Towards a polytheistic relationship to landscape: Issues for contemporary art

Landscape Research

Volumn 30, Issue 1, 2005, Pages 5-22

  Biggs, Iain A ^a  

^a UNIVERSITY OF THE WEST OF ENGLAND   (United Kingdom)

Author keywords

Art; Identity; Landscape; Polytheism

Indexed keywords

ART; LANDSCAPE; RELIGION; THEORETICAL STUDY;

CHRISTIA; SIA;

EID: 15044351204     PISSN: 01426397     EISSN: None     Source Type: Journal    
DOI: 10.1080/0142639042000324785     Document Type: Article

References (55)

1. Anderson, P. (1984) Modernity and revolution, New Left Review, issue 144, pp. 96-113.
2. Andrews, M. (1999) Landscape and Western Art (Oxford: Oxford University Press).
3. Biggs, I. (2004) Between Carterhaugh and Tamsheil Rig: A Borderline Episode (Bristol: Wild Conversations Press).
4. Bishop, P. (1986) The shadows of the holistic Earth, in: J. Hillman (Ed.) Spring 1986, pp. 59-11 (Dallas: Spring Publications).
5. Bishop, P. (1992) Rhetoric, memory, and power: depth psychology and postmodern geography, Environment and Planning D. Society and Space 10, pp. 5-22
6. Bishop, P. (1994) Residence on Earth: Anima Mundi and a sense of geographical "belonging", Ecumene, 1(1), pp. 51-64
7. Bishop, P. (1995) An Archetypal Constable. National Identity and the Geography of Nostalgia (Madison: Fairleigh Dickinson University Press).
8. Bleakley, A. (2000) The Animalizing Imagination: Totemism, Textuality and Ecocriticism (London: Macmillan Press).
9. Casey, E. (1993) Getting Back into Place. Towards a Renewed Understanding of the Place-World (Bloomington, IN: Indiana University Press).
10. Casey, E. (2002) Representing Place: Landscape Painting and Maps (Minneapolis, MN: University of Minnisota Press).
11. de Ville, N. (1998) Ways of seeing, Contemporary Visual Art, 18, pp. 56-62.
12. de Ville, N. (1999) The artist as witness, Drawing Fire, 2(5), pp. 24-26.
13. Eliade, M. (1996) The sacred and the modern artist (first published 1964), in: D. Apostolos-Cappadona (Ed.) Art, Creativity and the Sacred, pp. 179-183 (New York: Continuum).
14. Gablik, S. (1991) The Reenchantment of Art (London: Thames & Hudson).
15. Gellner, E. (1992) Postmodernism, Reason and Religion (Routledge: London).
16. Graham-Dixon, A. (1996) A History of British Art (London: BBC Worldwide Ltd).
17. Greenwood, S. (2000) Magic, Witchcraft and the Otherworld: An Anthropology (Oxford: Berg).
18. Hillman, J. (1977) Re-Visioning Psychology (New York: Harper & Row).
19. Hillman, J. (1981a) The Thought of the Heart (Dallas: Spring Publications).
20. Hillman, J. (1981b) Psychology: monotheistic or polytheistic, reprinted as an appendix in in: D. L. Miller, The New Polytheism: Rebirth of the Gods and Goddesses (Dallas: Spring Publications).
21. Hillman, J. (1994) 'Man is by nature a political animal' or: patient as citizen, in: S. Shamdasani & M. Munchow (Eds) Speculations after Freud. Psychoanalysis, Philosophy and Culture, pp. 27-40 (London: Routledge).
22. Hillman, J. (1998) The practice of beauty, in: B. Beckley (Ed.) Uncontrollable Beauty. Towards a New Aesthetics, pp. 261-274 (New York: Allworth Press).
23. Hutton, R. (1993) The Pagan Religions of the Ancient British Isles: Their Nature and Legacy (Oxford: Blackwell Publishing).
24. Jones, R. (2004) Becoming-hysterical-becoming-animal-becoming-woman, The Horse Impressionists, Journal of Visual Art Practice, 2(3), pp. 123-138.
25. Kearney, R. (1988) The Wake of Imagination. Towards a Postmodern Culture (Routledge: London).
26. Kearney, R. (1991) Poetics of Imagining: From Husserl to Lyotard (London: Routledge).
27. Kuspit, D. (2000) The Dialectic of Decadence. Between Advance and Decline in Art (New York: Allworth Press).
28. Lipsey, R. (1988) An Art of Our Own. The Spiritual in Twentieth-Century Art (Boston: Shambhala).
29. Lopez-Pedraza, R. (1989) Hermes and His Children (Einsiedeln: Daimon).
30. Lopez-Pedraza, R. (1990) Cultural Anxiety (Einsiedeln: Daimon).
31. McEvilley. T. (1993) The Exile's Return. Towards a Redefinition of Painting for the Post-Modern Era (Cambridge: Cambridge University Press).
32. Meek, J. (2004) Invade their countries, kill their leaders and convert them to Christianity, The Guardian Friday Review, 24 September, p. 6.
33. Merleau-Ponty, M. (1968) The Visible and the Invisible, transl. A. Lingis (Evanston, IL: Northwestern University Press).
34. Miller, D. L. (1981) The New Polytheism: Rebirth of the Gods and Goddesses (Dallas: Spring).
35. Napier, A. D. (1986) Masks, Transformation, and Paradox (Berkeley, CA: University of California Press).
36. Napier, A. D. (1992) Foreign Bodies: Performance, Art and Symbolic Anthropology (Berkeley, CA: University of California Press).
37. Paoletti, J. (1986) Richard Long: art in the nature of things, Art Monthly, 101, pp. 4-6.
38. Paz, O. (1987) Silent thought (first published 1970), in: Convergences: Essays on Art and Literature, pp. 269-278 (London: Bloomsbury).
39. Pollock, G. (1997) Lydia Bauman: the poetic image in the field of the uncanny, in: Lydia Bauman, Landscapes, pp. 25-37 (Warsaw: Zacheta Gallery)
40. Rajan, T. (1993) Trans-positions of difference, in: K. Oliver (Ed.) Ethics, Politics and Difference in Julia Kristeva's Writing, pp. 215-237 (New York: Routledge).
41. Rosenblum, R. (1991) Towards a definition of New Art, in: A. Papadakis, C. Farrow & N. Hodges (Eds) New Art, pp. 43-69 (London: Academy Editions).
42. Ross, S. (1993) Gardens, earthworks, and environmental art, in: S. Kemel & I. Gaskell (Eds) Landscape, Natural Beauty and the Arts, pp. 158-182 (Cambridge: Cambridge University Press).
43. Samuels, A. (1993) The Political Psyche (London: Routledge).
44. Schwabsky, B. (1997) The Widening Circle: Consequences of Modernism in Contemporary Art (Cambridge: Cambridge University Press).
45. Seymour, S. (2000) Historical geographies of landscape, in: B. Graham & C. Nash (Eds) Modern Historical Geographies, pp. 193-217 (Harlow: Pearson Educational).
46. Simpson, D. (2002) Situatedness, or Why We Keep Saying Where We're Coming From (Durham, NC: Duke University Press).
47. Solnit, R. (1994) Lewis deSoto, in: M. Friedman (Ed.) Visions of America: Landscape as Metaphor in the Late Twentieth Century, pp. 124-129 (Denver Art Museum & Columbia Museum of Art/New York: Harry N. Abrams).
48. Solnit, R. (2001) As Eve Said to the Serpent: On landscape, Gender and Art (Athens, GA: University of Georgia Press).
49. Solnit, R. (2003) Diary, in: M-K. Wilmers (Ed.) London Review of Books, 25(19), pp. 38-39.
50. Soper, K. (1996) Nature/nature, in: G. Robertson, M. Mash, L. Tickner, J. Bird, B. Curtis & T. Putnam (Eds) Future Nature: Nature, Science, Culture, pp. 22-34 (London: Routledge).
51. Stoddard, S. & Sturgis, A. (2003) Paradise (London: National Gallery Company).
52. Tucker, J. (2002) Caesura (Leeds: University of Leeds).
53. Tucker, M. (1992) Dreaming with Open Eyes (San Francisco: Aquarian/ Harper).
54. Valdés, J. (Ed.) (1991) Reflection and Imagination: A Ricoeur Reader (Hemel Hempstead: Harvester Wheatsheaf).
55. Warner, M. (2002) Fantastic Metamorphoses, Other Worlds (Oxford: Oxford University Press).