutic Community Sing: Music Therapy Inpatient Group Process

Group

Volumn 27, Issue 1, 2003, Pages 31-39

  Sullivan, Janet ^a,b  

^a Institute for Expressive Analysis   (United States)

^b NONE   (United States)

Author keywords

Expressive modality; Induced song recall; Music therapy; Therapeutic activities; Therapeutic community sing

Indexed keywords

EID: 1642582191     PISSN: 03624021     EISSN: None     Source Type: Journal    
DOI: 10.1023/A:1022980603069     Document Type: Review

References (8)

1. Chumaceiro, C. L. D. (1992). What song comes to mind? Induced song recall: transference/countertransference in dyadic music associations in treatment and supervision. Arts in Psychotherapy, 19, 325-339.
2. Chumaceiro, C. L. D. (1995). Lullabies are transferential transitional songs. Further considerations on resistance in music therapy, Arts in Psychotherapy, 22(4), 353-357.
3. Eigen, M., and Robbins, A. (1986). Object relations and expressive symbolism. In Robbins (ed.). Expressive therapy. A creative arts approach to depth-oriented treatment. New York: Human Sciences Press.
4. Hunter, B. C. (1999). Singing as a therapeutic agent. Etude, XXXVI (2): 133.
5. Reik, T. (1953). The haunting melody. New York: Farrar, Straus and Young.
6. Robbins, A. (2000). A field energy approach to expressive therapy through a symbolic dialogue. Arts in Psychotherapy, 27, 87-88.
7. Winnicott, D. W. (1989). The location of cultural experience. In Playing and reality. London and New York: Routledge Press.
8. Yalom, Irvin D. (1983). Inpatient group psychotherapy. New York: Basic Books.