Analysis and Modeling of Expressive Intentions in Music Performance

Annals of the New York Academy of Sciences

Volumn 999, Issue , 2003, Pages 118-123

  De Poli, Giovanni ^a  

^a UNIVERSITY OF PADOVA   (Italy)

Author keywords

Acoustic analysis; Expressive intentions; Music performance; Perceptual analysis

Indexed keywords

BEHAVIOR; CONFERENCE PAPER; EMOTION; HUMAN; MODEL; MUSIC; MUSICIAN; PERCEPTION; TASK PERFORMANCE;

EID: 0347569258     PISSN: 00778923     EISSN: None     Source Type: Book Series    
DOI: 10.1196/annals.1284.012     Document Type: Conference Paper

References (5)

1. FRIBERG, A., L. FRYDÉN, L.-G. BODIN & J. SUNDBERG. 1991. Performance rules for computer-controlled contemporary keyboard music. Computer Music J. 15: 49-55.
2. GABRIELSSON, A. 1999. The performance of music. In The Psychology of Music. 2nd Edition. D. Deutsch, Ed. :501-602. Academic Press. San Diego.
3. DE POLI, G., A. RODA' & A. VIDOLIN. 1998. Note by note analysis of the influence of expressive intentions and musical structure in violin performance. J. New Music Res. 27: 293-321.
4. CANAZZA, S., G. DE POLI, G. DI SANZO & A. VIDOLIN. 1998. A model to add expressiveness to automatic musical performance. In Proceedings of 1998 International Computer Music Conference. :163-169. Computer Music Assoc. Ann Arbor, MI.
5. CANAZZA, S., G. DE POLI, C. DRIOLI, et al. 2000. Audio morphing different expressive intentions for multimedia systems. IEEE Multimedia, July-September 7: 79-83.