Beat tracking of musical performances using low-level audio features

IEEE Transactions on Speech and Audio Processing

Volumn 13, Issue 2, 2005, Pages 275-285

  Sethares, William A ^a   Morris, Robin D ^b   Sethares, James C ^c  

^a University of Wisconsin Madison   (United States)

^b NASA AMES RESEARCH CENTER   (United States)

^c NONE   (United States)

Author keywords

Musical rhythm; Particle filters; Rhythmic analysis; Spectral center; Spectral dispersion; Tempo tracking

Indexed keywords

ACOUSTIC NOISE; APPROXIMATION THEORY; AUDITION; DATA REDUCTION; GRADIENT METHODS; KALMAN FILTERING; PARAMETER ESTIMATION; PROBABILITY;

MUSICAL RHYTHM; PARTICLE FILTERS; RHYTHMIC ANALYSIS; SPECTRAL CENTER; SPECTRAL DISPERSION; TEMPO TRACKING;

ACOUSTIC WAVES;

EID: 14644411724     PISSN: 10636676     EISSN: None     Source Type: Journal    
DOI: 10.1109/TSA.2004.841053     Document Type: Article

References (38)

1. P. E. Allen and R. B. Dannenberg, "Tracking musical beats in real time," in Proc. Int. Computer Music Conf., Glasgow, U.K., Sep. 1990.
2. J. M. Bernardo and A. F. M. Smith, Bayesian Theory. New York: Wiley, 2001.
3. A. T. Cemgil, B. Kappen, P. Desain, and H. Honing, "On tempo tracking: Tempogram representation and Kalman filtering," J. New Music Res., vol. 28, no. 4, 2001.
4. A. T. Cemgil and B. Kappen, "Monte Carlo methods for tempo tracking and rhythm quantization," J. Artific. Intell Res., vol. 18, pp. 45-81, 2003.
5. D. Cliff, "Hang the DJ: Automatic Sequencing and Seamless Mixing of Dance Music Tracks,", Hewlett Packard TR HPL-2000.104, 2000.
6. P. Desain, "A (de)composable theory of rhythm perception," Music Perception, vol. 9, no. 4, pp. 439-454, Summer 1992.
7. S. Dixon, "Automatic extraction of tempo and beat from expressive performances," J. New Music Res., vol. 30, no. 1, 2001.
8. A. Doucet, N. de Freitas, and N. Gordon, Eds., Sequential Monte Carlo Methods in Practice. New York: Springer-Verlag, 2001.
9. A. Doucet, N. de Freitas, and N. Gordon, "An introduction to sequential Monte Carlo methods," in Sequential Monte Carlo Methods in Practice, A. Doucet, N. de Freitas, and N. Gordon, Eds. New York: SpringerVerlag, 2001.
10. A. Doucet, N. de Freitas, K. Murphy, and S. Russell, "Rao- Blackwellised particle filtering for dynamic Bayesian networks," Proc. Uncertainty in Artificial Intelligence, Jun. 2000.
11. [Online]. Available: http://www.gnutella.com
12. N. J. Gordon, D. J. Salmond, and A. F. M. Smith, "Novel approach to nonlinear/non-Gaussian Bayesian state estimation," Proc. Inst. Elect. Eng. F, vol. 140, no. 2, pp. 107-113, Apr. 1993.
13. M. Goto, "An audio-based real-time beat tracking system for music with or without drum-sounds," J. New Music Res., vol. 30, no. 2, pp. 159-171, 2001.
14. F. Gouyon and P. Herrera, "A beat induction method for musical audio signals," in Proc. 4th WIAMIS-Special Session on Audio Segmentation and Digital Music, London, U.K., 2003.
15. _, "Determination of the meter of musical audio signals: Seeking recurrences in beat segment descriptors," in Proc. AES, 114th Conv., Amsterdam, The Netherlands, Mar. 2003.
16. F. Gouyon and B. Meudic, "Toward rhythmic content processing of musical signals: Fostering complementary approaches," J. New Music Res., vol. 32, no. 1, pp. 159-171, 2003.
17. S. Haykin, Adaptive Filter Theory. Englewood Cliffs, NJ: PrenticeHall, 1991.
18. H. C. Longuet-Higgins and C. S. Lee, "The rhythmic interpretation of monophonic music," Music Perception, vol. 1, no. 4, pp. 424-441, Summer 1984.
19. L. van Noorden and D. Moelants, "Resonance in the perception of musical pulse," J. New Music Res., vol. 28, no. 1, Mar. 1999.
20. B. Porat, Digital Signal Processing. New York: Wiley, 1997.
21. D. J. Povel and P. Essens, "Perception of temporal patterns," Music Perception, vol. 2, no. 4, pp. 411-440, Summer 1985.
22. C. Raphael, "Automated rhythm transcription," in Proc. Int. Symp. Music Information Retrieval, Bloomington, IN, Oct. 2001.
23. D. Rosenthal, "Emulation of rhythm perception," Comput. Music J., vol. 16, no. 1, Spring 1992.
24. H. L. Royden, Real Analysis, 3rd ed. Englewood Cliffs, NJ: PrenticeHall, 1988.
25. J. Seppänen, "Computational Models of Musical Meter Recognition," M.S. thesis, Tampere Univ. Tech., Tampere, Finland, 2001.
26. E. D. Scheirer, "Tempo and beat analysis of acoustic musical signals," J. Acoust. Soc. Amer., vol. 103, no. 1, pp. 588-601, Jan. 1998.
27. W. A. Sethares, Tuning, Timbre, Spectrum, Scale. New York: SpringerVerlag, 1997.
28. W. A. Sethares and T. Staley, "The periodicity transform," IEEE Trans. Signal Process., vol. 47, no. 11, pp. 2953-2964, Nov. 1999.
29. _, "Meter and periodicity in musical performance," J. New Music Res., vol. 30, no. 2, Jun. 2001.
30. M. J. Steedman, "The perception of musical rhythm and meter," Perception, vol. 6, pp. 555-569, 1977.
31. N. P. M. Todd, D. J. O'Boyle, and C. S. Lee, "A sensory-motor theory of rhythm, time perception and beat induction," J. New Music Res., vol. 28, no. 1, pp. 5-28, 1999.
32. P. Toiviainen, "Modeling the perception of meter with competing subharmonic oscillators," in Proc. 3rd Triennial ESCOM Conf., Uppsala, Sweden, 1997.
33. G. Tzanetakis and P. Cook, "Musical genre classification of audio signals," IEEE Trans. Speech Audio Process., vol. 10, no. 5, pp. 293-302, Jul. 2002.
34. J. Vermaak, C. Andrieu, A. Doucet, and S. J. Godsill, "Particle methods for Bayesian modeling and enhancement of speech signals," IEEE Trans. Speech Audio Process., vol. 10, no. 3, pp. 173-185, Mar. 2002.
35. [Online]. Available: http://eceserv0.ece.wisc.edu/~sethares/beatrack.html
36. Y. Wang, "A beat-pattern based error concealment scheme for music delivery with burst packet loss," in Proc. Int. Conf. Multimedia and Expo., 2001.
37. E. Wold, T. Blum, D. Keislar, and J. Wheaton, "Content-based classification, search and retrieval of audio," IEEE Trans. Multimedia, vol. 3, no. 3, pp. 27-36, 1996.
38. T. Zhang and J. Kuo, "Audio content analysis for online audiovisual data segmentation and classification," IEEE Trans. Speech Audio Process., vol. 9, no. 4, pp. 441 457-441 457, May 2001.