Migrating Musical Concepts: An Overview of the Bol Processor

Computer Music Journal

Volumn 22, Issue 2, 1998, Pages 56-64

  Bel, Bernard ^a  

^a French National Centre for Research   (India)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0347670966     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.2307/3680965     Document Type: Article

References (19)

1. Bel, B. 1992. "Symbolic and Sonic Representations of Sound-Object Structures." In M. Balaban, K. Ebcioglu, and O. Laske, eds. Understanding Music with AI: Perspectives on Music Cognition, Menlo Park, CA: AAAI Press, pp. 65-109.
2. Bel, B. 1996. "A Flexible Environment for Music Composition in Non-European Contexts." Paper presented at Journées d'Informatique Musicale 1996, Caen, France. Available with sound examples on the World Wide Web at http://www.ircam.fr/jim96.
3. Bel, B. 1997. Bol Processor BP2: QuickStart and Reference Manual. Available on the Internet at ftp:// ftp.amug.org/pub/mirrors/info-mac/gst/midi/.
4. Bel, B., and J. Kippen. 1992. "Bol Processor Grammars." In M. Balaban, K. Ebcioglu, and O. Laske, eds. Understanding Music with AI: Perspectives on Music Cognition. Menlo Park, CA: AAAI Press, pp. 366-400.
5. Boulez, P. 1963. Penser la Musique Aujourd'hui. Paris: Gonthier.
6. Dannenberg, R. B. 1997a. "Machine Tongues XIX: Nyquist, a Language for Composition and Sound Synthesis." Computer Music Journal 21(3):50-60.
7. Dannenberg, R. B. 1997b. "Abstract Time Warping of Compound Events and Signals." Computer Music Journal 21(3):61-70.
8. Jaffe, D. 1985. "Ensemble Timing in Computer Music." Computer Music Journal 9(4):8-48.
9. Kippen, J., and B. Bel. 1989a. "Can the Computer Help Resolve the Problem of Ethnographic Description?" Anthropological Quarterly 62(3):131-144.
10. Kippen, J., and B. Bel. 1989b. "The Identification and Modeling of a Percussion 'Language,' and the Emergence of Musical Concepts in a Machine-Learning Experimental Setup." Computers and the Humanities 23(3):199-214.
11. Kippen, J., and B. Bel. 1992. "Modeling Music with Grammars: Formal Language Representation in the Bol Processor." In A. Marsden and A. Pople, eds. Computer Representations and Models in Music. London: Academic Press, pp. 207-238.
12. Kippen, J., and B. Bel. 1994. "Computers, Composition and the Challenge of 'New Music' in Modern India." Leonardo 4:79-84.
13. Laske, O. 1989. "Composition Theory: An Enrichment of Music Theory." Interface 18(1-2):45-59.
14. Laske, O. 1992. "A Search of a Theory of Musicality." Languages of Design 2:209-228.
15. Laske, O. 1996. "Creativity-Where Should We Look for It?" In T. Dartnall, ed. Creativity, Cognition, and Computation. Cambridge, Massachusetts: MIT Press.
16. Révész, G. E. 1985. Introduction to Formal Languages. New York: McGraw-Hill.
17. Roads, C. 1984. "An Overview of Music Representations." In M. Baroni and L. Callegari, eds. Musical Grammars and Computer Analysis. Firenze, Italy: Olschki, pp. 7-37.
18. Vercoe, B. 1993. Csound. A Manual for the Audio Processing System and Supporting Programs with Tutorials. Program documentation. Cambridge, Massachusetts: MIT Media Lab. Available on the Internet at ftp://notam.uio.no/pub/mac/audio/.
19. Xenakis, I. 1963. Musiques formelles. Paris: La Revue Musicale.