Critical mass of Cuban cinema: Art as the vanguard of society

Screen

Volumn 37, Issue 3, 1996, Pages 279-293

  Quiros, Oscar ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0345704865     PISSN: 00369543     EISSN: None     Source Type: Journal    
DOI: 10.1093/screen/37.3.279     Document Type: Article

References (30)

1. Julio Garcia Espinosa, Por un cine imperfecto (La Habana: Edit. Salvador de la Plaza, 1973), p. 29
2. Michael Chanan, The Cuban Image (London: British Film Institute, 1985), p. 276
3. Paulo Paranagua, 'News from Havana: a restructuring of the Cuban cinema', Framework, no. 35 (1988), pp. 88-103
4. letter from Cuba to an unfaithful Europe', Framework, nos 38-9 (1992)
5. Ana M. López, 'Revolution and dreams: the Cuban documentary today', Studies in Latin American Popular Culture, vol 11 (1992), p. 48
6. Bela Kiralifalvi in The Aesthetics of Gyorgy Lukács (Princeton: Princeton University Press, 1975), p. 81
7. George Huaco, Sociology of Film Art (New York: Basic Books, 1965), p. 18
8. Karl Marx, Grundrisse (1856) (London: Penguin, 1978)
9. Antonio Gramsci, Selections from the Prison Notebooks (New York: International Publishers, 1971), p. 328
10. Kuan-Hsing Chen, 'Post-Marxism: between/beyond critical postmodernism and cultural studies', Media, Culture and Society, vol. 13(1991), p. 35
11. Mark Poster, Critical Theory and Poststructuralism: in Search of a Context (Ithaca: Cornell University Press, 1989), p. 19
12. Jurgen Habermas, The Philosophical Discourse of Modernity (Cambridge: MIT Press, 1990), p. 291
13. Max Weber, The Protestant Ethic and the Spirit of Capitalism (1904) (London: Allen and Unwin, 1976), pp. 22-8
14. Fidel Castro, Lenin y Cuba (Bogotá: Edic. Suramérica, 1970)
15. Max Azicri, Cuba: Politics, Economics, and Society (New York: Pinter, 1987), p. 73
16. David Lane, 'Leninism', in Dictionary of Marxist Thought (Cambridge: Harvard University Press, 1983), p. 279
17. Gutiérrez Alea, 'Vanguardia Politica y Vanguardia Artistica', Cine Cubans, nos 54-5 (1969)
18. Michael Myerson, Memories of Underdevelopment: the Revolutionary Films of Cuba (New York: Grossman, 1973), p. 170
19. Interview with Tomás Gutiérrez Alea, 'Beyond the reflection of reality', Cinema and Social Change in Latin America (Austin: University of Texas Press, 1986), p. 125
20. Vivian Gamoneda-León, 'Las Cartas de Gutiérrez Alea', Revolución y Cultura, no. 12 (1988), pp. 22-5
21. Tomás Gutiérrez Alea, Dialéctics del Espectador (La Habana: Cuadernos de la Unión, 1982), p. 20
22. Martin Jay, 'Habermas and modernism', in Richard J. Rernstein (ed.), Habermas and Modernity (Worcester: MIT Press, 1985), p. 126
23. Habermas, The Theory of Communicative Action, Volume I (Roston: Reacon Press, 1984), ch. III
24. Jean-Francois Lyotard, 'Réponse à la question: qu'est-ce que le postmoderne?', Critique, no. 419 (1982), p. 358
25. David Crocker, Praxis and Democratic Socialism: the Critical Social Theory of Markovic and Stojanovic (Sussex: Harvester Press, 1983), p 58
26. Silvia Oroz, Tomás Gutiérrez Alea: Los filmes que no filmé (La Habana: UNEAC, 1989), p. 105
27. 'Solanas' Sur wins Grand Coral at 10th Havana Film Festival, Cuban Plaf garners 3rd. Prize', Cuba Update (Winter 1989), p. 25
28. Wilfredo Cancio interview with Humberto Solás, 'Solás en tiempo de sinceridad', Revolutión y Cultura (November 1988), p. 4
29. La Nación, 11 July 1992, p. 18a
30. Steven Lukes, 'Emancipation', in Dictionary of Marxist Thought, p. 146