Jungian illumination of film

Psychoanalytic Review

Volumn 83, Issue 4, 1996, Pages 578-587

  Beebe, John ^a  

^a NONE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

ARTICLE; AUDIOVISUAL EQUIPMENT; EGO DEVELOPMENT; HUMAN; PSYCHOANALYSIS; PSYCHOANALYTIC THEORY;

HUMANS; JUNGIAN THEORY; MOTION PICTURES; PSYCHOANALYSIS; UNCONSCIOUS (PSYCHOLOGY);

EID: 1542578347     PISSN: 00332836     EISSN: 19433301     Source Type: Journal    
DOI: None     Document Type: Article

References (19)

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2. _ (1981) The Trickster in the Arts. San Francisco Jung Inst. Lib. Jour. 2(2):22-54.
3. BION, W. (1962) Learning from Experience. London: Maresfield Library.
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5. HENDERSON, J. (1987) Personal communication.
6. JUNG, C. G. (1916) The Transcendent Function. In H. Read, M. Fordham, & G. Adler, eds. Collected Works of C. G. Jung, London: Routledge. Princeton: Princeton University Press, vol. 8.
7. JUNG, C. G. (1930) Psychology and Literature. Collected Works, vol. 15.
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12. JUNG, C. G. (1963) Mysterium Coniunctionis. Collected Works, vol. 14.
13. KRACAUER, S. (1960) Theory of Film. New York and London: Oxford University Press.
14. LACOUE-LABARTHE, P. (1990) The Caesura. In Heidegger, Art and Politics, C. Turner, trans. Oxford and Cambridge, MA.: Basil Blackwell.
15. LEVINAS, E. (1989) Preface (by S. Hand). In The Levinas Reader. Cambridge, MA: Basil Blackwell, 1989.
16. MCCARTHY, M. (1961) Letter to the Editor of politics, [1946, following the publication of John Hersey's Hiroshima in The New Yorker] In On the Contrary. New York: Farrar, Straus, and Cudahy.
17. MCGOVERAN, P. (1981) Application of an alchemical model to Milieu functioning. J. Anal. Psych., 26:249-260.
18. SAMUELS, A. (1995) Letter. London Review of Books, 17(10) (25 May): 4-5.
19. SARRIS, A. (1968) Toward a theory of film history. In The American Cinema. New York: E. P. Dutton.