Recent developments in computer sound analysis and synthesis

Computer Music Journal

Volumn 20, Issue 1, 1996, Pages 57-61

  Rodet, Xavier ^a  

^a IRCAM   (France)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0345448654     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.2307/3681272     Document Type: Article

References (16)

1. Bennett, G., and X. Rodet. 1989. "Synthesis of the Singing Voice." In M. V. Mathews and J. R. Pierce, eds. Current Directions in Computer Music Research. Cambridge, Massachusetts, USA: MIT Press, pp. 19-44.
2. Depalle, P., G. Garcia, and X. Rodet. 1992. "Tracking of Partials for Additive Sound Synthesis Using Hidden Markov Models." In Proceedings of the 1992 IEEE International Conference on Acoustics, Speech, and Signal Processing. New York: IEEE Press, pp. 225-228.
3. Depalle, P., G. Garcia, and X. Rodet. 1994. "A Virtual Castrato (?!)" Proceedings of the 1994 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 357-360.
4. Depalle, P. and G. Poirot. 1991. "SVP: A Modular System for Analysis, Processing, and Synthesis of Sound Signals." Proceedings of the 1991 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 161-164.
5. Fletcher, N. H., and T. D. Rossing. 1991. The Physics of Musical Instruments. Berlin: Springer-Verlag.
6. Keefe, D. 1992. "Physical Modeling of Wind Instruments." Computer Music Journal 16(4):57-73.
7. Matignon, D., P. Depalle, and X. Rodet. 1992. "State Space Models for Wind-Instrument Synthesis." In Proceedings of the 1992 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 273-276.
8. McIntyre, M. E., R. T. Schumacher, and J. Woodhouse. 1983. "On the Oscillations of Musical Instruments." Journal of the Acoustical Society of America 74(5):1,325-1,345.
9. Oberheim, T 1994. "F*A*R Fourier Analysis Resynthesis, Technology Dossier." Oakland, California: Oberheim Digital.
10. Rodet, X., Y. Potard, and J-B. Barriere. 1984. "The Chant Project: From the Synthesis of the Sung Voice to Synthesis in General." Computer Music Journal 8(3): 15-31.
11. Rodet, X. 1993. "Flexible Yet Controllable Physical Models: A Nonlinear Dynamics Approach." In Proceedings of the 1993 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 48-55.
12. Rodet, X. 1994. "Stability/Instability of Periodic Solutions and Chaos in Phyical Models of Musical Instruments." In Proceedings of the 1994 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 386-393.
13. Rodet, X. 1995. "One and Two Mass Models Oscillations for Voice and Instruments." In Proceedings of the 1995 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 207-214.
14. Rodet, X., and P. Depalle. 1992. "A New Additive Synthesis Method Using Inverse Fourier Transform and Spectral Envelopes." In Proceedings of the 1992 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 410-411.
15. Serra, X. 1989. "A System for Sound Analysis/Transformation/Synthesis Based on a Deterministic Plus Stochastic Decomposition." Ph.D. Stanford University.
16. Smith, J. O. 1986. "Efficient Simulation of the Reed-Bore and Bow-String Mechanism." In Proceedings of the 1986 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 275-280.