메뉴 건너뛰기




Volumn 27, Issue 4, 2003, Pages 69-83

Visualizing expressive performance in tempo-loudness space

Author keywords

[No Author keywords available]

Indexed keywords

ACOUSTIC INTENSITY; ALGORITHMS; ANIMATION; COMPUTER MONITORS; DATA ACQUISITION; MUSICAL INSTRUMENTS; VISUALIZATION;

EID: 0141994461     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.1162/014892603322730514     Document Type: Article
Times cited : (57)

References (34)
  • 3
    • 0242699050 scopus 로고    scopus 로고
    • Audio morphing different expressive intentions for multimedia systems
    • Canazza, S., et al., 2000. "Audio Morphing Different Expressive Intentions for Multimedia Systems." IEEE Multimedia 7(3)i:79-83.
    • (2000) IEEE Multimedia , vol.7 , Issue.3 , pp. 79-83
    • Canazza, S.1
  • 4
    • 0006113525 scopus 로고
    • Expressive microstructure in music, linked to living qualities
    • In J. Sundberg, ed.; Stockholm: Royal Swedish Academy of Music
    • Clynes, M. 1983. "Expressive Microstructure in Music, Linked to Living Qualities." In J. Sundberg, ed. Studies of Music Performance. Stockholm: Royal Swedish Academy of Music, pp. 76-181.
    • (1983) Studies of Music Performance , pp. 76-181
    • Clynes, M.1
  • 5
    • 0002825820 scopus 로고    scopus 로고
    • Automatic extraction of tempo and beat from expressive performances
    • Dixon, S. E. 2001a. "Automatic Extraction of Tempo and Beat from Expressive Performances." Journal of New Music Research 30(1):39-58.
    • (2001) Journal of New Music Research , vol.30 , pp. 39-58
    • Dixon, S.E.1
  • 9
    • 0001979406 scopus 로고
    • Once again: The theme from Mozart's piano sonata in a major (K.331)
    • In A. Gabrielsson, ed.; Stockholm: Royal Swedish Academy of Music
    • Gabrielsson, A. 1987. "Once Again: The Theme from Mozart's Piano Sonata in a Major (K.331)." In A. Gabrielsson, ed. Action and Perception in Rhythm and Music. Stockholm: Royal Swedish Academy of Music, pp. 81-103.
    • (1987) Action and Perception in Rhythm and Music , pp. 81-103
    • Gabrielsson, A.1
  • 10
    • 0002583253 scopus 로고    scopus 로고
    • Music performance
    • In D. Deutsch. ed.; San Diego: Academic Press
    • Gabrielsson, A. 1999. "Music Performance." In D. Deutsch. ed. Psychology of Music, 2nd ed. San Diego: Academic Press, pp. 501-602.
    • (1999) Psychology of Music, 2nd Ed. , pp. 501-602
    • Gabrielsson, A.1
  • 11
    • 0034940202 scopus 로고    scopus 로고
    • Melody lead in piano performance: Expressive device or artifact?
    • Goebl, W. 2001. "Melody Lead in Piano Performance: Expressive Device or Artifact?" Journal of the Acoustical Society of America 110(1): 563-572.
    • (2001) Journal of the Acoustical Society of America , vol.110 , Issue.1 , pp. 563-572
    • Goebl, W.1
  • 12
    • 0001875398 scopus 로고    scopus 로고
    • Are computer-controlled pianos a reliable tool in music performance research? Recording and reproduction precision of a yamaha disklavier grand piano
    • In C. L. Buyoli and R. Loureiro, eds.
    • Goebl, W., and R. Bresin. 2001. "Are Computer-Controlled Pianos a Reliable Tool in Music Performance Research? Recording and Reproduction Precision of a Yamaha Disklavier Grand Piano." In C. L. Buyoli and R. Loureiro, eds. Workshop on Current Research Directions in Computer Music. Barcelona, Spain: Audiovisual Institute, Pompeu Fabra University, pp. 45-50.
    • (2001) Workshop on Current Research Directions in Computer Music. Barcelona, Spain: Audiovisual Institute, Pompeu Fabra University , pp. 45-50
    • Goebl, W.1    Bresin, R.2
  • 14
    • 0013299560 scopus 로고    scopus 로고
    • Make me a match: An evaluation of different approaches to score-performance matching
    • Heijink, H., et al. 2000. "Make Me a Match: An Evaluation of Different Approaches to Score-Performance Matching." Computer Music Journal 24(1):43-56.
    • (2000) Computer Music Journal , vol.24 , Issue.1 , pp. 43-56
    • Heijink, H.1
  • 18
    • 0347851099 scopus 로고    scopus 로고
    • Aesthetic performance evaluations in the context of performance research: An assessment of two-dimensional performance trajectories
    • In preparation
    • Langner, J., and W. Goebl. In preparation. "Aesthetic Performance Evaluations in the Context of Performance Research: An Assessment of Two-Dimensional Performance Trajectories."
    • Langner, J.1    Goebl, W.2
  • 19
    • 0345959750 scopus 로고    scopus 로고
    • Perception and representation of multiple tempo hierarchies in musical performance and composition: Perspectives from a new theoretical approach
    • In R. Kopiez and W. Auhagen, eds.; Frankfurt: P. Lang
    • Langner, J., R. Kopiez, and B. Feiten. 1998. "Perception and Representation of Multiple Tempo Hierarchies in Musical Performance and Composition: Perspectives from a New Theoretical Approach." In R. Kopiez and W. Auhagen, eds. Controlling Creative Processes in Music. Frankfurt: P. Lang, pp. 13-35.
    • (1998) Controlling Creative Processes in Music , pp. 13-35
    • Langner, J.1    Kopiez, R.2    Feiten, B.3
  • 24
    • 30044436961 scopus 로고    scopus 로고
    • A new approach to hierarchical clustering and structuring of data with self-organizing maps
    • In press
    • Pampalk, E., G. Widmer, and A. Chan. In press. "A New Approach to Hierarchical Clustering and Structuring of Data with Self-Organizing Maps." Intelligent Data Analysis Journal 8(2).
    • Intelligent Data Analysis Journal , vol.8 , pp. 2
    • Pampalk, E.1    Widmer, G.2    Chan, A.3
  • 25
    • 0347851102 scopus 로고
    • (Recorded 1972.); Hamburg: Deutsche Grammophon Gesellschaft
    • Pollini, M. 1985. (Recorded 1972.) Chopin: Etudes. Hamburg: Deutsche Grammophon Gesellschaft 413 794-2.
    • (1985) Chopin: Etudes , vol.413 , pp. 794-802
    • Pollini, M.1
  • 26
    • 84970123423 scopus 로고
    • Music as motion: A synopsis of Alexander truslit's gestaltung und bewegung in der musik
    • Repp, B. H. 1993. "Music as Motion: A Synopsis of Alexander Truslit's 'Gestaltung und Bewegung in der Musik'." Psychology of Music 21: 48-72.
    • (1993) Psychology of Music , vol.21 , pp. 48-72
    • Repp, B.H.1
  • 28
    • 0033259388 scopus 로고    scopus 로고
    • Measuring emotion continuously: Validity and reliability of the two-dimensional emotion-space
    • Schubert, E. 1999. "Measuring Emotion Continuously: Validity and Reliability of the Two-Dimensional Emotion-Space." Australian Journal of Psychology 51(3):154-165.
    • (1999) Australian Journal of Psychology , vol.51 , Issue.3 , pp. 154-165
    • Schubert, E.1
  • 29
    • 0346591091 scopus 로고    scopus 로고
    • Quicktime tools for MATLAB
    • Interval Technical Report 1999-066. Palo Alto, California; Interval Research Corporation
    • Slaney, M. 1999. "Quicktime Tools for MATLAB." Interval Technical Report 1999-066. Palo Alto, California; Interval Research Corporation.
    • (1999)
    • Slaney, M.1
  • 30
    • 0026653777 scopus 로고
    • The dynamics of dynamics: A model of musical expression
    • Todd, N. P. M. 1992. "The Dynamics of Dynamics: A Model of Musical Expression." Journal of the Acoustical Society of America 91(6):3540-3500.
    • (1992) Journal of the Acoustical Society of America , vol.91 , Issue.6 , pp. 3540-3550
    • Todd, N.P.M.1
  • 32
    • 0034753595 scopus 로고    scopus 로고
    • Using AI and machine learning to study expressive music performance: Project survey and first report
    • Widmer, G. 2001. "Using AI and Machine Learning to Study Expressive Music Performance: Project Survey and First Report." AI Communications 14(3):149-162.
    • (2001) AI Communications , vol.14 , Issue.3 , pp. 149-162
    • Widmer, G.1
  • 33
    • 0141890800 scopus 로고    scopus 로고
    • Expressive timing and dynamics in real and artificial musical performances: Using an algorithm as an analytical tool
    • Windsor, W. L., and E. F. Clarke. 1997. "Expressive Timing and Dynamics in Real and Artificial Musical Performances: Using an Algorithm as an Analytical Tool." Music Perception 15(2):127-152.
    • (1997) Music Perception , vol.15 , Issue.2 , pp. 127-152
    • Windsor, W.L.1    Clarke, E.F.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.