The Israeli souvenir. Its text and context

Annals of Tourism Research

Volumn 20, Issue 1, 1993, Pages 182-196

  Shenhav Keller, Shelly ^a  

^a HEBREW UNIVERSITY OF JERUSALEM   (Israel)

Author keywords

authentication; authentification; ideology; id ologie; Israel; Isra l; production; souvenir; symbolism; symbolisme; syst me d'art touristique; tourist art system

Indexed keywords

EID: 0342360577     PISSN: 01607383     EISSN: None     Source Type: Journal    
DOI: 10.1016/0160-7383(93)90117-L     Document Type: Article

References (27)

1. Introduction: Commodities and the Politics of Value
2. On Collecting Art and Culture
3. From Tribal Costume to Pop Fashion: The “Boutiquisation” of the Textiles of the Hill Tribes of Northern Thailand
4. Authenticity and Commodization in Tourism
5. The Study of Touristic Images of Native People: Mitigating the Stereotype of a Stereotype
6. The Marketing of Heritage
7. Symbolic Slavery Black Representation in Popular Culture
8. Tour Guide Performances as Sight Sacralization
9. Deep Play: Notes on the Balinese Cockfight
10. Ideology as Cultural System
11. The Souvenir Messenger of the Extraordinary
12. Introduction: Inventing Tradition
13. Boundaries and Frontiers of the Israeli Control System: Analytical Conclusion
14. Traditional Religion and Civil Religion: Defining Terms
15. Staged Authenticity Arrangements of Social Space in Tourist Settings
16. The Cultural Apparatus
17. Introduction: Secular Rituals–Forms and Meaning
18. The Model of the Text: Meaningful Action Considered as a Text
19. Singing Other Peoples' Songs
20. Objects of Desire
21. Art History and Society Popular Painting in Shaba Zaire
22. The Analysis of Culture
23. Base and Superstructure in Marxist Cultural Theory