Cognitive modeling of key interpretation in melody perception

Japanese Psychological Research

Volumn 46, Issue 4, 2004, Pages 283-297

  Yoshino, Iwao ^a   Abe, Jun Ichi ^b  

^a HOKKAIDO UNIVERSITY OF EDUCATION   (Japan)

^b HOKKAIDO UNIVERSITY   (Japan)

Author keywords

Cognitive modeling; Key; Melody perception; Music; Tonality

Indexed keywords

EID: 10944242739     PISSN: 00215368     EISSN: None     Source Type: Journal    
DOI: 10.1111/j.1468-5584.2004.00261.x     Document Type: Article

References (24)

1. Abe, J. (1987a). How is a melody processed? In G. Hatano (Ed.), Music and cognition (pp. 41-68). Tokyo: Tokyo University Press. (In Japanese.)
2. Abe, J. (1987b). Perception and prediction of melody: Simulation of the final-tone extrapolating behavior. Japanese Journal of Psychology, 58, 275-281. (In Japanese with English abstract.)
3. Abe, J. (2002). Cognitive processes of metrical and tonal organizations in music perception. Brain Science, 24, 907-913. (In Japanese.)
4. Abe, J., & Hoshino, E. (1990). Schema driven properties in melody cognition: Experiments on final tone extrapolation by music experts. Psychomusicology, 9, 161-172.
5. Abe, J., & Okada, A. (2004). Integration process of tonal and metrical organizations in melody perception. Japanese Psychological Research, 46, 298-307.
6. Bharucha, J. J. (1987). Music cognition and perceptual facilitation: a connectionist framework. Music Perception, 5, 1-30.
7. Bharucha, J. J. (1999). Neural nets, temporal composites, and tonality. In D. Deutsch (Ed.), The psychology of music (2nd ed., pp. 413-440). San Diego: Academic Press.
8. Brown, H. (1988). The interplay of set content and temporal context in a functional theory of tonality perception. Music Perception, 5, 219-250.
9. Butler, D., & Brown, H. (1984). Tonal structure versus function: studies of the recognition of harmonic motion. Music Perception, 2, 6-24.
10. Dowling, W. J. (1991). Pitch structure. In P. Howell, R. West & I. Cross (Eds.), Representing musical structure (pp. 33-57). London: Academic Press.
11. Goto, Y., & Abe, J. (1996). On cognitive models of rhythmic interpretation. International Journal of Psychology, 31, 51.
12. Hoshino, E., & Abe, J. (1984). "Tonality" and the final tone extrapolation in melody cognition. Japanese Journal of Psychology, 54, 3445-3350. (In Japanese with English abstract.)
13. Krumhansl, C. L. (1990). Cognitive foundations of musical pitch. New York, Oxford: Oxford University Press.
14. Krumhansl, C. L., & Kessler, E. J. (1982). Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. Psychological Review, 89, 334-368.
15. Krumhansl, C. L., & Toiviainen, P. (2000). Dynamics of tonality induction: a new method and a new model. Proceedings of the 6th International Conference on Music Perception and Cognition, 1504-1513.
16. Longuet-Higgins, H. C., & Lee, C. S. (1982). The perception of musical rhythms. Perception, 11, 115-128.
17. Longuet-Higgins, H. C., & Lee, C. S. (1984). The rhythmic interpretation of monophonic music. Music Perception, 1, 424-441.
18. Longuet-Higgins, H. C., & Steedman, M. J. (1971). On interpreting Bach. In B. Meltzer & D. Michie (Eds.), Machine intelligence. Vol. 6 (pp. 221-241). Edinburgh: Edinburgh University Press.
19. Matsunaga, R., & Abe, J. (2002). The effect of temporal ordering of pitches on key perception. Proceedings of the 7th International Conference on Music Perception and Cognition, 773-776.
20. Okada, A., & Abe, J. (1997). Cognitive modeling of the integration process of metrical and tonal organizations in melody perception. Proceedings of International Conference on Cognitive Science, 188-193.
21. Vos, P. G., & van Geenen, E. W. (1996). A parallel-processing key-finding model. Music Perception, 14, 185-224.
22. Yoshino, I. (1997).Cognitive science study of the process of key interpretation. Unpublished doctoral dissertation, Hokkaido University, Sapporo. (In Japanese.)
23. Yoshino, I. (1998). Key interpretations of the melodies composed in various periods. Journal of Music Perception and Cognition, 4, 81-89. (In Japanese with English Abstract.)
24. Yoshino, I., & Abe, J. (1995). Stability of key interpretation in melody perception. The Annals of Hokkaido Psychological Society, 18, 83-88. (In Japanese with English abstract.)