A task analysis of music composition and its application to the development of Modalyser

Organised Sound

Volumn 4, Issue 1, 1999, Pages 31-

  Polfreman, Richard ^a  

^a UNIVERSITY OF HERTFORDSHIRE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 1542709126     PISSN: 13557718     EISSN: None     Source Type: Journal    
DOI: 10.1017/S1355771899001053     Document Type: Article

References (11)

1. Eckel, G., Iovino, F., and Causse, R. 1995. Sound synthesis by physical modelling with Modalys. Proc. of the Int. Symp. on Musical Acoustics, pp. 478–82. Dourdan, Franrwddce.
2. The Physics of Musical Instruments, 1991, N. Fletcher, T. Rossing, New York: Springer-Verlag.
3. Huron, D. 1992. Design principles in computer-based music representation. In Marsden and Pople (eds.) Computer Representations and Models in Music, chap. 1. Fondon: Academic Press.
4. Johnson, P. 1992. Human Computer Interaction: Psychology, Task Analysis and Software Engineering. Maidenhead: McGraw-Hill.
5. Faske, O. 1992. Artificial intelligence and music: a corner-stone of cognitive musicology. In Balaban, Ebcioglu and Faske (eds.) Understanding Music with AI, chap. 1. Cambridge, MA: MIT Press.
6. Faumann, O., and Bormann, C. 1994. Elk: the extension language kit. Usenix Computing Systems, 7(4). USENIX.
7. 17(1): Morrison, J. D., and Adrien, J.-M. 1993. MOSAIC: a framework for modal synthesis. Computer Music Journal 45–56. Cambridge, MA: MIT Press.
8. Morrison, J. D., and Waxman, D. 1991–8. Modalys Reference Manual. Forum IRC AM Documentation, IRC AM.
9. Polfreman, R., and Sapsford-Francis, J. 1995. A human factors approach to computer music systems user-interface design. Proc. of the 1995 ICMC. ICMA.
10. Polfreman, R. 1997. Modalyser User Manual. University of Hertfordshire.
11. Polfreman, R. 1997. User-Interface Design for Software Based Sound Synthesis Systems. PhD Thesis, University of Hertfordshire.