The Impossible Capital: Monumental Rome under Liberal and Fascist Regimes, 1870-1943

Geografiska Annaler, Series B: Human Geography

Volumn 80, Issue 4, 1998, Pages 229-240

  Agnew, John ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

Capital city; Italian unification; Monumentality; Rome

Indexed keywords

EID: 0345884647     PISSN: 04353684     EISSN: None     Source Type: Journal    
DOI: 10.1111/j.0435-3684.1998.00042.x     Document Type: Article

References (42)

1. ATKINSON, D. (1996): The road to Rome and the landscapes of Fascism, in GILLIVER, C.M., ERNST, W. and SCRIBA, F. (eds): Archeology, Ideology, Method. Rome: Canadian Academic Centre in Italy.
2. AYMONINO, C. (ed.) (1984): Roma capitale: 1870-1911 Architettura e urbanistica, uso e trasformazione della città storica. Venice: Marsilio.
3. BARZINI, L. (1964): The Italians. London: Pengiun.
4. BEREZIN, M. (1997): Making the Fascist Self: The Political Culture Interwar Italy. Ithaca, NY: Cornell University Press.
5. BIRINDELLI, M. (1978): Roma italiana, come fare una capitale e disfare una città. Rome: Savelli.
6. BORGESE, G. (1937): Goliath: The March of Fascism. New York: Viking Press.
7. BOSWORTH, R.J.B. (1997):Tourist planning in Fascist Italy and the limits of a totalitarian culture. Contemporary European History, 6: 1-25.
8. CARACCIOLO, A. (1956): Roma capitale. Dal Risorgimento alla crisi dello stato liberale. Rome: Rinascita.
9. CEDERNA, A. (1981): Mussolini urbanista. Lo sventrimento di Roma negli anni del consenso. Bari: Laterza.
10. COSGROVE, D. and ATKINSON, D. (1998): Embodied identities: city, nation and empire at the Vittorio-Emmanuele II Monument in Rome. Annals of the Association of American Geographers, 88: 28-49.
11. DICKIE, J. (1994): La macchina da scrivere: the Victor Emmanuel monument in Rome and Italian nationalism. The Italianist, 14: 261-85.
12. DRAKE, R. (1980): Bryzantium for Rome: The Politics of Nostalgia in Umbertian Italy, 1878-1900. Chapel Hill, NC: University of North Carolina Press.
13. ELAZAR, D. S. (1993): The making of Italian Fascism: the seizure of power, 1919-1922. Political Power and Social Theory, 8: 173-217.
14. FALASCA-ZAMPONI, S. (1997): Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy. Berkeley and Los Angeles: University of California Press.
15. FRIED, R.C. (1973): Planning the Eternal City: Roman Politics and Planning Since World War II. New Haven, CT: Yale University Press.
16. GEERTZ, C. (1973): The Interpretation of Cultures. New York: Basic Books.
17. GEERTZ, C. (1980): Negara: The Theatre State in Nineteenth-Century Bali. Princeton NJ: Princeton, University Press.
18. GENTILE, E. (1996): The Sacralization of Politics in Fascist Italy. Cambridge, MA: Harvard University Press.
19. GHIRARDO, D.Y. (1996): Città fascista: surveillance and spectacle. Journal of Contemporary History, 31: 347-72.
20. GILLIS, J.R. (1994): Introduction: memory and identity, the history of a relationship, in GILLIS, J.R. (ed.): Commemorations: The Politics of National Identity. Princeton NJ: Princeton, University Press.
21. GRIFFIN, R. (1998): The sacred synthesis: the ideological cohesion of Fascist cultural policy. Modern Italy, 3: 5-23.
22. KNOX, M. (1982): Mussolini Unleashed 1939-1941. Politics and Strategy in Fascist Italy's Last War. Cambridge: Cambridge University Press.
23. MCGANN, J.J. (1984): Rome and its romantic significance, in PATTERSON, A. (ed.): Roman Images. Baltimore, MD: Johns Hopkins University Press.
24. MOSSE, G.L. (1996): Fascist aesthetics and society: some considerations. Journal of Contemporary History, 31: 245-52.
25. MUSSOLINI, B. (1934): Scritti e discorsi di Benito Mussolini. Milan: Hoepli.
26. NORA, P. (1984): Les lieux de memoire. Vol. I. Paris: Gallimard.
27. NOTARO, A. (1996): Telling imperial histories: contests of narrativity and representation in post-unification Rome 1870-1911. Imperial Cities Project Working Paper No. 1, Department of Geography, Royal Holloway College, University of London.
28. SAFDIE, M. (1984): Collective significance. Harvard Architectural Review, IV: 87-97.
29. SALVEMINI, G. (1973): The Origins of Fascism in Italy. New York: Harper and Row.
30. SCATTAREGGIA, M. (1988): Roma capitale: arretratezza e modernizzazione (1870-1914). Storia Urbana, 42: 37-84.
31. SCHNAPP, J.T. (1992): Epic demonstrations: Fascist modernity and the 1932 exhibition of the Fascist Revolution, in GOLSON, R.J. (ed.): Fascism, Aesthetics, and Culture. Hanover, NH: University Press of New England.
32. SCHNAPP, J.T. (1996): Staging Fascism: 18BL and the Theater of Masses for Masses. Stanford CA: Stanford, University Press.
33. SIMMEL, G. (1996): Roma, un'analisi estetica. La Critica Sociologica, 116: 1-7.
34. TAFURI, M. (1959): La prima strada di Roma moderna: via Nazionale. Urbanistica, 27: 95-108.
35. TANNENBAUM, E. (1972): The Fascist Experience: Italian Society and Culture, 1922-1945. New York: Basic Books.
36. TOBIA, B. (1991): Una patria per gli italiani. Spazi, itinerari, monumenti nell' Italia unità (1870-1900). Bari: Latera.
37. VISSER, R. (1992): Fascist doctrine and the cult of romanità. Journal of Contemporary History, 27: 5-22.
38. VIVARELLI, R. (1981): Il fallimento di liberalismo. Studi sulle origini di fascismo. Bologna: Il Mulino.
39. VIVARELLI, R. (1991): Interpretations of the origins of fascism. Journal of Modern History, 63: 29-43.
40. WEAVER, W. (1984): Rome: on foot in the past. New York Times, 19 February, Section 10: XX.
41. WOHL, R. (1979): Review of "Mussolini il duce. Gli anni del consenso". Journal of Modern History, 51: 584-6.
42. ZEVI, B. (1956): Storia dell' architettura moderna. (2nd ed). Turin: Einaudi.