메뉴 건너뛰기




Volumn 29, Issue 1, 2001, Pages 25-54

'Making names': The cutting edge renewal of African art in New York City, 1985-1996

Author keywords

[No Author keywords available]

Indexed keywords


EID: 1142309433     PISSN: 0304422X     EISSN: None     Source Type: Journal    
DOI: 10.1016/S0304-422X(00)00034-6     Document Type: Article
Times cited : (19)

References (74)
  • 1
    • 4344681522 scopus 로고    scopus 로고
    • From philanthropy to funding: The effects of corporate and public support on American art museums
    • Alexander, Victoria D., 1996. From philanthropy to funding: The effects of corporate and public support on American art museums. Poetics 24, 87-129.
    • (1996) Poetics , vol.24 , pp. 87-129
    • Alexander, V.D.1
  • 3
    • 0002676992 scopus 로고
    • Disjuncture and difference in the global world economy
    • Appadurai, Arjun, 1990. Disjuncture and difference in the global world economy. Public Culture 2, 1-24.
    • (1990) Public Culture , vol.2 , pp. 1-24
    • Appadurai, A.1
  • 4
    • 0001492228 scopus 로고
    • Is the post - In postmodernism the post - In postcolonial?
    • Appiah, Kwame Anthony, 1991. Is the post - in postmodernism the post - in postcolonial? Critical Inquiry 17, 336-357.
    • (1991) Critical Inquiry , vol.17 , pp. 336-357
    • Appiah, K.A.1
  • 5
    • 1642449883 scopus 로고    scopus 로고
    • Loser wins': Outsider art and the salvaging of disinterestedness
    • Ardery, Julia S, 1997. 'Loser wins': Outsider art and the salvaging of disinterestedness. Poetics 24, 329-346.
    • (1997) Poetics , vol.24 , pp. 329-346
    • Ardery, J.S.1
  • 7
    • 0004164804 scopus 로고
    • Berkeley, CA: University of California Press
    • Becker, Howard, 1982. Art worlds. Berkeley, CA: University of California Press.
    • (1982) Art Worlds
    • Becker, H.1
  • 8
    • 33645340888 scopus 로고
    • The semantic equation: A theory of the social origins of art styles
    • Randall Collins (ed.), San Francisco, CA: Jossey Bass
    • Bergesen, Albert, 1984. The semantic equation: A theory of the social origins of art styles. In: Randall Collins (ed.), Sociological theory, 222-237. San Francisco, CA: Jossey Bass.
    • (1984) Sociological Theory , pp. 222-237
    • Bergesen, A.1
  • 10
    • 3142656194 scopus 로고
    • The field of cultural production, or: The economic world reversed
    • Randall Johnson (ed.), New York: Columbia University Press.
    • Bourdieu, Pierre, 1993a. The field of cultural production, or: The economic world reversed. In: Randall Johnson (ed.), The field of cultural production: Essays on art and literature, 29-73. New York: Columbia University Press.
    • (1993) The Field of Cultural Production: Essays on Art and Literature , pp. 29-73
    • Bourdieu, P.1
  • 11
    • 0000537352 scopus 로고    scopus 로고
    • Originally published in 1983
    • Originally published in 1983 in Poetics 12 (4/5), 311-355.
    • Poetics , vol.12 , Issue.4-5 , pp. 311-355
  • 12
    • 2342607419 scopus 로고
    • The production of belief: Contribution to an economy of symbolic goods
    • Randall Johnson (ed.), New York: Columbia University Press
    • Bourdieu, Pierre, 1993b. The production of belief: Contribution to an economy of symbolic goods. In: Randall Johnson (ed.), The field of cultural production: Essays on art and literature, 74-111. New York: Columbia University Press.
    • (1993) The Field of Cultural Production: Essays on Art and Literature , pp. 74-111
    • Bourdieu, P.1
  • 13
    • 0000422521 scopus 로고
    • The market of symbolic goods
    • Randall Johnson (ed.), New York: Columbia University Press
    • Bourdieu, Pierre, 1993c. The market of symbolic goods. In: Randall Johnson (ed.), The field of cultural production: Essays on art and literature, 112-141. New York: Columbia University Press.
    • (1993) The Field of Cultural Production: Essays on Art and Literature , pp. 112-141
    • Bourdieu, P.1
  • 14
    • 0007186662 scopus 로고
    • Principles for a sociology of cultural works
    • Randall Johnson (ed.), New York: Columbia University Press
    • Bourdieu, Pierre, 1993d. Principles for a sociology of cultural works. In: Randall Johnson (ed.), The field of cultural production: Essays on art and literature, 176-191. New York: Columbia University Press.
    • (1993) The Field of Cultural Production: Essays on Art and Literature , pp. 176-191
    • Bourdieu, P.1
  • 15
    • 33645362496 scopus 로고
    • The historical genesis of a pure aesthetic
    • Randall Johnson (ed.), New York: Columbia University Press
    • Bourdieu, Pierre, 1993e. The historical genesis of a pure aesthetic. In: Randall Johnson (ed.), The field of cultural production: Essays on art and literature, 254-266. New York: Columbia University Press.
    • (1993) The Field of Cultural Production: Essays on Art and Literature , pp. 254-266
    • Bourdieu, P.1
  • 18
    • 33645339558 scopus 로고    scopus 로고
    • Anonymous tribal artisans?
    • The New York Times, 12 April: Arts 38, 40.
    • Cotter, Holland, 1998. Anonymous tribal artisans? Look again. The New York Times, 12 April: Arts 38, 40.
    • (1998) Look Again
    • Cotter, H.1
  • 25
    • 84981566105 scopus 로고
    • Coordination and convention: The organization of the concert world
    • Gilmore, Samuel, 1987. Coordination and convention: The organization of the concert world. Symbolic Interactionism 10(2), 209-227.
    • (1987) Symbolic Interactionism , vol.10 , Issue.2 , pp. 209-227
    • Gilmore, S.1
  • 26
    • 84983933797 scopus 로고
    • Schools of activity and innovation
    • Gilmore, Samuel, 1988. Schools of activity and innovation. Sociological Quarterly 29(2), 203-219.
    • (1988) Sociological Quarterly , vol.29 , Issue.2 , pp. 203-219
    • Gilmore, S.1
  • 28
    • 84933490587 scopus 로고
    • The writing on the mud wall: Nigerian novels and the imaginary village
    • Griswold, Wendy, 1993. The writing on the mud wall: Nigerian novels and the imaginary village. American Sociological Review 57, 709-724.
    • (1993) American Sociological Review , vol.57 , pp. 709-724
    • Griswold, W.1
  • 31
    • 84917418902 scopus 로고    scopus 로고
    • Recontextualizing African altars
    • Heartney, Eleanor, 1998. Recontextualizing African altars. Art in America 25, 58-65.
    • (1998) Art in America , vol.25 , pp. 58-65
    • Heartney, E.1
  • 33
    • 0010064120 scopus 로고
    • African art and authenticity: A text with a shadow
    • Kasfir, Sidney Littlefield, 1992. African art and authenticity: A text with a shadow. African Arts 25, 41-53, 96-97.
    • (1992) African Arts , vol.25 , pp. 41-53
    • Kasfir, S.L.1
  • 37
    • 0001894016 scopus 로고
    • The cultural biography of things: Commoditization as process
    • Arjun Appadurai (ed.), Cambridge: Cambridge University Press
    • Kopytoff, Igor, 1986. The cultural biography of things: Commoditization as process. In: Arjun Appadurai (ed.), The social life of things: Commodities in cultural perspective, 64-91. Cambridge: Cambridge University Press.
    • (1986) The Social Life of Things: Commodities in Cultural Perspective , pp. 64-91
    • Kopytoff, I.1
  • 41
    • 84984038262 scopus 로고
    • Aesthetics and the artistic career: A study of anomie in fine-art painting
    • Mulkay, Michael and Elizabeth Chaplin, 1982. Aesthetics and the artistic career: A study of anomie in fine-art painting. Sociological Quarterly 23, 117-138.
    • (1982) Sociological Quarterly , vol.23 , pp. 117-138
    • Mulkay, M.1    Chaplin, E.2
  • 42
    • 0007943579 scopus 로고
    • The patronage of difference: Making Indian art 'art, not ethnology'
    • George E. Marcus and Fred R. Myers (eds.), Berkeley, CA: University of California Press
    • Mullin, Holly H., 1995. The patronage of difference: Making Indian art 'art, not ethnology'. In: George E. Marcus and Fred R. Myers (eds.), The traffic in culture: Refiguring art and anthropology, 166-198. Berkeley, CA: University of California Press.
    • (1995) The Traffic in Culture: Refiguring Art and Anthropology , pp. 166-198
    • Mullin, H.H.1
  • 43
    • 1342337764 scopus 로고
    • Representing culture: The production of discourse(s) for Aboriginal acrylic paintings
    • George E. Marcus and Fred R. Myers (eds.), Berkeley, CA: University of California Press
    • Myers, Fred R., 1995. Representing culture: The production of discourse(s) for Aboriginal acrylic paintings. In: George E. Marcus and Fred R. Myers (eds.), The traffic in culture: Refiguring art and anthropology, 55-95. Berkeley, CA: University of California Press.
    • (1995) The Traffic in Culture: Refiguring Art and Anthropology , pp. 55-95
    • Myers, F.R.1
  • 45
    • 0000404907 scopus 로고
    • Cycles in symbol production: The case of popular music
    • Peterson, Richard A. and David G. Berger, 1975. Cycles in symbol production: The case of popular music. American Sociological Review 40, 158-173.
    • (1975) American Sociological Review , vol.40 , pp. 158-173
    • Peterson, R.A.1    Berger, D.G.2
  • 48
    • 0002902691 scopus 로고
    • A theory of structure: Duality, agency, and transformation
    • Sewell, William H., Jr., 1992. A theory of structure: Duality, agency, and transformation. American Journal of Sociology 98(1), 1-29.
    • (1992) American Journal of Sociology , vol.98 , Issue.1 , pp. 1-29
    • Sewell Jr., W.H.1
  • 49
    • 84909355434 scopus 로고
    • New York: Cambridge University Press
    • Steiner, Christopher, 1994. African art in transit. New York: Cambridge University Press.
    • (1994) African Art in Transit
    • Steiner, C.1
  • 50
    • 84936823493 scopus 로고
    • Culture in action: Symbols and strategies
    • Swidler, Ann, 1986. Culture in action: Symbols and strategies. American Sociological Review 51(2), 273-286.
    • (1986) American Sociological Review , vol.51 , Issue.2 , pp. 273-286
    • Swidler, A.1
  • 52
    • 33645366467 scopus 로고
    • Romancing the stone: A Renaissance for Zimbabwe's Shona sculpture
    • Wilkinson, Ray, 1987. Romancing the stone: A Renaissance for Zimbabwe's Shona sculpture. News Week 110, 80.
    • (1987) News Week , vol.110 , pp. 80
    • Wilkinson, R.1
  • 53
    • 23844461165 scopus 로고    scopus 로고
    • African legacies, American realities: Art and artists on the edge
    • Vera L. Zolberg and Joni Cherbo (eds.), New York: Cambridge University Press
    • Zolberg, Vera L., 1997. African legacies, American realities: Art and artists on the edge. In: Vera L. Zolberg and Joni Cherbo (eds.), Outsider art: Contesting boundaries in contemporary culture, 53-70. New York: Cambridge University Press.
    • (1997) Outsider Art: Contesting Boundaries in Contemporary Culture , pp. 53-70
    • Zolberg, V.L.1
  • 58
    • 33645348540 scopus 로고
    • Art noire, 1989-1996.
    • (1989) Art Noire
  • 59
    • 33645368588 scopus 로고
    • Art now
    • Gallery guides, 1984-1996. Art now.
    • (1984) Gallery Guides
  • 63
    • 33645350668 scopus 로고
    • New York: Center for African Art
    • Center for African Art, 1988. The art of collecting African art. New York: Center for African Art.
    • (1988) The Art of Collecting African Art
  • 64
    • 33645339291 scopus 로고
    • 7 + 7 = 1: Seven stories, seven stages, one exhibition
    • Deliss, Clementine, 1995. 7 + 7 = 1: Seven stories, seven stages, one exhibition. In: Whitechapel Art
    • (1995) Whitechapel Art
    • Deliss, C.1
  • 66
    • 0013387320 scopus 로고    scopus 로고
    • New York: Guggenheim Museum
    • Guggenheim Museum, 1996. Africa: The art of a continent. New York: Guggenheim Museum.
    • (1996) Africa: The Art of A Continent
  • 71
    • 33645351972 scopus 로고
    • Washington, DC: Museum of African Art
    • Museum of African Art, 1973. African art in Washington collections. Washington, DC: Museum of African Art.
    • (1973) African Art in Washington Collections


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.