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Volumn , Issue , 2004, Pages 223-226

Physics-based modeling of musical instruments for interactive virtual reality

Author keywords

[No Author keywords available]

Indexed keywords

ALGORITHMS; COMPUTER AIDED SOFTWARE ENGINEERING; COMPUTER MUSIC; DIGITAL FILTERS; FINITE DIFFERENCE METHOD; MATHEMATICAL MODELS; SIGNAL PROCESSING; TIME DOMAIN ANALYSIS; USER INTERFACES; VIRTUAL REALITY;

EID: 13344259925     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (9)

References (19)
  • 1
    • 0002078743 scopus 로고
    • Physical modeling using digital waveguides
    • J. O. Smith, "Physical Modeling Using Digital Waveguides," Computer Music J., vol. 16, no. 4, pp. 74-91, 1992. See: http://www-ccrma.stanford.edu/~jos/pmudw/.
    • (1992) Computer Music J. , vol.16 , Issue.4 , pp. 74-91
    • Smith, J.O.1
  • 2
  • 4
    • 4344700166 scopus 로고    scopus 로고
    • Digital waveguides versus finite difference schemes: Equivalance and mixed modeling
    • M. Karjalainen and C. Erkut, "Digital Waveguides versus Finite Difference Schemes: Equivalance and Mixed Modeling," J. Applied Sig. Proc., no 7, 2004, pp. 978-989.
    • (2004) J. Applied Sig. Proc. , Issue.7 , pp. 978-989
    • Karjalainen, M.1    Erkut, C.2
  • 5
    • 0000036761 scopus 로고    scopus 로고
    • Principles of digital waveguide models of musical instruments
    • Ch. 10 (ed. Kahrs and Brandenburg), Kluwer Academic Publishers
    • J. O. Smith, Principles of Digital Waveguide Models of Musical Instruments, Ch. 10 in Appl. of Digital Sig. Proc. to Audio and Acoust., (ed. Kahrs and Brandenburg), Kluwer Academic Publishers, 1998.
    • (1998) Appl. of Digital Sig. Proc. to Audio and Acoust.
    • Smith, J.O.1
  • 7
    • 0000172163 scopus 로고
    • On the use of finite differences for musical synthesis. Application to plucked stringed instruments
    • April
    • A. Chaigne, "On the Use of Finite Differences for Musical Synthesis. Application to Plucked Stringed Instruments," J. Acoustique, vol. 5, pp. 181-211, April 1992.
    • (1992) J. Acoustique , vol.5 , pp. 181-211
    • Chaigne, A.1
  • 8
    • 0022669613 scopus 로고
    • Wave digital filters: Theory and practice
    • Feb.
    • A. Fettweis, "Wave Digital Filters: Theory and Practice," Proc. of the IEEE, vol. 74, no. 2, pp. 270-361, Feb. 1986.
    • (1986) Proc. of the IEEE , vol.74 , Issue.2 , pp. 270-361
    • Fettweis, A.1
  • 9
    • 0032677805 scopus 로고    scopus 로고
    • Toward nonlinear wave digital filters
    • June
    • A. Sarti and G. De Poli, "Toward Nonlinear Wave Digital Filters," Proc. IEEE Trans. Signal Processing, vol. 47, no. 6, pp. 1654-1668, June 1999.
    • (1999) Proc. IEEE Trans. Signal Processing , vol.47 , Issue.6 , pp. 1654-1668
    • Sarti, A.1    De Poli, G.2
  • 11
    • 0003070118 scopus 로고
    • The Missing link: Modal synthesis
    • Chapter (eds. de Poli, Piccialli, and Roads), MIT Press, Cambridge, Mass.
    • J.-M. Adrien, The Missing Link: Modal Synthesis, Chapter in Representations of Musical Signals, (eds. de Poli, Piccialli, and Roads), MIT Press, Cambridge, Mass., 1991.
    • (1991) Representations of Musical Signals
    • Adrien, J.-M.1
  • 12
    • 13344250691 scopus 로고    scopus 로고
    • http://www.ircam.fr/produits/logiciels/modalys-e.htm
  • 14
    • 0020765031 scopus 로고
    • Digital synthesis of plucked-string and drum timbres
    • K. Karplus and A. Strong, "Digital Synthesis of Plucked-String and Drum Timbres," Computer Music J., vol. 7, nr. 2, pp. 43-55, 1983.
    • (1983) Computer Music J. , vol.7 , Issue.2 , pp. 43-55
    • Karplus, K.1    Strong, A.2
  • 15
    • 4344674047 scopus 로고    scopus 로고
    • Blockcompiler: Efficient simulation of acoustic and audio systems
    • Paper 5756, Amsterdam, May
    • M. Karjalainen, "BlockCompiler: Efficient Simulation of Acoustic and Audio Systems," Preprints of AES114th Convention, Paper 5756, Amsterdam, May 2003.
    • (2003) Preprints of AES114th Convention
    • Karjalainen, M.1
  • 16
    • 13344262985 scopus 로고    scopus 로고
    • http://www.tml.hut.fi/~tilmonen/mustajuuri/
  • 17
    • 13344261618 scopus 로고    scopus 로고
    • Latency tolerance for gesture controlled continuous sound instrument without tactile feedback
    • Miami, USA, Nov.
    • T. Mäki-Patola and P. Hämäläinen, "Latency Tolerance for Gesture Controlled Continuous Sound Instrument without Tactile Feedback," Proc. Int. Computer Music Conference, Miami, USA, Nov. 2004.
    • (2004) Proc. Int. Computer Music Conference
    • Mäki-Patola, T.1    Hämäläinen, P.2
  • 18
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    • Effect of latency on playing accuracy of two gesture controlled continuous sound instruments without tactile feedback
    • Naples, Italy, Oct.
    • T. Mäki-Patola and P. Hämäläinen, "Effect of Latency on Playing Accuracy of Two Gesture Controlled Continuous Sound Instruments Without Tactile Feedback," Proc. Conf. on Digital Audio Effects, Naples, Italy, Oct. 2004.
    • (2004) Proc. Conf. on Digital Audio Effects
    • Mäki-Patola, T.1    Hämäläinen, P.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.