Arnheim and Gombrich in Social Scientific Perspective

Journal for the Theory of Social Behaviour

Volumn 34, Issue 1, 2004, Pages 91-102

  Verstegen, Ian ^a  

^a TEMPLE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 1542321520     PISSN: 00218308     EISSN: None     Source Type: Journal    
DOI: 10.1111/j.1468-5914.2004.00236.x     Document Type: Review

References (40)

1. ARNHEIM, R. (1954/1974). Art and Visual Perception: A Psychology of the Creative Eye. Berkeley and Los Angeles: University of California Press.
2. ARNHEIM, R. (1965). review of Geraldine Pelles, Art, Artists, and Society, (New York, 1964), Social Research 32, 211-4.
3. ARNHEIM, R. (1966). Toward a Psychology of Art. Berkeley and Los Angeles: University of California.
4. ARNHEIM, R. (1969). Visual Thinking. Berkeley and Los Angeles, University of California Press.
5. ARNHEIM, R. (1979). Review of E. H. Gombrich. (1979). The Sense of Order: A Study of the Psychology of Decorative Art. The New Republic, 10 March 1979, pp. 36-38.
6. ARNHEIM, R. (1982). "Perceiving and Portraying" (Review of E. H. Gombrich. (1982). The Image and the Eye). Times Literary Supplement, 29 October 1982, pp. 1179-1180.
7. ARNHEIM, R. (1982/1988). The Power of the Center: A Study of Composition in the Visual Arts. Berkeley and Los Angeles: University of California Press, 1982.
8. ARNHEIM, R. (1986). Mew Essays on the Psychology of Art. Berkeley and Los Angeles: University of California Press.
9. ARNHEIM, R. (1993). Zauber des Sehens. Göttingen: Lamuv.
10. ARNHEIM, R. (1996). To the Rescue of Art. Berkeley and Los Angeles: University of California Press.
11. BAKOS, J. (1996). "The Vienna School's Hundred and Sixty-Eighth Graduate: The Vienna School's Ideas Revised by E. H. Gombrich," in Gombrich on Art and Psychology, ed. Richard Woodfield. Manchester: University of Manchester Press, pp. 234-257.
12. BRYSON, N. (1988). "The Gaze in the Expanded Field," in Vision and Visuality, ed. Hal Foster. Seattle: Bay Press, pp. 87-108.
13. CARRIER, D. (1983). "Gombrich on Art Historical Explanation," Leonardo 16, 91-96.
14. CARRIER, D. (1997). "Rudolf Arnheim as Art Historian," In Rudolf Arnheim: Revealing Visions, eds. Kent Kleinman and Leslie Van Duzer. Ann Arbor: University of Michigan Press.
15. GOMBRICH, E.H. (1960). Art and Illusion: A Study in the Psychology of Pictorial Representation. London: Phaidon.
16. GOMBRICH, E.H. (1963). Meditations on a Hobby Horse and Other Essays on the Theory of Art. London: Phaidon.
17. GOMBRICH, E.H. (1972/1982). "The 'What' and the 'How:' Perspective Representation and the Phenomenal World," in Israel Scheffler (Ed.), Logic and Art: Essays in Honor of Nelson Goodman. Indianapolis and New York, pp. 129-49.
18. GOMBRICH, E.H. (1979). The Sense of Order: A Study of the Psychology of Decorative Art. Ithaca: Cornell University Press.
19. KRIEGER, M. (1984). "The Ambiguities of Representation and Illusion: An E.H. Gombrich Retrospective," Critical Inquiry, 11, 181-194.
20. LEWIN, K. (1943/1951). "Defining the 'field at a given time.' Psychological Review, 50 (1943): 292-310, reprinted in Field Theory in Social Science, Ed. Dorwin Cartwright. New York, pp. 43-59.
21. LEWIN, K. (1943/1951). "Defining the 'field at a given time.' Psychological Review, 50 (1943): 292-310, reprinted in Field Theory in Social Science, Ed. Dorwin Cartwright. New York, pp. 43-59.
22. LLOYD, C. (1988). "Realism and Structurism in Historical Theory: A Discussion of the Thought of Maurice Mandelbaum," History and Theory, 28, 296-325.
23. MANDELBAUM, M. (1955/1984). "Societal Facts," British Journal of Sociology, 6, 305-17.
24. MANDELBAUM, M. (1957/1984). "Societal Laws," British Journal for the Philosophy of Sciences, 8, 211-24.
25. MANDELBAUM, M. (1977). The Anatomy of Historical Knowledge. Baltimore: Johns Hopkins University Press.
26. MANDELBAUM, M. (1984). Philosophy, History and the Sciences: Selected Critical Essays. Baltimore: Johns Hopkins University Press.
27. METZGER, W. (1962). Schöpferische Freiheit, Frankfurt am Main: W. Kramer.
28. PÄCHT, O. (1963/1977). 'Art Historians and Art Critics VI, Alois Riegl," Burlington Magazine, 105 (1963), 188-93; reprinted in Pacht, Methodisches zur kunsthistorischen Praxis. München: Prestel.
29. PÄCHT, O. (1963/1977). 'Art Historians and Art Critics VI, Alois Riegl," Burlington Magazine, 105 (1963), 188-93; reprinted in Pacht, Methodisches zur kunsthistorischen Praxis. München: Prestel.
30. PIZZO RUSSO, L. (1983). Conversazione con Rudolf Arnheim. Bologna: Il Mulino.
31. POPPER, K. (1959). The Logic of Scientific Discovery. New York: Harper & Row.
32. RICHMOND, S. (1994). Gombrich and the Philosophies of Science of Popper and Polanyi. Amsterdam and Atlanta: Rodopi.
33. SACCA, E. (1980-1). "An Interview with Ernst H. Gombrich," Canadian Journal of Art Education Research 6-7 (1980-1), 15-27.
34. SCHIER, F. (1986). Deeper into Pictures. Cambridge: Cambridge University Press.
35. TOPPER, D. (1977). "On Interpreting Pictorial Art: Reflections on J.J. Gibson's Invariant Hypothesis," Leonardo, 10, 295-300.
36. VERSTEGEN, I. (1998). "Rudolf Arnheim," in Encyclopedia of Aesthetics, ed. M. Kelly. Oxford: Oxford University Press, vol. I, pp. 109-111.
37. VERSTEGEN, I. (2000). "Maurice Mandelbaum as a Gestalt Philosopher," Gestalt Theory, 20, 46-58.
38. WOLLHEIM, R. (1980). Art and Its Objects: An Introduction to Aesthetics 2nd ed. Cambridge: Cambridge University Press.
39. WOLLHEIM, R. (1987). Painting as an Art. Princeton: Princeton University Press.
40. WOLLHEIM, R. (1993). The Mind and its Depths. Cambridge: Harvard University Press.