A music representation requirement specification for academia

Computer Music Journal

Volumn 27, Issue 4, 2003, Pages 43-57

  Byrd, Donald ^a   Isaacson, Eric ^a  

^a INDIANA UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER SOFTWARE; DIGITAL LIBRARIES; ENCODING (SYMBOLS); SOCIETIES AND INSTITUTIONS; STUDENTS; TEACHING;

ACADEMIA; CLASSICAL MUSIC; DIGITAL MUSIC LIBRARY; SYMBOLIC MUSIC REPRESENTATION;

COMPUTER MUSIC;

EID: 0346306372     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.1162/014892603322730497     Document Type: Article

References (20)

1. Byrd, D. 1984. Music Notation by Computer. Ph.D. diss., Computer Science Department, Indiana University.
2. Byrd, D. 1994. "Music-Notation Software and Intelligence." Computer Music Journal 18(1):17-20.
3. Dannenberg, R. 1993. "Music Representation Issues, Techniques, and Systems." Computer Music Journal 17(3):20-30.
4. Grande, C. 1997. "The Notation Interchange File Format: A Windows-Compliant Approach." In. E. Selfridge-Field, ed. Beyond MIDI: The Handbook of Musical Codes. Cambridge, Massachusetts: MIT Press, pp 491-512.
5. Harold, E. R., and W. S. Means. 2002. XML in a Nutshell, 2nd ed. Sebastopol, California: O'Reilly.
6. Hewlett, W. 1997. "MuseData: Multipurpose Representation." In E. Selfridge-Field, ed. Beyond MIDI: The Handbook of Musical Codes. Cambridge, Massachusetts: MIT Press, pp. 402-450.
7. Hewlett, W., and E. Selfridge-Field, eds. 2001. "The Virtual Score: Representation, Retrieval, Restoration." Computing in Musicology 12.
8. Huron, D. 1997. "Humdrum and Kern: Selective Feature Encoding." In E. Selfridge-Field, ed. Beyond MIDI: The Handbook of Musical Codes. Cambridge, Massachusetts: MIT Press, pp. 375-401.
9. Maxwell, J. T. III. 1981. Mockingbird: An Interactive Composer's Aid. M.S. thesis, Department of Electrical Engineereing and Computer Science, Massachusetts Institute of Technology.
10. Maxwell, J. T. III, and S. M. Ornstein. 1984. "Mockingbird: A Composer's Amanuensis." Byte 9(1):384-401.
11. Powell, S. 2002. Music Engraving Today: The Art and Practice of Digital Notesetting. New York: Brichtmark.
12. Read, G. 1969. Music Notation, 2nd ed. Boston, Massachussetts: Crescendo.
13. Read, G. 1978. Modern Rhythmic Notation. Bloomington: Indiana University Press.
14. Roland, P. 1997, "Proposed Musical Characters in Unicode." In E. Selfridge-Field, ed. Beyond MIDI: The Handbook of Musical Codes. Cambridge, Massachussetts: MIT Press, pp. 553-564.
15. Schaffrath, H. 1997. "The Essen Associative Code: A Code for Folksong Analysis." In E. Selfridge-Field, ed. Beyond MIDI: The Handbook of Musical Codes. Cambridge, Massachusetts: MIT Press, pp. 343-361.
16. Seeger, C. 1958. "Prescriptive and Descriptive Music Writing." Musical Quarterly 49(2):184-195.
17. Selfridge-Field, E., ed. 1997. Beyond MIDI: The Handbook of Musical Codes. Cambridge, Massachussetts: MIT Press.
18. Sloan, D. 1997. "HyTime and Standard Music Description Language: A Document-Description Approach." In E. Selfridge-Field, ed. Beyond MIDI: The Handbook of Musical Codes. Cambridge, Massachusetts: MIT Press, pp. 469-490.
19. Stone, K. 1980. Music Notation in the Twentieth Century: A Practical Guidebook. New York: Norton.
20. Wiggins, G., et al. 1993. "A Framework for the Evaluation of Music Representation Systems." Computer Music Journal 17(3):31-42.