The Accademia del Disegno and the art industry

Cultural Dynamics

Volumn 9, Issue 1, 1997, Pages 5-16

  Wijnberg, Nachoem M ^a  

^a ERASMUS UNIVERSITY ROTTERDAM   (Netherlands)

Author keywords

Academy; Appropriability; Art; Renaissance; Selection system

Indexed keywords

EID: 0345081480     PISSN: 09213740     EISSN: None     Source Type: Journal    
DOI: 10.1177/092137409700900101     Document Type: Article

References (12)

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3. Epstein, S.A. (1991) Wage Labor and Guilds in Medieval Europe. Chapel Hill: University of South Carolina Press.
4. Goldstein, C. (1996) Teaching Art: Academies and Schools from Vasari to Albers. Cambridge: Cambridge University Press.
5. Goldwaithe, R.H. (1993) Wealth and the Demand for Art in Italy, 1300-1600. Baltimore, MD: Johns Hopkins University Press.
6. Harrison, C. (1995) 'Giotto and the Rise of Painting', in D. Norman (ed.) Siena, Florence and Padua: Art, Society and Religion 1280-1400, pp. 73-96. New Haven, CT: Yale University Press.
7. Lukehart, P.M. (1993) 'Delineating the Genoese Studio: Giovanni Accartati or Sotto Padre?', in P.M. Lukehart (ed.) The Artist's Workshop, pp. 37-59. Washington, DC: National Gallery of Art.
8. Norman, D. (1995) 'The Three Cities Compared: Patrons, Politics and Art', in D. Norman (ed.) Siena, Florence and Padua: Art, Society and Religion 1280-1400, pp. 7-28. New Haven, CT: Yale University Press.
9. Reynolds, T. (1974) 'The Accademia del Disegno in Florence, Its Formation and Early Years', PhD thesis, Columbia University, New York.
10. Shearman, J. (1967) Mannerism. Harmondsworth: Penguin.
11. Warnke, M. (1993) The Court Artist: On the Ancestry of the Modern Artist. Cambridge: Cambridge University Press.
12. Wijnberg, N.M. (1995) 'Selection Processes and Appropriability in Art, Science and Technology', Journal of Cultural Economics 19: 221-35.