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Volumn 24, Issue 2, 1996, Pages 199-221

Pedal timing and tempo in expressive piano performance: A preliminary investigation

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Indexed keywords


EID: 0142119692     PISSN: 03057356     EISSN: 17413087     Source Type: Journal    
DOI: 10.1177/0305735696242011     Document Type: Article
Times cited : (18)

References (22)
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    • Clynes, M.1
  • 3
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  • 4
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  • 5
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    • A theoretical model of phase transitions in human hand movements
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    • (1985) Biological Cybernetics , vol.51 , pp. 347-356
    • Haken, H.1    Kelso, J.A.S.2    Bunz, H.3
  • 6
    • 84926157352 scopus 로고
    • The functional role of finger-touch and damper-pedaling in the appreciation of pianoforte music
    • Heinlein, C. P. (1929a). The functional role of finger-touch and damper-pedaling in the appreciation of pianoforte music. Journal of General Psychology, 2, 462-469
    • (1929) Journal of General Psychology , vol.2 , pp. 462-469
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  • 7
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    • Pianoforte damper-pedaling under ten different experimental conditions
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  • 13
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    • Diversity and commonality in music performance: An analysis of timing microstructure in Schumann's Trdumerei
    • Repp, B. H. (1992). Diversity and commonality in music performance: An analysis of timing microstructure in Schumann's Trdumerei. Journal of the Acoustical Society of America, 92, 2546-2568
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    • Repp, B.H.1
  • 14
    • 0028311695 scopus 로고
    • Relational invariance of expressive microstructure across global tempo changes in music performance: An exploratory study
    • Repp, B. H. (1994a). Relational invariance of expressive microstructure across global tempo changes in music performance: An exploratory study. Psychological Research, 56, 269-284
    • (1994) Psychological Research , vol.56 , pp. 269-284
    • Repp, B.H.1
  • 15
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    • On determining the basic tempo of an expressive music performance
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  • 17
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    • Acoustics, perception, and production of legato articulation on the piano
    • Repp, B. H. (1995). Acoustics, perception, and production of legato articulation on the piano. Journal of the Acoustical Society of America, 97, 3862-3874
    • (1995) Journal of the Acoustical Society of America , vol.97 , pp. 3862-3874
    • Repp, B.H.1
  • 18
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    • New York: McGraw-Hill. (Reprinted by Dover Publications, 1967.)
    • Seashore, C. E. (1938). Psychology of music. New York: McGraw-Hill. (Reprinted by Dover Publications, 1967.)
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  • 19
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    • Performances of Chopin, Bach and Bartok: Studies in motor programming
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  • 20
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    • (1994) SMAC 93: Proceedings of the Stockholm Music Acoustics Conference, July 28 - August 1, 1993 , pp. 142-145
    • Taguti, T.1    Ohgushi, K.2    Sueoka, T.3
  • 22
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    • Todd, N.P.McA.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.