Pitch distributions in Korean court music: Evidence consistent with tonal hierarchies

Music Perception

Volumn 16, Issue 2, 1998, Pages 243-247

  Nam, Unjung ^a,b  

^a UNIVERSITY OF HAWAII   (United States)

^b STANFORD UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 11144313546     PISSN: 07307829     EISSN: None     Source Type: Journal    
DOI: 10.2307/40285789     Document Type: Article

References (7)

1. Castellano, M. A., Bharucha, J. J., & Krumhansl, C. L. (1984). Tonal hierarchies in the music of North India. Journal of Experimental Psychology: General, 113, 394-412.
2. Chung, C. (1992). "Sangyongsan in Pyochongmanbangjikok." Ingan Munhwajae, Chong, Jae-Kuk. Piri & Taepy'ongso Music Collection 1. Seoul: SKC, SKCDK-0482.
3. Chung C. (1994a). "Sangyongsan in Pyongjo Hoesang." '93 Ilyc Myongin MyongChang Jon 2. Chung Chae Kook piri recital. Seoul: Seoul Records, Inc., SR-CD-1180.
4. Chung C. (1994b). "Sujechon." '93 Ilyo Myongin MyongChang Jon 2. Chung Chae Kook Piri recital. Seoul: Seoul Records, Inc., SRCD-1180.
5. Huron, D. (1993). Chordal-tone doubling and the enhancement of key perception. Psychomusicology, 12(1), 73-83.
6. Kessler, E. J., Hansen, C., & Shepard, R. N. (1984). Tonal schemata in the perception of music in Bali and the West. Music Perception, 2, 131-165.
7. Krumhansl, C. L. (1990). Cognitive foundations of musical pitch. New York: Oxford University Press, 1990.