Physical motion as a metaphor for timing in music: the final ritard

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1996, Pages 458-460

  Desain, Peter ^a,b   Honing, Henkjan ^c  

^a RADBOUD UNIVERSITY NIJMEGEN   (Netherlands)

^b IBM T J WATSON RESEARCH CENTER   (United States)

^c UNIVERSITY OF AMSTERDAM   (Netherlands)

Author keywords

[No Author keywords available]

Indexed keywords

MUSIC THEORY; MUSICAL EXPRESSION; PERCEPTUAL SYSTEM; PERCEPTUAL THEORIES; PERFORMANCE; PHYSICAL MOTION;

EID: 0142210269     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (13)

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3. Davidson, J. (1991) The Perception of Expressive Movement in Music Performance. Ph.D. thesis, City University, London.
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10. Longuet-Higgins, H. C. (1976) The perception of melodies. Nature, 263, 646-653.
11. Sundberg, J. & Verillo, V. (1980) On the anatomy of the ritard: A study of timing in music. Journal of the Acoustical Society of America. 68, 772-779.
12. Sundberg, J. & Verillo, V. (1995) Comments on Feldman, Epstein & Richards (1992) Music Perception. 12(2), 265-266.
13. Todd, N. P. M. (1993) Vestibular Feedback in Musical Performance: Response to Somatosensory Feedback in Musical Performance. Music Perception. 10(3), 379-382.