Writing and the Flesh of Others

Australian Feminist Studies

Volumn 18, Issue 42, 2003, Pages 309-319

  Gibbs, Anna ^a  

^a UNIVERSITY OF WESTERN SYDNEY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0344253853     PISSN: 08164649     EISSN: None     Source Type: Journal    
DOI: 10.1080/0816464032000171403     Document Type: Review

References (52)

1. Judith Still and Michael Worton, 'Introduction' to Judith Still and Michael Worton (eds), Intertextuality: Themes and Practices (Manchester University Press) Manchester and New York, 1990, pp. 1-44.
2. See especially the British journals m/f and Screen
3. See, for example, certain work in Anna Gibbs and Alison Tilson (eds), Frictions (Sybylla Co-operative Press) Melbourne, 1982; Sneja Gunew and Anna Couani (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; Terri-ann White, Anna Gibbs, Wendy Jenkins and Noel King (eds), No Substitute (Fremantle Arts Centre Press) Fremantle, 1990; Members of the Sybylla Feminist Press Collective (eds), Second Degree Tampering (Sybylla Co-operative Press) Melbourne, 1992; Abby Mellick and Ann Ooms (eds), Making Things of Words (Artspace) Sydney, 1997; and Amanda Nettelbeck and Heather Kerr (eds), The Space Between: Australian Women Writing Fictocriticism (University of Western Australia Press), Perth, 1998.
4. See, for example, certain work in Anna Gibbs and Alison Tilson (eds), Frictions (Sybylla Co-operative Press) Melbourne, 1982; Sneja Gunew and Anna Couani (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; Terri-ann White, Anna Gibbs, Wendy Jenkins and Noel King (eds), No Substitute (Fremantle Arts Centre Press) Fremantle, 1990; Members of the Sybylla Feminist Press Collective (eds), Second Degree Tampering (Sybylla Co-operative Press) Melbourne, 1992; Abby Mellick and Ann Ooms (eds), Making Things of Words (Artspace) Sydney, 1997; and Amanda Nettelbeck and Heather Kerr (eds), The Space Between: Australian Women Writing Fictocriticism (University of Western Australia Press), Perth, 1998.
5. See, for example, certain work in Anna Gibbs and Alison Tilson (eds), Frictions (Sybylla Co-operative Press) Melbourne, 1982; Sneja Gunew and Anna Couani (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; Terri-ann White, Anna Gibbs, Wendy Jenkins and Noel King (eds), No Substitute (Fremantle Arts Centre Press) Fremantle, 1990; Members of the Sybylla Feminist Press Collective (eds), Second Degree Tampering (Sybylla Co-operative Press) Melbourne, 1992; Abby Mellick and Ann Ooms (eds), Making Things of Words (Artspace) Sydney, 1997; and Amanda Nettelbeck and Heather Kerr (eds), The Space Between: Australian Women Writing Fictocriticism (University of Western Australia Press), Perth, 1998.
6. See, for example, certain work in Anna Gibbs and Alison Tilson (eds), Frictions (Sybylla Co-operative Press) Melbourne, 1982; Sneja Gunew and Anna Couani (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; Terri-ann White, Anna Gibbs, Wendy Jenkins and Noel King (eds), No Substitute (Fremantle Arts Centre Press) Fremantle, 1990; Members of the Sybylla Feminist Press Collective (eds), Second Degree Tampering (Sybylla Co-operative Press) Melbourne, 1992; Abby Mellick and Ann Ooms (eds), Making Things of Words (Artspace) Sydney, 1997; and Amanda Nettelbeck and Heather Kerr (eds), The Space Between: Australian Women Writing Fictocriticism (University of Western Australia Press), Perth, 1998.
7. See, for example, certain work in Anna Gibbs and Alison Tilson (eds), Frictions (Sybylla Co-operative Press) Melbourne, 1982; Sneja Gunew and Anna Couani (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; Terri-ann White, Anna Gibbs, Wendy Jenkins and Noel King (eds), No Substitute (Fremantle Arts Centre Press) Fremantle, 1990; Members of the Sybylla Feminist Press Collective (eds), Second Degree Tampering (Sybylla Co-operative Press) Melbourne, 1992; Abby Mellick and Ann Ooms (eds), Making Things of Words (Artspace) Sydney, 1997; and Amanda Nettelbeck and Heather Kerr (eds), The Space Between: Australian Women Writing Fictocriticism (University of Western Australia Press), Perth, 1998.
8. See, for example, certain work in Anna Gibbs and Alison Tilson (eds), Frictions (Sybylla Co-operative Press) Melbourne, 1982; Sneja Gunew and Anna Couani (eds), Telling Ways: Australian Women's Experimental Writing (Australian Feminist Studies Publications) Adelaide, 1988; Terri-ann White, Anna Gibbs, Wendy Jenkins and Noel King (eds), No Substitute (Fremantle Arts Centre Press) Fremantle, 1990; Members of the Sybylla Feminist Press Collective (eds), Second Degree Tampering (Sybylla Co-operative Press) Melbourne, 1992; Abby Mellick and Ann Ooms (eds), Making Things of Words (Artspace) Sydney, 1997; and Amanda Nettelbeck and Heather Kerr (eds), The Space Between: Australian Women Writing Fictocriticism (University of Western Australia Press), Perth, 1998.
9. Nancy Miller, 'Women's Autobiography in France' in Sally McConnell-Ginet, Ruth Borker and Nelly Furman (eds), Women and Language in Literature and Society (Praegar) New York, 1978, pp. 258-3. See also Anna Gibbs, 'Writing/Eroticism/Transgression: Gertrude Stein and the Experience of the Other' in Barbara Came and Rosemary Pringle (eds), Transitions: New Australian Feminism (Alien & Unwin) Sydney, 1995; and Lorraine O'Brien, 'Dear Diary... it's about Gertrude' in White et al., No Substitute; Jean-Jacques Rousseau, Confessions (Gubbings) London, 1930.
10. Nancy Miller, 'Women's Autobiography in France' in Sally McConnell-Ginet, Ruth Borker and Nelly Furman (eds), Women and Language in Literature and Society (Praegar) New York, 1978, pp. 258-3. See also Anna Gibbs, 'Writing/Eroticism/Transgression: Gertrude Stein and the Experience of the Other' in Barbara Came and Rosemary Pringle (eds), Transitions: New Australian Feminism (Alien & Unwin) Sydney, 1995; and Lorraine O'Brien, 'Dear Diary... it's about Gertrude' in White et al., No Substitute; Jean-Jacques Rousseau, Confessions (Gubbings) London, 1930.
11. Nancy Miller, 'Women's Autobiography in France' in Sally McConnell-Ginet, Ruth Borker and Nelly Furman (eds), Women and Language in Literature and Society (Praegar) New York, 1978, pp. 258-3. See also Anna Gibbs, 'Writing/Eroticism/Transgression: Gertrude Stein and the Experience of the Other' in Barbara Came and Rosemary Pringle (eds), Transitions: New Australian Feminism (Alien & Unwin) Sydney, 1995; and Lorraine O'Brien, 'Dear Diary... it's about Gertrude' in White et al., No Substitute; Jean-Jacques Rousseau, Confessions (Gubbings) London, 1930.
12. Nancy Miller, 'Women's Autobiography in France' in Sally McConnell-Ginet, Ruth Borker and Nelly Furman (eds), Women and Language in Literature and Society (Praegar) New York, 1978, pp. 258-3. See also Anna Gibbs, 'Writing/Eroticism/Transgression: Gertrude Stein and the Experience of the Other' in Barbara Came and Rosemary Pringle (eds), Transitions: New Australian Feminism (Alien & Unwin) Sydney, 1995; and Lorraine O'Brien, 'Dear Diary... it's about Gertrude' in White et al., No Substitute; Jean-Jacques Rousseau, Confessions (Gubbings) London, 1930.
13. For vivid descriptions of the physiology of affects, see Charles Darwin, The Expression of the Emotions in Man and Animals (HarperCollins) London, 1998; Eve Kosofsky Sedwick and Adam Frank (eds), Shame and its Sisters: a Silvan Tomkins Reader (Duke University Press) Durham, NC and London, 1995.
14. For vivid descriptions of the physiology of affects, see Charles Darwin, The Expression of the Emotions in Man and Animals (HarperCollins) London, 1998; Eve Kosofsky Sedwick and Adam Frank (eds), Shame and its Sisters: a Silvan Tomkins Reader (Duke University Press) Durham, NC and London, 1995.
15. Patricia Parker, 'Metaphor and Catachresis' in John Bender and Davis E Wellbery (eds), The Ends of Rhetoric: History, Theory, Practice (Stanford University Press) Stanford, CA, 1990.
16. Gertrude Stein, Everybody's Autobiography (Vintage) New York, 1973, p. 68.
17. John Frow, 'Ontology and Intertextuality' in Still and Worton (eds), Intertextuality, p. 45.
18. Frow, 'Ontology and Intertextuality', p. 45.
19. Frow, 'Ontology and Intertextuality', p. 45.
20. Michel de Certeau, 'Psychoanalysis and its History' in Heterologies (University of Minnesota Press) Minneapolis, 1986, p. 6.
21. Harold Bloom, The Anxiety of Influence: a Theory of Poetry (Oxford University Press) New York, 1973.
22. Susan Stewart, 'Lyric Possession', Critical Inquiry, Autumn 1995, p. 35.
23. Nicholas Abraham and Maria Torok, The Shell and the Kernel (University of Chicago Press) Chicago and London, 1994.
24. Stewart, 'Lyric Possession', p. 35.
25. Avital Ronell, Dictations: On Haunted Writing (Indiana University Press) Bloomington, 1986.
26. Ronell, Dictations, p. xvi.
27. Dictations, p. xvi.
28. Dictations, p. xvi.
29. See Maria Torok, 'Fantasy: An Attempt to Define its Structure and Operation' in Abraham and Torok, The Shell and the Kernel, p. 5.
30. Nicholas Abraham and Maria Torok, 'Introjection - Incorporation' in Serge Lebovici and Daniel Widlocher (eds), Psychoanalysis in France (International Universities Press) New York, 1980, p. 10.
31. Abraham and Torok, 'Introjection - Incorporation', p. 5.
32. Jacques Lacan, 'The Direction of the Treatment and the Principles of its Power' in Jacques Lacan, Écrits: a Selection, Alan Sheridan (trans.) (Norton) New York and London, 1977, pp. 226-80. He discusses the case again in The Psychotic Phenomenon and its Mechanism' in Jacques-Alain Miller (ed.), The Psychoses: the Seminar of Jacques Lacan Book III 1955-56, Russell Grigg (trans.), pp. 73-88, and in 'Réponse au commentaire de Jean Hyppolite sur la Verneinung de Freud', in Écrits (Editions de Seuil) Paris, 1966, pp. 393-9.
33. Jacques Lacan, 'The Direction of the Treatment and the Principles of its Power' in Jacques Lacan, Écrits: a Selection, Alan Sheridan (trans.) (Norton) New York and London, 1977, pp. 226-80. He discusses the case again in The Psychotic Phenomenon and its Mechanism' in Jacques-Alain Miller (ed.), The Psychoses: the Seminar of Jacques Lacan Book III 1955-56, Russell Grigg (trans.), pp. 73-88, and in 'Réponse au commentaire de Jean Hyppolite sur la Verneinung de Freud', in Écrits (Editions de Seuil) Paris, 1966, pp. 393-9.
34. Jacques Lacan, 'The Direction of the Treatment and the Principles of its Power' in Jacques Lacan, Écrits: a Selection, Alan Sheridan (trans.) (Norton) New York and London, 1977, pp. 226-80. He discusses the case again in The Psychotic Phenomenon and its Mechanism' in Jacques-Alain Miller (ed.), The Psychoses: the Seminar of Jacques Lacan Book III 1955-56, Russell Grigg (trans.), pp. 73-88, and in 'Réponse au commentaire de Jean Hyppolite sur la Verneinung de Freud', in Écrits (Editions de Seuil) Paris, 1966, pp. 393-9.
35. Ernst Kris, 'Ego Psychology and Interpretation in Psychoanalytic Therapy", Psychoanalytic Quarterly, vol. XX, no. 1, January 1951, pp. 21-5.
36. Kris, 'Ego Psychology and Interpretation in Psychoanalytic Therapy', pp. 22-3.
37. Melitta Schmideberg, 'Intellectual Inhibition and Eating Disorders', appendix to Jacqueline Rose, Why War? Psychoanalysis, Politics and the Return to Melanie Klein (Blackwell) Oxford, 1993, p. 269.
38. Schmideberg, 'Intellectual Inhibition and Eating Disorders', p. 262.
39. Schmideberg, 'Intellectual Inhibition and Eating Disorders', p. 262.
40. Schmideberg, 'Intellectual Inhibition and Eating Disorders', p. 264.
41. Rose, Why War?, p. 216.
42. Rose, Why War?, pp. 144-5.
43. Rose, Why War?, p. 145.
44. Julia Kristeva, Black Sun: Depression and Melancholia, Leon S. Roudiez (trans.) (Columbia University Press) New York, 1989, p. 12.
45. de Certeau, 'Psychoanalysis and its History', p. 6.
46. Melanie Klein, 'Criminal Tendencies in Normal Children' in Love, Guilt and Reparation and Other Essays 1921-45 (Virago) London, 1986, pp. 170-85.
47. Michael Taussig, Mimesis and Alterity: a Particular History of the Senses (Routledge) New York and London, 1993. I am grateful to Julie Marcus for this reference, and to her paper 'Is Elizabeth Durack a Cannibal?', State Library of New South Wales, 1998, for a very interesting discussion of Elizabeth Durack, an Australian artist who has produced and sold a number of paintings purporting to be the work of an Aboriginal artist, Eddie Burrup, now known to be a fictional construction of Durack's.
48. Taussig, Mimesis and Alterity, p. 23.
49. Abraham and Torok, 'Introjection - Incorporation', p. 10; original emphasis.
50. Abraham and Torok, 'Introjection - Incorporation, p. 8.
51. Abraham and Torok, 'Introjection - Incorporation, p. 10; original emphasis.
52. Michel de Certeau: 'Montaigne's "Of Cannibals"' in Heterologies, Brian Massumi (trans.) (University of Minnesota) Minneapolis, 1986, p. 71.