Beauty as a design prize

Human-Computer Interaction

Volumn 19, Issue 4, 2004, Pages 359-366

  Frohlich, David M ^a,b,c,d  

^a HEWLETT PACKARD LABORATORIES   (United Kingdom)

^b UNIVERSITY OF YORK   (United Kingdom)

^c UNIVERSITY OF CENTRAL LANCASHIRE   (United Kingdom)

^d ROYAL COLLEGE OF ART   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

COMPACT DISK PLAYERS; INTERACTIVE COMPUTER SYSTEMS; PRODUCT DESIGN; USABILITY ENGINEERING;

INTERACTIVE PRODUCTS; MP3 PLAYER;

HUMAN COMPUTER INTERACTION;

EID: 13644257463     PISSN: 07370024     EISSN: None     Source Type: Journal    
DOI: 10.1207/s15327051hci1904_4     Document Type: Note

References (14)

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3. Gell, A. (1992). The technology of enchantment and the enchantment of technology. Inj. Coote & A. Shelton (Eds.), Anthropology, art and aesthetics. Oxford, UK: Clarendon.
4. Grudin, J. (1990). The computer reaches out: The historical continuity of interface design. Proceedings of the CHI 90 Conference on Human Factors in Computing Systems (pp 261-268). New York: ACM.
5. Hassenzahl, M. (2004). The interplay of beauty, goodness, and usability in interactive products. HumanûComputer Interaction, 19, 319-349. [this issue]
6. Hogarth, W. (1753). The analysis of beauty. London: Covent-Garden Journal.
7. Jordan, P. W. (2000). Designing pleasurable products: An introduction to the new human factors. London: Taylor & Francis.
8. Kant, I. (1790/1978). The critique of judgment (J. C. Meridith, Trans.). Oxford, UK: Clarendon.
9. Kirwan, J. (1999). Beauty. Manchester, UK: Manchester University Press.
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11. McCarthy, J., & Wright, P. (2003). The enchantments of technology. In M. A. Blythe, K. Overbeeke, A. F. Monk, & P. C. Wright (Eds.), Funology: From usability to enjoyment. London: Kluwer.
12. Norman, D. A. (1988). The psychology of everyday things. New York: Basic Books.
13. Norman, D. A. (2004). Emotional design: Why we love (or hate) everyday things. New York: Basic Books.
14. Wolf, N. (1990). The beauty myth: How images of beauty are used against women. London: Vintage.