Perceiving Musical Scale Structures: A Cross-Cultural Event-Related Brain Potentials Study

Annals of the New York Academy of Sciences

Volumn 999, Issue , 2003, Pages 184-188

  Neuhaus, Christiane ^a,b  

^a UNIVERSITY OF HAMBURG   (Germany)

^b MAX PLANCK INSTITUTE FOR HUMAN COGNITIVE AND BRAIN SCIENCES   (Germany)

Author keywords

Comparative musicology; Music perception; Musical scales; P300; Processing negativity

Indexed keywords

ADULT; AUDITORY DISCRIMINATION; CONFERENCE PAPER; CONTROLLED STUDY; CULTURAL ANTHROPOLOGY; EVENT RELATED POTENTIAL; HEARING; HUMAN; MALE; MUSIC; NORMAL HUMAN;

EID: 0346938253     PISSN: 00778923     EISSN: None     Source Type: Book Series    
DOI: 10.1196/annals.1284.026     Document Type: Conference Paper

References (5)

1. SCHNEIDER, A. 1994. Tone system, intonation, aesthetic experience: theoretical norms and empirical findings. Systematische Musikwissenschaft 2: 221-254.
2. DONCHIN, E. 1981. Surprise! ... Surprise? Psychophysiology 18: 493-513.
3. VERLEGER, R. 1986. Die P3-Komponente im EEG: Literarurübersicht, Diskussion von Hypothesen, Untersuchung ihres Zusammenhangs mit langsamen Potentialen. Profil. München.
4. JAIRAZBHOY, N.A. 1971. The rags of North Indian music: their structure and evolution. Faber & Faber. London.
5. HARWOOD, D.L. 1979. Contributions from psychology to musical universals. The World of Music 21: 48-61.