Mapping Film Piracy in China

Theory, Culture & Society

Volumn 20, Issue 4, 2003, Pages 97-125

  Wang, Shujen ^a   Zhu, Jonathan J h ^b  

^a HARVARD UNIVERSITY   (United States)

^b CITY UNIVERSITY OF HONG KONG   (Hong Kong)

Author keywords

film distribution; globalization; network; space; technology

Indexed keywords

EID: 0344629292     PISSN: 02632764     EISSN: 14603616     Source Type: Journal    
DOI: 10.1177/02632764030204007     Document Type: Article

References (43)

1. Asia Pulse (2001) ‘China's Demand for VCD Players to Hit 22.5 Million Sets in 2001’, 7 Feb.
2. Beck, Ulrich (1994a) ‘The Reinvention of Politics: Towards a Theory of Reflexive Modernization’, pp. 1–55 in Ulrich Beck, Anthony Giddens and Scott Lash Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order. Stanford, CA: Stanford University Press.
3. Beck, Ulrich (1994b) ‘Self-dissolution and Self-endangerment of Industrial Society: What Does this Mean?’, pp. 174–183 in Ulrich Beck, Anthony Giddens and Scott Lash Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order. Stanford, CA: Stanford University Press.
4. Bromley, Simon (1999) ‘The Space of Flows and Timeless Time: Manuel Castells's The Information Age‘, Radical Philosophy, 97: 6-17.
5. Cassell, Philip (ed.) (1993) The Giddens Reader. Stanford, CA: Stanford University Press.
6. Deleuze, Gilles (1995) Negotiations, 1972-1990. New York: Columbia University Press.
7. The Economist (1999) ‘Pirate's Paradise’, 353(8141): 67 (16 October).
8. Frow, John (2000) ‘Public Domain and the New World Order in Knowledge’, Social Semiotics, 19(2): 173-185.
9. Giddens, Anthony (1977) Studies in Social and Political Theory. London: Hutchinson.
10. Giddens, Anthony (1987) The Nation-state and Violence, vol. 2 of A Contemporary Critique of Historical Materialism. Berkeley and Los Angeles: University of California Press.
11. Giddens, Anthony (1990) The Consequences of Modernity. Stanford, CA: Stanford University Press.
12. Giddens, Anthony (1991) Modernity and Self-identity: Self and Society in the Late Modern Age. Stanford, CA: Stanford University Press.
13. Giddens, Anthony (1994) ‘Living in a Post-traditional Society’, pp. 56–109 in Ulrich Beck, Anthony Giddens and Scott Lash Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order. Stanford, CA: Stanford University Press.
14. Groves, Don (2001) ‘H’wood Hopes for Huge Haul from Great Wall’, Variety 18-24 June: 7, 49.
15. Hardt, Michael and Antonio Negri (2000) Empire. Cambridge, MA: Harvard University Press.
16. Harvey, David (1990) The Condition of Postmodernity. Cambridge, MA: Blackwell.
17. Harvey, David (2000) Spaces of Hope. Berkeley, CA: University of California Press.
18. Hoskins, Colin, Stuart McFadyen and Adam Finn (1997) Global Television and Film: An Introduction to the Economics of the Business. Oxford: Oxford University Press.
19. Hsing, You-tien (1998) Making Capitalism in China: The Taiwan Connection. New York: Oxford University Press.
20. IIPA (International Intellectual Property Alliance) (2003) ‘Copyright Industries Release Report on Piracy in 63 Countries’, IIPA Press Release, 13 February. www.iipa.com/pressreleases/2003_Feb13_SPEC301_PR.pdf (accessed 13 March 2003).
21. Jayakar, Krishna P. (1997) ‘The United States-China Copyright Dispute: A Two-level Games Analysis’, Communication Law and Policy, 2(1): 527-561.
22. Latham, Robert (2000) ‘Social Sovereignty’, Theory, Culture & Society, 17(4): 1-18.
23. Latour, Bruno (1996) ‘On Actor-network Theory: A Few Clarifications’, Soziale Welt, 47: 369-381.
24. Latour, Bruno (1999) ‘On Recalling ANT’, pp. 15–25 in John Law and John Hassard (eds) Actor Network Theory and After. Oxford: Blackwell.
25. Law, John (1999) ‘After ANT: Complexity, Naming and Topology’, pp. 1–14 in John Law and John Hassard (eds) Actor Network Theory and After. Oxford: Black-well.
26. Lee, Nick and Paul Stenner (1999) ‘Who Pays? Can We Pay Them Back?’, pp. 90–112 in John Law and John Hassard (eds) Actor Network Theory and After. Oxford: Blackwell.
27. Liu, Yu-Zhu (ed.) (1999) Wen Hua Shi Chang Shi Wu Quan Shu [Overview of Cultural Market Practice]. Beijing: Xinhwa.
28. NAPWC (National Anti-Piracy and Pornography Working Committee, PRC) (2000) China Says ‘No’ to Pornographic and Illegal Publications. Beijing: China Publishing Journal.
29. National Research Council (2000) The Digital Dilemma: Intellectual Property in the Information Age. Washington, DC: National Academy Press.
30. Nordstrom, Carolyn (2000) ‘Shadows and Sovereigns’, Theory, Culture & Society, 17(4): 35-54.
31. Parkes, Christopher (2000) ‘Hollywood Changes Tack and Gets in on the China Act: The Entertainment Industry Sees WTO Membership and Normalising of Trade Relations with the People's Republic as the Way to Get into the Last Great Untapped Market’, Financial Times, 28 March: 4.
32. PRC Radio and Television Association (ed.) (1996) Zhong Guo Guang Buo Yin Shi Fa Guay Zhen Che She Yung Sho Che [PRC Radio, Film and Television Regulations and Policies: A Practical Manual]. Beijing: PRC Radio and TV Publications.
33. Ryan, Michael P. (1998) Knowledge Diplomacy: Global Competition and the Politics of Intellectual Property. Washington, DC: Brookings Institution Press.
34. Sassen, Saskia (1991) The Global City: New York, London, Tokyo. Princeton, NJ: Princeton University Press.
35. Sassen, Saskia (1998) Globalization and its Discontents: Essays on the New Mobility of People and Money. New York: The New Press.
36. Sassen, Saskia (2000) ‘Spatialities and Temporalities of the Global: Elements for a Theorization’, Public Culture, 12(1): 215-232.
37. Sassen, Saskia (2001) Lecture delivered at ‘Cultures of Globalization’, a Humanities Colloquium at Harvard University, 13 April.
38. Schwarzacher, Lukas (2001) ‘Film Fest Shanghai’d by Politics’, Variety 18-24 June: 7, 49.
39. Screen Digest (2000) ‘Worldwide Video Software Markets Still a Solid Revenue Earner’, Screen Digest, 341(Nov.).
40. Television Digest (1993) ‘Latest Video CD Announcement Brings Even More Confusion’ (Joint communiqué from Philips, Matsushita, Sony Corporation and JVC), 33(35): 13.
41. Television Digest (1994) ‘Philips Switches CD-I Emphasis to Video CD’, 34(50): 12-13.
42. Valenti, Jack (2000) ‘The New Digital Millennium’, Business of Film Feb./March: 29.
43. Zhao, Yuezhi and Dan Schiller (2001) ‘Dances with Wolves? China's Integration into Digital Capitalism’, Info, 3(2): 137-151.