Being Jewish after Auschwitz: Writing Modernity's Shame

Australian Feminist Studies

Volumn 18, Issue 42, 2003, Pages 245-259

  Faye, Esther ^a,b  

^a UNIVERSITY OF MELBOURNE   (Australia)

^b VICTORIA UNIVERSITY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0344685450     PISSN: 08164649     EISSN: None     Source Type: Journal    
DOI: 10.1080/0816464032000151739     Document Type: Review

References (71)

1. Rivka Warshawsky, 'From Zero to the Seventh Million: Israel and the Holocaust", Analysis, no. 8, 1998, pp. 132-6.
2. Rosa Safransky is a Jewish-Australian writer, born in Paris in 1948 to Polish-Jewish parents who had survived the Shoah. She migrated to Australia with her mother and uncle in 1949, her father having preceded them not long before. The following stories will be referred to in this article: 'Bonjour Brunswick!' in Australian Short Stories (Pascoe Publishing) Carlton, Melbourne, 1985; 'Postcards' in Kerryn Goldsworthy (ed.), Coast to Coast: Recent Australian Prose Writing (Angus & Robertson) North Ryde, NSW, 1986; 'Can a Morris Minor Break the Speed of Sound?', Australian, 26 December 1988, p. 8; 'A "Happy Little Vegemite"' in Anna Couani and Sneja Gunew (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; 'The Nazi Rabbi', Northern Perspective, vol. 11, no. 2, 1989, pp. 49-50; 'Queen of the Parasites', in R.F. Holt (ed.), Neighbours.'Multicultural Writing of the 1980s (University of Queensland Press) St Lucia, Queensland, 1991; 'The Goulash Archipelago' in Sneja Gunew and Kateryna O. Longley (eds), Striking Chords; Multicultural Literary Interpretations (Allen & Unwin) North Sydney, NSW, 1992; Rosa Safransky, 'History in the Kitchen' in Alan Jacobs (ed.), Enough Already; an Anthology of Australian-Jewish Writing (Alien & Unwin) St Leonards, NSW, 1999.
3. Rosa Safransky is a Jewish-Australian writer, born in Paris in 1948 to Polish-Jewish parents who had survived the Shoah. She migrated to Australia with her mother and uncle in 1949, her father having preceded them not long before. The following stories will be referred to in this article: 'Bonjour Brunswick!' in Australian Short Stories (Pascoe Publishing) Carlton, Melbourne, 1985; 'Postcards' in Kerryn Goldsworthy (ed.), Coast to Coast: Recent Australian Prose Writing (Angus & Robertson) North Ryde, NSW, 1986; 'Can a Morris Minor Break the Speed of Sound?', Australian, 26 December 1988, p. 8; 'A "Happy Little Vegemite"' in Anna Couani and Sneja Gunew (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; 'The Nazi Rabbi', Northern Perspective, vol. 11, no. 2, 1989, pp. 49-50; 'Queen of the Parasites', in R.F. Holt (ed.), Neighbours.'Multicultural Writing of the 1980s (University of Queensland Press) St Lucia, Queensland, 1991; 'The Goulash Archipelago' in Sneja Gunew and Kateryna O. Longley (eds), Striking Chords; Multicultural Literary Interpretations (Allen & Unwin) North Sydney, NSW, 1992; Rosa Safransky, 'History in the Kitchen' in Alan Jacobs (ed.), Enough Already; an Anthology of Australian-Jewish Writing (Alien & Unwin) St Leonards, NSW, 1999.
4. Rosa Safransky is a Jewish-Australian writer, born in Paris in 1948 to Polish-Jewish parents who had survived the Shoah. She migrated to Australia with her mother and uncle in 1949, her father having preceded them not long before. The following stories will be referred to in this article: 'Bonjour Brunswick!' in Australian Short Stories (Pascoe Publishing) Carlton, Melbourne, 1985; 'Postcards' in Kerryn Goldsworthy (ed.), Coast to Coast: Recent Australian Prose Writing (Angus & Robertson) North Ryde, NSW, 1986; 'Can a Morris Minor Break the Speed of Sound?', Australian, 26 December 1988, p. 8; 'A "Happy Little Vegemite"' in Anna Couani and Sneja Gunew (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; 'The Nazi Rabbi', Northern Perspective, vol. 11, no. 2, 1989, pp. 49-50; 'Queen of the Parasites', in R.F. Holt (ed.), Neighbours.'Multicultural Writing of the 1980s (University of Queensland Press) St Lucia, Queensland, 1991; 'The Goulash Archipelago' in Sneja Gunew and Kateryna O. Longley (eds), Striking Chords; Multicultural Literary Interpretations (Allen & Unwin) North Sydney, NSW, 1992; Rosa Safransky, 'History in the Kitchen' in Alan Jacobs (ed.), Enough Already; an Anthology of Australian-Jewish Writing (Alien & Unwin) St Leonards, NSW, 1999.
5. Rosa Safransky is a Jewish-Australian writer, born in Paris in 1948 to Polish-Jewish parents who had survived the Shoah. She migrated to Australia with her mother and uncle in 1949, her father having preceded them not long before. The following stories will be referred to in this article: 'Bonjour Brunswick!' in Australian Short Stories (Pascoe Publishing) Carlton, Melbourne, 1985; 'Postcards' in Kerryn Goldsworthy (ed.), Coast to Coast: Recent Australian Prose Writing (Angus & Robertson) North Ryde, NSW, 1986; 'Can a Morris Minor Break the Speed of Sound?', Australian, 26 December 1988, p. 8; 'A "Happy Little Vegemite"' in Anna Couani and Sneja Gunew (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; 'The Nazi Rabbi', Northern Perspective, vol. 11, no. 2, 1989, pp. 49-50; 'Queen of the Parasites', in R.F. Holt (ed.), Neighbours.'Multicultural Writing of the 1980s (University of Queensland Press) St Lucia, Queensland, 1991; 'The Goulash Archipelago' in Sneja Gunew and Kateryna O. Longley (eds), Striking Chords; Multicultural Literary Interpretations (Allen & Unwin) North Sydney, NSW, 1992; Rosa Safransky, 'History in the Kitchen' in Alan Jacobs (ed.), Enough Already; an Anthology of Australian-Jewish Writing (Alien & Unwin) St Leonards, NSW, 1999.
6. Rosa Safransky is a Jewish-Australian writer, born in Paris in 1948 to Polish-Jewish parents who had survived the Shoah. She migrated to Australia with her mother and uncle in 1949, her father having preceded them not long before. The following stories will be referred to in this article: 'Bonjour Brunswick!' in Australian Short Stories (Pascoe Publishing) Carlton, Melbourne, 1985; 'Postcards' in Kerryn Goldsworthy (ed.), Coast to Coast: Recent Australian Prose Writing (Angus & Robertson) North Ryde, NSW, 1986; 'Can a Morris Minor Break the Speed of Sound?', Australian, 26 December 1988, p. 8; 'A "Happy Little Vegemite"' in Anna Couani and Sneja Gunew (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; 'The Nazi Rabbi', Northern Perspective, vol. 11, no. 2, 1989, pp. 49-50; 'Queen of the Parasites', in R.F. Holt (ed.), Neighbours.'Multicultural Writing of the 1980s (University of Queensland Press) St Lucia, Queensland, 1991; 'The Goulash Archipelago' in Sneja Gunew and Kateryna O. Longley (eds), Striking Chords; Multicultural Literary Interpretations (Allen & Unwin) North Sydney, NSW, 1992; Rosa Safransky, 'History in the Kitchen' in Alan Jacobs (ed.), Enough Already; an Anthology of Australian-Jewish Writing (Alien & Unwin) St Leonards, NSW, 1999.
7. Rosa Safransky is a Jewish-Australian writer, born in Paris in 1948 to Polish-Jewish parents who had survived the Shoah. She migrated to Australia with her mother and uncle in 1949, her father having preceded them not long before. The following stories will be referred to in this article: 'Bonjour Brunswick!' in Australian Short Stories (Pascoe Publishing) Carlton, Melbourne, 1985; 'Postcards' in Kerryn Goldsworthy (ed.), Coast to Coast: Recent Australian Prose Writing (Angus & Robertson) North Ryde, NSW, 1986; 'Can a Morris Minor Break the Speed of Sound?', Australian, 26 December 1988, p. 8; 'A "Happy Little Vegemite"' in Anna Couani and Sneja Gunew (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; 'The Nazi Rabbi', Northern Perspective, vol. 11, no. 2, 1989, pp. 49-50; 'Queen of the Parasites', in R.F. Holt (ed.), Neighbours.'Multicultural Writing of the 1980s (University of Queensland Press) St Lucia, Queensland, 1991; 'The Goulash Archipelago' in Sneja Gunew and Kateryna O. Longley (eds), Striking Chords; Multicultural Literary Interpretations (Allen & Unwin) North Sydney, NSW, 1992; Rosa Safransky, 'History in the Kitchen' in Alan Jacobs (ed.), Enough Already; an Anthology of Australian-Jewish Writing (Alien & Unwin) St Leonards, NSW, 1999.
8. Rosa Safransky is a Jewish-Australian writer, born in Paris in 1948 to Polish-Jewish parents who had survived the Shoah. She migrated to Australia with her mother and uncle in 1949, her father having preceded them not long before. The following stories will be referred to in this article: 'Bonjour Brunswick!' in Australian Short Stories (Pascoe Publishing) Carlton, Melbourne, 1985; 'Postcards' in Kerryn Goldsworthy (ed.), Coast to Coast: Recent Australian Prose Writing (Angus & Robertson) North Ryde, NSW, 1986; 'Can a Morris Minor Break the Speed of Sound?', Australian, 26 December 1988, p. 8; 'A "Happy Little Vegemite"' in Anna Couani and Sneja Gunew (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; 'The Nazi Rabbi', Northern Perspective, vol. 11, no. 2, 1989, pp. 49-50; 'Queen of the Parasites', in R.F. Holt (ed.), Neighbours.'Multicultural Writing of the 1980s (University of Queensland Press) St Lucia, Queensland, 1991; 'The Goulash Archipelago' in Sneja Gunew and Kateryna O. Longley (eds), Striking Chords; Multicultural Literary Interpretations (Allen & Unwin) North Sydney, NSW, 1992; Rosa Safransky, 'History in the Kitchen' in Alan Jacobs (ed.), Enough Already; an Anthology of Australian-Jewish Writing (Alien & Unwin) St Leonards, NSW, 1999.
9. Rosa Safransky is a Jewish-Australian writer, born in Paris in 1948 to Polish-Jewish parents who had survived the Shoah. She migrated to Australia with her mother and uncle in 1949, her father having preceded them not long before. The following stories will be referred to in this article: 'Bonjour Brunswick!' in Australian Short Stories (Pascoe Publishing) Carlton, Melbourne, 1985; 'Postcards' in Kerryn Goldsworthy (ed.), Coast to Coast: Recent Australian Prose Writing (Angus & Robertson) North Ryde, NSW, 1986; 'Can a Morris Minor Break the Speed of Sound?', Australian, 26 December 1988, p. 8; 'A "Happy Little Vegemite"' in Anna Couani and Sneja Gunew (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; 'The Nazi Rabbi', Northern Perspective, vol. 11, no. 2, 1989, pp. 49-50; 'Queen of the Parasites', in R.F. Holt (ed.), Neighbours.'Multicultural Writing of the 1980s (University of Queensland Press) St Lucia, Queensland, 1991; 'The Goulash Archipelago' in Sneja Gunew and Kateryna O. Longley (eds), Striking Chords; Multicultural Literary Interpretations (Allen & Unwin) North Sydney, NSW, 1992; Rosa Safransky, 'History in the Kitchen' in Alan Jacobs (ed.), Enough Already; an Anthology of Australian-Jewish Writing (Alien & Unwin) St Leonards, NSW, 1999.
10. Warshawsky, 'From Zero to the Seventh Million', p. 132.
11. Nancy K. Miller, Bequest & Betrayal: Memoirs of a Parent's Death (Indiana University Press) Bloomington and Indianapolis, 1996, pp. 2-3.
12. On the relations between migration, homeland, and identity, see esp. Stuart Hall, 'Minimal Selves' in Lisa Appignanesi (ed.), The Real Me: Post-modernism and the Question of Identity, ICA Documents 6 (Institute of Contemporary Arts) London, 1987, pp. 44-6.
13. Michael Sprinker, 'Fictions of the Self: the End of Autobiography' in James Olney (ed.), Autobiography: Essays Theoretical and Critical (Princeton University Press) Princeton, NJ, 1980, p. 342.
14. Philippe Lacoue-Labarthe, Heidegger, Art and Politics: the Fiction of the Political, Chris Turner (trans.) (Basil Blackwell) Oxford, 1990, pp. 35, 46, 45.
15. See, for example, Rosanne Kennedy and Tikka Jan Wilson, 'Constructing Shared Histories: Stolen Generations Testimony, Narrative Therapy and Address' in Jill Bennet and Rosanne Kennedy (eds), World Memory: Personal Trajectories in Global Time (Palgrave) London, 2003.
16. Jacques Rancière, The Names of History: On the Poetics of Knowledge, Hassan Melehy (trans.) (University of Minnesota Press) Minneapolis and London, 1994, pp. 36, 49, 61. See also Hayden White, 'Foreword' in Rancière, Names of History, pp. viii - ix; and his 'The Modernist Event' in Vivian Sobchack (ed.), The Persistence of History: Cinema, Television, and the Modem Event (Routledge) New York, 1996, pp. 120, 121.
17. Jacques Rancière, The Names of History: On the Poetics of Knowledge, Hassan Melehy (trans.) (University of Minnesota Press) Minneapolis and London, 1994, pp. 36, 49, 61. See also Hayden White, 'Foreword' in Rancière, Names of History, pp. viii - ix; and his 'The Modernist Event' in Vivian Sobchack (ed.), The Persistence of History: Cinema, Television, and the Modem Event (Routledge) New York, 1996, pp. 120, 121.
18. Jacques Rancière, The Names of History: On the Poetics of Knowledge, Hassan Melehy (trans.) (University of Minnesota Press) Minneapolis and London, 1994, pp. 36, 49, 61. See also Hayden White, 'Foreword' in Rancière, Names of History, pp. viii - ix; and his 'The Modernist Event' in Vivian Sobchack (ed.), The Persistence of History: Cinema, Television, and the Modem Event (Routledge) New York, 1996, pp. 120, 121.
19. Elizabeth J. Bellamy, Affective Genealogies: Psychoanalysis, Postmodernism, and the Jewish Question' after Auschwitz (University of Nebraska Press) Lincoln and London, 1997, p. 4.
20. For definitions of these terms see Esther Faye, 'Let's Stop Enjoying the Holocaust and Make History Instead' in Joy Damousi and Robert Reynolds (eds), History on the Couch: Essays in History and Psychoanalysis (Melbourne University Press) Melbourne, 2003, p. 283. See also entries in Dylan Evans, An Introductory Dictionary of Lacanian Psychoanalysis (Brunner-Routledge) London, 1996.
21. For definitions of these terms see Esther Faye, 'Let's Stop Enjoying the Holocaust and Make History Instead' in Joy Damousi and Robert Reynolds (eds), History on the Couch: Essays in History and Psychoanalysis (Melbourne University Press) Melbourne, 2003, p. 283. See also entries in Dylan Evans, An Introductory Dictionary of Lacanian Psychoanalysis (Brunner-Routledge) London, 1996.
22. Lacoue-Labarthe, Heidegger, Art and Politics, p. 37.
23. Marc Strauss, 'Dream and Nightmare', Analysis, no. 10, 2001, p. 105.
24. Jacques Lacan, The Function and Field of Speech and Language in Psychoanalysis' (1953) in Jacques Lacan, Écrits: a Selection, Bruce Fink (trans.) (W.W. Norton) New York and London, 2002, p. 100.
25. Miller, Bequest & Betrayal, pp. 107-8.
26. See Sigmund Freud, 'On the Sexual Theories of Children' (1908) in The Standard Edition of the Complete Psychological Works of Sigmund Freud IX, James Strachey, Anna Freud, Alix Strachey and Alan Tyson (trans. and eds) (The Hogarth Press and the Institute of Psycho-Analysis) London, 1959.
27. Safransky, 'Postcards', p. 16.
28. Giorgio Agamben, Remnants of Auschwitz: the Witness and the Archive, Daniel Heller-Roazen (trans.) (Zone Books) New York, 1999, pp. 128, 52.
29. See Bruno Bettelheim, The Informed Heart: the Human Condition in Mass Society (Paladin) London, 1970, pp. 141-2.
30. Adam Katz, The Closure of Auschwitz But Not its End: Alterity, Testimony, and (Post)Modernity', History & Memory, vol. 10, no. 1, 1998, p. 91.
31. Miller, Bequest & Betrayal, p. 204.
32. There are numerous references to the function of shame in Freud's writings, but see esp. Three Essays on the Theory of Sexuality (1905) in The Standard Edition of the Complete Psychological Works of Sigmund Freud VII, James Strachey, Anna Freud, Alix Strachey and Alan Tyson (trans. and eds) (The Hogarth Press and the Institute of Psycho-Analysis) London, 1953, pp. 157, 162, 177-8, 191-2, 219.
33. On Freud's notion of affect in relation to the drive, see 'Appendix: The Emergence of Freud's Fundamental Hypotheses', in The Neuro-psychoses of Defence' (1894) in The Standard Edition of the Complete Psychological Works of Sigmund Freud III, James Strachey, Anna Freud, Alix Strachey and Alan Tyson (trans. and eds) (The Hogarth Press and the Institute of Psycho-Analysis) London, 1962, pp. 67-8.
34. Freud, Three Essays on the Theory of Sexuality, pp. 156-7.
35. Agamben, Remnants of Auschwitz, p. 88.
36. Although this could be read as inferring actions committed as cause for shame, I follow Agamben in sidelining the usual interpretations of survivors' 'discomfort'-such as their guilt for having survived, or for their imputed passivity and/or collaboration.
37. Nadine Fresco, 'Remembering the Unknown', International Review of Psycho-Analysis, vol. 11, 1984, p. 425.
38. Agamben, Remnants of Auschwitz, pp. 34, 63, 78, 77.
39. Agamben, Remnants of Auschwitz, p. 107; author's emphasis.
40. Agamben, Remnants of Auschwitz, p. 120.
41. Agamben, Remnants of Auschwitz, p. 130.
42. Katz, 'The Closure of Auschwitz', p. 91.
43. Primo Levi, 'Shame' in The Drowned and the Saved, Raymond Rosenthal (trans.) (Vintage International) New York. 1989, pp. 72-3; emphasis added.
44. The Seminar of Jacques Lacan, Book XVII: the Other Side of Psychoanalysis 1969-1970, work-in-progress, Russell Grigg (trans.), unpublished.
45. Agamben, Remnants of Auschwitz, pp. 105-6.
46. Jacques Lacan, The Function and Field of Speech and Language in Psychoanalysis' in Écrits: a Selection, Bruce Fink (trans.) (W.W. Norton) New York and London, 2002, p. 100. (Adapted from Martin Heidegger, Being and Time, a translation of Sein und Zeit, Joan Stambaugh (trans.) (Stat: University of New York Press) Albany, 1996, see esp. pp. 134-6.)
47. Andrew Lewis, 'Logical Time in the Act of the Analyst', Antithesis, vol. 8, no. 2, 1997, p. 287. See also Cathy Caruth, 'Unclaimed Experience: Trauma and the Possibility of History', Yale French Studies, no. 79, 1991, pp. 181-92.
48. Andrew Lewis, 'Logical Time in the Act of the Analyst', Antithesis, vol. 8, no. 2, 1997, p. 287. See also Cathy Caruth, 'Unclaimed Experience: Trauma and the Possibility of History', Yale French Studies, no. 79, 1991, pp. 181-92.
49. Lacan, 'The Function and Field', p. 48.
50. Lacan, The Function and Field', p. 52.
51. See Jacques Lacan, The Seminar of Jacques Lacan: Book 1, Freud's Papers on Technique 1953-1954, JacquesAlain Miller (ed.), John Forrester (trans.) (Cambridge University Press) Cambridge, 1988, pp. 190-1.
52. Lacan, The Seminar of Jacques Lacan: Book 1, p. 191.
53. Jacques Lacan, The Four Fundamental Concepts of Psycho-analysis, Jacques-Alain Miller (ed.), Alan Sheridan (trans.) (WAV. Norton) New York and London, 1981, p. 59.
54. Seminar IX, 24.1.1962, pp. 3-4. For a clarifying account of this definition of the signifier, which shows the part the objet petit a plays, see Joan Copjec, The Tomb of Perseverance: On Antigone' in Joan Copjec and Michael Sorkin (eds), Giving Ground: the Politics of Propinquity (Verso) London and New York, 1999, pp. 255-6. I am grateful to Kate Foord for alerting me to this essay.
55. Seminar IX, 24.1.1962, pp. 3-4. For a clarifying account of this definition of the signifier, which shows the part the objet petit a plays, see Joan Copjec, The Tomb of Perseverance: On Antigone' in Joan Copjec and Michael Sorkin (eds), Giving Ground: the Politics of Propinquity (Verso) London and New York, 1999, pp. 255-6. I am grateful to Kate Foord for alerting me to this essay.
56. This is the repressed representative of the lack of representation, the Vorstellungsrepräsantanz, or symbolic Phallus, that stands in for the originary and traumatic unary trait. Lacan, The Four Fundamental Concepts of Psycho-analysis, p. 60.
57. This living part is Freud's famous lost object, Lacan's equally famous -objet petit a.
58. Lewis, 'Logical Time in the Act of the Analyst', p. 289.
59. Copjec, The Tomb of Perseverance', p. 256.
60. Lacan, The Four Fundamental Concepts of Psycho-analysis, p. 251.
61. Bruce Fink, The Lacanian Subject: Between Language and Jouissance (Princeton University Press) Princeton, NJ, 1995, p. 22; Sigmund Freud 'Remembering, Repeating and Working-through' (1914) in The Standard Edition of the Complete Psychological Works of Sigmund Freud XII, James Strachey, Anna Freud, Alix Strachey and Alan Tyson (trans. and eds) (The Hogarth Press and the Institute of Psycho-Analysis) London, 1958, p. 149.
62. Bruce Fink, The Lacanian Subject: Between Language and Jouissance (Princeton University Press) Princeton, NJ, 1995, p. 22; Sigmund Freud 'Remembering, Repeating and Working-through' (1914) in The Standard Edition of the Complete Psychological Works of Sigmund Freud XII, James Strachey, Anna Freud, Alix Strachey and Alan Tyson (trans. and eds) (The Hogarth Press and the Institute of Psycho-Analysis) London, 1958, p. 149.
63. Serge André, What Does a Woman Want? (Other Press) New York, 1999, p. 97.
64. Lacan, 'The Function and Field', p. 55.
65. Lacan, 'The Function and Field', p. 52.
66. Albert S. Lindemann Linderman, Esau's Tears: Modem Anti-Semitism and the Rise of the Jews (Cambridge University Press) Cambridge and New York, 1997, p. 19.
67. Jon Stratton, Coming out Jewish (Routledge) London and New York, 2000, p. 200. See also John Murray Cuddihy, The Ordeal of Civility: Freud, Marx, Lévi-Strauss, and the Jewish Struggle with Modernity (Basic Books) New York, 1974.
68. Jon Stratton, Coming out Jewish (Routledge) London and New York, 2000, p. 200. See also John Murray Cuddihy, The Ordeal of Civility: Freud, Marx, Lévi-Strauss, and the Jewish Struggle with Modernity (Basic Books) New York, 1974.
69. Paul Lawrence Rose, German Question/Jewish Question: Revolutionary Antisemitism from Kant to Wagner (Princeton University Press) Princeton, NJ, 1990, p. 19.
70. Scare quotes are used to underline that these terms function as condensed signifiers of libidinal attachment in a fixed dialectic that culminated at Auschwitz.
71. Colette Soler, 'To Love One's Symptom?', private translation of 'Aimer Son Symptôme?', La Cause Freudienne Revue de Psychanalyse, no. 27, 1994, pp. 103-14.