Sublime ascesis: Lyotard, art and the event

Angelaki - Journal of the Theoretical Humanities

Volumn 7, Issue 1, 2002, Pages 199-212

  Malpas, Simon ^a  

^a MANCHESTER METROPOLITAN UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 13844322135     PISSN: 0969725X     EISSN: None     Source Type: Journal    
DOI: 10.1080/09697250220142128     Document Type: Article

References (18)

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2. Burke, E. A Philosophical Enquiry into the Origins of our Ideas of the Sublime and the Beautiful. Oxford: Oxford UP, 1990.
3. Hegel, G.W.F. Aesthetics: Lectures on Fine Art. 2 vols. Trans. T.M. Knox. Oxford: Clarendon, 1975.
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8. Hess, T.B. Barnett Newman. New York: Museum of Modern Art, 1971.
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13. Lyotard, J.-F. The Assassination of Experience in Painting - Monory. Ed. Sarah Wilson. Trans. Rachel Bowlby. London: Black Dog, 1998.
14. Newman, B. Selected Writings and Interviews. Ed. John P. O'Neill. Berkeley: U of California P, 1992.
15. Poggeler, O. Martin Heidegger's Path of Thinking. Trans. Daniel Magurshack and Sigmund Barber. New York: Humanity, 1991.
16. Reise, B. "The Stations of the Cross and the Subjects of the Artist." The Stations of the Cross: Lema Sabachthani. New York: Guggenheim Museum, 1966.
17. Williams, J. Lyotard: Towards a Postmodern Philosophy. Cambridge: Polity, 1998.
18. Williams, J. Lyotard and the Political. London: Routledge, 2000.