-
1
-
-
84993701596
-
ArtEMERGENT project
-
accessed June
-
ArtEMERGENT project, www.artemergent.org.uk, accessed June 2002.
-
(2002)
-
-
-
2
-
-
13844280278
-
Pharmaceutical Matters: The Invention of Informed Materials
-
(d)
-
Barry, A.W. (d2005) ‘Pharmaceutical Matters: The Invention of Informed Materials’, Theory, Culture & Society, 22(1): 51-69.
-
(2005)
Theory, Culture & Society
, vol.22
, Issue.1
, pp. 51-69
-
-
Barry, A.W.1
-
6
-
-
0004256372
-
-
trans. H. Tomlinson and B. Habberjam. London: Athlone
-
Deleuze, G. and C. Parnet (1987) Dialogues, trans. H. Tomlinson and B. Habberjam. London: Athlone.
-
(1987)
Dialogues
-
-
Deleuze, G.1
Parnet, C.2
-
8
-
-
13844279739
-
Subjectivity and Matter in the Work of A.N Whitehead and Gilles Deleuze: Developing a Non-Essentialist Ontology for Social Theory
-
unpublished PhD thesis, University of London
-
Halewood, M. (2003) ‘Subjectivity and Matter in the Work of A.N. Whitehead and Gilles Deleuze: Developing a Non-Essentialist Ontology for Social Theory’, unpublished PhD thesis, University of London.
-
(2003)
-
-
Halewood, M.1
-
9
-
-
13844259051
-
Simulating Narratives: What Virtual Creatures Can Teach Us
-
Hayles, N.K. (1999) ‘Simulating Narratives: What Virtual Creatures Can Teach Us’, Critical Inquiry, 26: 1-26.
-
(1999)
Critical Inquiry
, vol.26
, pp. 1-26
-
-
Hayles, N.K.1
-
11
-
-
13844287547
-
Inferential Art
-
in R. Kostelanetz (ed.) New York: Da Capo Press
-
Kostelanetz, R. (1991) ‘Inferential Art’, in R. Kostelanetz (ed.) John Cage: An Anthology. New York: Da Capo Press.
-
(1991)
John Cage: An Anthology
-
-
Kostelanetz, R.1
-
12
-
-
79957198631
-
Post-Cagean Aesthetics and the “Event” Score
-
Kotz, L. (2001) ‘Post-Cagean Aesthetics and the “Event” Score’, October, 95: 55-89.
-
(2001)
October
, vol.95
, pp. 55-89
-
-
Kotz, L.1
-
13
-
-
0033264168
-
Marking Time with Nike: The Illusion of the Durable
-
Lury, C. (1999) ‘Marking Time with Nike: The Illusion of the Durable’, Public Culture, 11(3): 499-526.
-
(1999)
Public Culture
, vol.11
, Issue.3
, pp. 499-526
-
-
Lury, C.1
-
15
-
-
13844281549
-
“Contemplating a Self-portrait as a Pharmacist”: A Trade Mark Style of Doing Art and Science
-
Lury, C. (2005) ‘“Contemplating a Self-portrait as a Pharmacist”: A Trade Mark Style of Doing Art and Science’, Theory, Culture & Society, 22(1): 93-110.
-
(2005)
Theory, Culture & Society
, vol.22
, Issue.1
, pp. 93-110
-
-
Lury, C.1
-
16
-
-
0003647251
-
-
trans. G. Bennington and R. Bowlby. Oxford: Polity Press
-
Lyotard, J.-F. (1991) The Inhuman: Reflections on Time, trans. G. Bennington and R. Bowlby. Oxford: Polity Press.
-
(1991)
The Inhuman: Reflections on Time
-
-
Lyotard, J.-F.1
-
18
-
-
0039246593
-
Afterword: The Politics of Silence and Sound
-
in J. Attali Minneapolis: University of Minnesota Press
-
McClary, S. (1999) ‘Afterword: The Politics of Silence and Sound’, in J. Attali Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press.
-
(1999)
Noise: The Political Economy of Music
-
-
McClary, S.1
-
19
-
-
79954363255
-
John Cage, or Liberated Music
-
Metzger, H.-K. (1997) ‘John Cage, or Liberated Music’, October, 82: 49-61.
-
(1997)
October
, vol.82
, pp. 49-61
-
-
Metzger, H.-K.1
-
20
-
-
0010694749
-
The Electronic Archive
-
Myerson, G. (1998) ‘The Electronic Archive’, History of Human Sciences, 11(4): 85-101.
-
(1998)
History of Human Sciences
, vol.11
, Issue.4
, pp. 85-101
-
-
Myerson, G.1
-
21
-
-
84861569458
-
From the “Aesthetics of Indifference” to “Negative Aesthetics”: John Cage and Germany 1958-1972
-
Pepper, I. (1997) ‘From the “Aesthetics of Indifference” to “Negative Aesthetics”: John Cage and Germany 1958-1972’, October, 82: 31-47.
-
(1997)
October
, vol.82
, pp. 31-47
-
-
Pepper, I.1
-
22
-
-
0001887963
-
The Body in the Archive
-
Sekula, A. (1986) ‘The Body in the Archive’, October, 39: 3-65.
-
(1986)
October
, vol.39
, pp. 3-65
-
-
Sekula, A.1
-
24
-
-
13844279775
-
Whitehead and the Laws of Nature
-
Stengers, I. (1999) ‘Whitehead and the Laws of Nature’, SaThZ, 3: 193-206.
-
(1999)
SaThZ
, vol.3
, pp. 193-206
-
-
Stengers, I.1
-
25
-
-
0003577975
-
-
trans. D.W. Smith. Minneapolis: University of Minnesota Press
-
Stengers, I. (2000) The Invention of Modern Science, trans. D.W. Smith. Minneapolis: University of Minnesota Press.
-
(2000)
The Invention of Modern Science
-
-
Stengers, I.1
-
27
-
-
0007350101
-
Time and Representation
-
in I. Stengers trans. by P. Bains. Minneapolis: University of Minnesota Press
-
Stengers, I., with D. Gille (1997) ‘Time and Representation’, in I. Stengers Power and Invention: Situating Science, trans. by P. Bains. Minneapolis: University of Minnesota Press.
-
(1997)
Power and Invention: Situating Science
-
-
Stengers, I.1
Gille, D.2
-
28
-
-
84993789111
-
Thought Conductor
-
# 1 (video)
-
Thought Conductor # 1 (video).
-
-
-
-
29
-
-
84993789111
-
Thought Conductor
-
# 2 (video).
-
Thought Conductor # 2 (video).
-
-
-
-
30
-
-
13844303369
-
The Theatre of Production: Philosophy and Individuation between Kant and Deleuze
-
unpublished PhD thesis, University of Warwick.
-
Toscano, A. (2002) ‘The Theatre of Production: Philosophy and Individuation between Kant and Deleuze’, unpublished PhD thesis, University of Warwick.
-
(2002)
-
-
Toscano, A.1
-
34
-
-
0004241822
-
-
(b) revised edn ed. D.R. Griffin, D.W. Sherburne. New York: Free Press
-
Whitehead, A.N. (1985b) Process and Reality, revised edn, ed. D.R. Griffin and D.W. Sherburne. New York: Free Press.
-
(1985)
Process and Reality
-
-
Whitehead, A.N.1
|