Brain Processing of Meter and Rhythm in Music: Electrophysiological Evidence of a Common Network

Annals of the New York Academy of Sciences

Volumn 999, Issue , 2003, Pages 244-253

  Kuck, Helen ^a   Grossbach, Michael ^a   Bangert, Marc ^a   Altenmüller, Eckart ^a  

^a Hanover University of Music and Drama   (Germany)

Author keywords

Brain activation; Local and global processing; Meter processing; Musicians; Rhythm processing

Indexed keywords

ADULT; AUDITORY STIMULATION; BRAIN FUNCTION; BRAIN REGION; CONFERENCE PAPER; CONTROLLED STUDY; DATA ANALYSIS; DIRECT CURRENT; DISSOCIATION; ELECTROENCEPHALOGRAM; ELECTROPHYSIOLOGY; FEMALE; FRONTAL LOBE; HEARING; HUMAN; HUMAN EXPERIMENT; LEFT HEMISPHERE; MALE; MULTIVARIATE ANALYSIS OF VARIANCE; MUSIC; NERVE CELL NETWORK; NORMAL HUMAN; PARIETAL LOBE; PREDICTION; RHYTHM; RIGHT HEMISPHERE; SCALP; SLOW BRAIN WAVE; TASK PERFORMANCE; TEMPORAL LOBE; TRAINING;

EID: 0346308234     PISSN: 00778923     EISSN: None     Source Type: Book Series    
DOI: 10.1196/annals.1284.035     Document Type: Conference Paper

References (16)

1. DRAKE, C. 1998. Psychological processes involved in the temporal organization of complex auditory sequences: universal and acquired processes. Music Percept. 16: 11-26.
2. PERETZ, I. 1990. Processing of local and global musical information by unilateral brain-damaged patients. Brain 113: 1185-1205.
3. LIÉGEOIS-CHAUVEL, C., I. PERETZ, M. BABAÏ, et al. 1998. Contribution of different cortical areas in the temporal lobes to music processing. Brain 121: 1853-1867.
4. PENHUNE, V.B., R.J. ZATORRE & W.H. FEINDEL. 1999. The role of auditory cortex in retention of rhythmic patterns as studied in patients with temporal lobe removals including Heschl's gyrus. Neuropsychologia 137: 315-331.
5. SCHUPPERT, M., T.F. MÜNTE, B.M. WIERINGA, et al. 2000. Receptive amusia: evidence for cross-hemispheric neural networks underlying music processing strategies. Brain 123: 546-559.
6. PATEL, H., C. PRICE, J.C. BARON, et al. 1997. The structural components of music perception. A functional anatomical study. Brain 120: 229-243.
7. PENHUNE, V.B., R.J. ZATORRE & A.C. EVANS. 1998. Cerebellar contributions to motor timing: a PET study of auditory and visual rhythm reproduction. J. Cognit. Neurosci. 10: 752-765.
8. SAKAI, K., O. HIKOSAKA, S. MIYAUCHI, et al. 1999. Neural representation of rhythm depends on its interval ratio. J. Neurosci. 19: 10074-10081.
9. LERDAHL, F. & R. JACKENDOFF. 1983. A Generative Theory of Tonal Music. MIT Press. Cambridge.
10. ALTENMÜLLER, E. & C. GERLOFF. 1998. Psychophysiology and EEG. In Electroencephalography. E. Niedermeyer & F. Lopes da Silva, Eds. :637-655. Williams & Wilkins. Baltimore.
11. SCHLAUG, G. 2001. The brain of musicians: a model for functional and structural adaptation. In The Biological Foundations of Music. R.J. Zatorre & I. Peretz, Eds. Ann. N.Y. Acad. Sci. 930: 281-299.
12. IVRY, R.B. & L.C. ROBERTSON. 1998. The Two Sides of Perception. MIT Press. Cambridge, MA.
13. ZATORRE, R.J. & P. BELIN. 2001. Spectral and temporal processing in human auditory cortex. Cereb. Cortex 11: 946-953.
14. BROCHARD, R., A. DUFOUR, C. DRAKE, et al. 2000. Functional brain imaging of rhythm perception. In ICMPC6 Proceedings. C. Woods, G. Luck, R. Brochard, et al., Eds. Keele University. UK.
15. BEISTEINER, R., E. ALTENMÜLLER, W. LANG, et al. 1994. Musicians processing music: measurement of brain potentials with EEG. Eur. J. Cognit. Psychol. 6: 311-327.
16. NAKADA, T., Y. FUJII, K. SUZUKI, et al. 1998. "Musical brain," revealed by high-field (3 Tesla) functional MRI. Neuroreport 9: 3853-3856.