Auditory scene analysis and the role of phenomenology in experimental psychology

Canadian Psychology

Volumn 46, Issue 1, 2005, Pages 32-40

  Bregman, Albert S ^a  

^a MCGILL UNIVERSITY   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 14944382154     PISSN: 07085591     EISSN: None     Source Type: Journal    
DOI: 10.1037/h0085822     Document Type: Review

References (12)

1. Bregman, A. S. (1990). Auditory scene analysis: The perceptual organization of sound. Cambridge, MA: Bradford Books, MIT Press. (Paperback 1994)
2. Bregman, A. S., & Ahad, P. (1996). Demonstrations of auditory scene analysis: The perceptual organization of sound. Audio compact disk. (Distributed by MIT Press).
3. Bregman, A. S., & Woszczyk, W. (2004) Controlling the perceptual organization of sound: Guidelines derived from principles of auditory scene analysis. In K. Greenebaum & R. Barzel (Eds.), Audio anecdotes: Tools, tips and techniques for digital audio. Natick, MA: A. K. Peters
4. Dannenbring, G. L. (1976). Perceived auditory continuity with alternately rising and falling frequency transitions. Canadian Journal of Psychology, 30, 99-114.
5. Grossberg, S., Govendarajan, K. K., Wyse, L. L., Cohen, M. A. (2004). ARTSTREAM: A neural network model of auditory scene analysis and source segregation. Neural Networks, 17(4), 511-536.
6. Guzman, A. (1969). Decomposition of a visual scene into three-dimensional bodies. In A. Grasselli (Ed.), Automatic interpretation and classification of images (pp. 243-276). New York: Academic Press.
7. Izenberg, A., & Alain, C. (2003). Effects of attentional load on auditory scene analysis. Journal of Cognitive Neuroscience, 15, 1063-1073.
8. Moss, C. F., & Surlykke, A. (2001) Auditory scene analysis by echolocation in bats. Journal of the Acoustical Society of America, 110(4), 2207-26.
9. Mountain, R. (1993). An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for Strings, Percussion, & Celesta; Lutoslawski's Concerto for Orchestra; Ligeti's Chamber Concerto. PhD dissertation, School of Music, University of Victoria, BC.
10. Rosenthal, D. F., & Okuno, H. G. (Ed.). (1998). Computational auditory scene analysis. Mahwah, NJ: Lawrence Erlbaum Associates.
11. Winston, P. H., (Ed.). (1975). The psychology of computer vision. New York: McGraw-Hill.
12. Woszczyk, W., & Bregman, A. S. (in press). Creating mixtures: The application of auditory scene analysis (ASA) to audio recording. In K. Greenebaum & R. Barzel (Eds.), Audio anecdotes. (Vol 2). Natick, MA: A. K. Peters.