Reflections on “the looking glass war” photography, espionage and the cold war

Visual Sociology

Volumn 16, Issue 1, 2001, Pages 75-88

  Wright, Terence ^a  

^a UNIVERSITY OF OXFORD   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 10944256487     PISSN: 10671684     EISSN: None     Source Type: Journal    
DOI: 10.1080/14725860108583827     Document Type: Article

References (47)

1. Arnheim, R. 1956. Art and Visual Perception. London: Faber and Faber.
2. Banville, J. 1997. The Untouchable. London: Picador.
3. Barbash, I. and L. Taylor. 1997. Cross-cultural Filmmaking. Berkeley: California University Press.
4. Becker, H. S. 1998. “Visual sociology, documentary photography, and photojournalism.” in Prosser, J., ed., Image-based Research: A Sourcebook for Qualitative Researchers. Bristol: Falmer Press.
5. Bennett, A. 1994. Writing Home. London: Faber and Faber.
6. Boon, J. A. 1982. Other Tribes, Other Scribes: Symbolic Anthropology in the Comparative Study of Cultures, Histories, Religions, and Texts. Cambridge: Cambridge University Press.
7. Broecker, W. L., ed. 1984. ICP Encyclopedia of Photography. New York: Crown Publishers.
8. Carroll, L. 1872. Through the Looking-glass, and What Alice Found There. London: Macmillan.
9. Cunningham, V. 1988. British Writers of the Thirties. Oxford: Oxford University Press.
10. Dziegiel, L. 1998. Paradise in a Concrete Cage: Daily Life in Communist Poland, an Ethnologist’s View. Cracow: Arcana.
11. Geertz, C. 1973. The Interpretation of Cultures. New York: Basic Books.
12. Geertz, C. 1980. Negara: The Theatre State in Nineteenth-century Bali. Princeton, NJ: Princeton University Press.
13. Gell, A. 1998. Art and Agency: An Anthropological Theory. Oxford: Oxford University Press.
14. Goody, J. 1976. The Domestication of the Savage Mind. Cambridge: Cambridge University Press.
15. Gorbachev, M. 1996. Memoirs. London: Doubleday.
16. Greene, G. 1950. The Third Man. Harmondsworth: Penguin (1971).
17. Hagen, M. A. 1986. Varieties of Realism: The Geometries of Representational Art. Cambridge: Cambridge University Press.
18. Hanson, F. A. 1983. “When the map is the territory: art in Maori culture.” in Washburn, D. K., ed., Structure and Cognition in Art. Cambridge: Cambridge University Press, 74-89.
19. Harrison, E. D. R. 1993. “Some reflections on Kim Philby’s My Silent War as an historical source.” University of Salford.
20. Haslam, J. 1998. “Russia’s seat at the table: a place denied or a place delayed." International Affairs 74(1):119-130.
21. Hughes, T. 1997. Tales from Ouid. London: Faber and Faber.
22. Jones, R. V. 1989. Reflections on Intelligence. London: Heinemann.
23. Keane, A. H. 1908. The World's Peoples: A Popular Account of their Bodily & Mental Characters, Beliefs, Traditions, Political and Social Institutions. London: Hutchinson.
24. Kerouac, J. 1957. On the Road. Harmondsworth: Penguin (1972).
25. le Carré, J. 1965. The Looking Glass War. London: Heinemann.
26. Leach, K. 1999. In the Shadow of the Dream Child. London: Peter Owen.
27. Lévi-Strauss, C. 1969. The Elementary Structures of Kinship. Boston: Beacon Press.
28. Mathews, T. F. 1993. The Clash of the Gods: A reinterpretation of Early Christian Art. Princeton, NJ: Princeton University Press.
29. Mirzoeff, N. 1999. An Introduction to Visual Culture. London: Routledge.
30. Modin, Y. 1994. My Five Cambridge Friends. London: Headline.
31. Panofsky, E. 1939. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. New York: Oxford University Press.
32. Pirenne, M. H. 1972. Optics, Painting and Photography. Cambridge: Cambridge University Press.
33. Priestly, J. B. 1957. “The walrus and the carpenter.” New Statesman 10 August, 168.
34. Rosaldo, R. 1989. “Imperialist nostalgia.” in Culture and Truth: The Remaking of Social Analysis. Boston, 68-87.
35. Said, E. 1978. Orientalism. Harmondsworth: Penguin.
36. Sartre, J. P. 1940. The Psychology of the Imagination. London: Methuen (1972).
37. Scharf, A. 1968. Art and Photography. Harmondsworth: Penguin.
38. Stolowicz, L. 1988. “Zwierciadlo jako model semiotyczny, epistemologiczny I aksjologiczny” (The mirror as semiotic, epistemological and axiological model). In Konteksty. Warsaw: Department of Art and the Anthropology of Culture, Polish Academy of Sciences. Nos 3, 4:124-127.
39. Taylor, R. 1998. ‘“Some other occupation’: Lewis Carroll and photography.” in Lewis Carroll. London: The British Council, 27-38.
40. van Leeuwen, T. and C. Jewit. 2001. Handbook of Visual Analysis. London: Sage.
41. Verrier, A. 1983. Through the Looking-glass: British Foreign Policy in the “Age of Illusions.” London: Jonathan Cape.
42. White, J. 1957. The Birth and Re-birth of Pictorial Space. London: Faber and Faber.
43. Wright, T. 1999. The Photography Handbook. London: Routledge.
44. Issacs, Jeremy. 1999. Cold War television series, episode 21: “Spies.” Turner Original Productions (interviews with George Blake and Mikhail Luibimov).
45. Pierson, Frank. 1970. The Looking Glass War. 106 mins.
46. Reed, Carol. 1949. The Third Man. 104 mins B&W; prod: GDF.
47. Whitehead, Jessica. 1999. The Spying Game television series. Uden Associates Production for Channel 4.