Cognitive Multiplicity in Polyrhythmic Pattern Performance

Journal of Experimental Psychology: Human Perception and Performance

Volumn 22, Issue 5, 1996, Pages 1127-1148

  Pressing, Jeff ^a   Magill, Jon ^b,d   Summers, Jeff ^c  

^a UNIVERSITY OF MELBOURNE   (Australia)

^b LA TROBE UNIVERSITY   (Australia)

^c UNIVERSITY OF SOUTHERN QUEENSLAND   (Australia)

^d University of Melbourne ^*

Author keywords

[No Author keywords available]

Indexed keywords

EID: 1542506877     PISSN: 00961523     EISSN: None     Source Type: Journal    
DOI: 10.1037/0096-1523.22.5.1127     Document Type: Article

References (46)

1. Abernethy, B., & Sparrow, W. A. (1992). The rise and fall of dominant paradigms in motor behaviour research. In J. J. Summers (Ed.), Approaches to the study of motor control and learning (pp. 3-45). Amsterdam: North-Holland.
2. Bajzek, D. (1988). Percussion: An annotated bibliography. London: Scarecrow.
3. Beauvillain, C., & Fraisse, P. (1984). On the temporal control of polyrhythmic performance. Music Perception, 1, 485-499.
4. Bentler, P. (1994). EQS: Structural equations program manual. Los Angeles: BMDP.
5. Chernoff, J. M. (1979). African rhythm and African sensibility. Chicago: Chicago University Press.
6. Creelman, C. D. (1962). Human discrimination of auditory duration. Journal of the Acoustical Society of America, 34, 582-593.
7. Handel, S. (1984). Using polyrhythms to study rhythm. Music Perception, 1, 465-484.
8. Hary, D., & Moore, G. P. (1987a). Human processing of temporal information. Biological Cybernetics, 56, 305-311.
9. Hary, D., & Moore, G. P. (1987b). On the performance and stability of human metronome-synchronization strategies. British Journal of Mathematical and Statistical Psychology, 40, 109-124.
10. Hindemith, P. (1969). Elementary training for musicians. London: Schott. (Original work published in 1946)
11. Ibbotson, N. R., & Morton, J. (1981). Rhythm and dominance. Cognition, 9, 125-138.
12. Jagacinksi, R. J., Marshburn, E., Klapp, S. T., & Jones, M. R. (1988). Tests of parallel versus integrated structure in polyrhythmic tapping. Journal of Motor Behavior, 20, 416-442.
13. Kubik, G. (1979). Pattern perception and recognition in African music. In J. Blacking & W. W. Kealiinohomoku (Eds.), The performing arts (pp. 221-250). New York: Mouton.
14. Locke, D., & Agbeli, G. (1980). Drum language in Adzogbo. African Music, 6, 32-51.
15. Magadini, P. (1968). Musician's guide to polyrhythms. Hollywood, CA: Try.
16. Peters, M. (1985). Constraints in the performance of bimanual tasks and their expression in unskilled and skilled subjects. Quarterly Journal of Experimental Psychology: Human Experimental Psychology, 37(A), 171-196.
17. Peters, M. (1990). Interaction of vocal and manual movements. In G. Hammond (Ed.), Motor cerebral control of speech and limb movement (pp. 535-574). Amsterdam: Elsevier Science.
18. Peters, M., & Schwartz, S. (1989). Coordination of the two hands and effects of attentional manipulation in the production of a bimanual 2:3 polyrhythm. Australian Journal of Psychology, 41, 215-224.
19. Pressing, J. (1983a). Cognitive isomorphisms in world music: West Africa, the Balkans, Thailand and Western tonality. Studies in Music, 17, 38-61.
20. Pressing, J. (1983b). Rhythmic design in the support drums of Agbadza. African Music, 6, 4-15.
21. Pressing, J. (1987). The micro- and macrostructure of improvised music. Music Perception, 5, 133-172.
22. Pressing, J. (1995a). Death of a paradigm crisis. Manuscript submitted for publication.
23. Pressing, J. (1995b). On the optimal modelling of cyclic time series. Manuscript in preparation.
24. Pressing, J. (1995c). Spontaneous and synchronous rhythmic production. Manuscript in preparation.
25. Pressing, J. (1995d). Testing dynamical and cognitive models of rhythmic pattern production. In D. J. Glencross, & J. P. Piek (Eds.), Motor control and sensory-motor integration: Issues and directions (pp. 141-170). Amsterdam: Elsevier Science.
26. Pressing, J. (in press). Error correction processes in temporal pattern production. Journal of Mathematical Psychology.
27. Pressing, J., & Summers, J. (1993). Conflict between information processing and emergent behaviour paradigms: The case of cognitively-driven musical polyrhythms. Proceedings of the Second Australian Cognitive Science Conference, 1993, 62-64.
28. Shaffer, L. H. (1981). Performance of Chopin, Bach and Bartok: Studies in motor programming. Cognitive Psychology, 13, 326-376.
29. Sloboda, J. A. (1985). The musical mind. Oxford, England: Clarendon Press.
30. Summers, J. J., Ford, S., & Todd, J. A. (1993). Practice effects on the coordination of the two hands in a bimanual tapping task. Human Movement Science, 12, 111-133.
31. Summers, J., & Kennedy, T. M. (1992). Strategies in the production of a 3:5 polyrhythm. Human Movement Science, 11, 101-112.
32. Summers, J., & Pressing, J. (1994). Coordinating the two hands in polyrhythmic tapping. In S. P. Swinnen, H. Heuer, J. Massion, & P. Casaer (Eds.), Interlimb coordination: Neural, dynamical, and cognitive constraints (pp. 571-593). San Diego, CA: Academic Press.
33. Summers, J. J., Rosenbaum, D. A., Burns, B., & Ford, S. (1993). Production of polyrhythms. Journal of Experimental Psychology: Human Perception and Performance, 19, 416-428.
34. Summers, J. J., Todd, J., & Young, K. H. (1993). Influence of perceptual and motor factors on bimanual coordination in a polyrhythmic tapping task. Psychological Research, 55, 107-115.
35. Treffner, P., & Turvey, M. T. (1993). Resonance constraints on rhythmic movement. Journal of Experimental Psychology: Human Perception and Performance, 19, 1221-1237.
36. Turvey, M. T., Schmidt, R. C., & Rosenblum, L. D. (1989) "Clock" and "motor" components in absolute coordination of rhythmic movements. Neuroscience, 33, 1-10.
37. Vorberg, D. (1992). Response timing and synchronization. In F. Macar, V. Pouthas, & W. J. Friedman (Eds.), Time, action and cognition (pp. 241-246). Dordrecht, The Netherlands: Kluwer Academic.
38. Vorberg, D., & Hambuch, R. (1984). Timing of two-handed rhythmic performance. In J. Gibbon & L. Allan (Eds.), Timing and time perception (pp. 390-406). New York: New York Academy of Sciences.
39. Vorberg, D., & Wing, A. (1996). Modeling variability and dependence in timing. In H. Heuer & S. W. Keele (Eds.), Handbook of perception and action: Vol. 3. Motor skills. London: Academic Press.
40. Wing, A. M. (1977). Effects of type of movement on the temporal precision of response sequences. British Journal of Mathematical and Statistical Psychology, 30, 60-72.
41. Wing, A. M. (1979). A note on the estimation of the autocovariance function in the analysis of timing of repetitive responses. British Journal of Mathematical and Statistical Psychology, 32, 60-72.
42. Wing, A. M. (1980). The long and short of timing in response sequences. In G. E. Stelmach & J. Requin (Eds.), Tutorials in motor behavior (pp. 469-486). Amsterdam: North-Holland
43. Wing, A. M., Church, R. M., & Gentner, D. R. (1989). Variability in the timing of responses during repetitive tapping with alternate hands. Psychological Research, 51, 28-37.
44. Wing, A. M., & Kristofferson, A. B. (1973a). Response delays and the timing of discrete motor responses. Perception & Psychophysics, 14, 5-12.
45. Wing, A. M., & Kristofferson, A. B. (1973b). The timing of interresponse intervals. Perception & Psychophysics, 13, 455-460.
46. Young, K. H. (1994). Bimanual Control System [Computer software]. Melbourne, Victoria, Australia: University of Melbourne.