Visible difference: Women artists and aging

The Other within Us: Feminist Explorations of Women and Aging

Volumn , Issue , 2018, Pages 197-219

  Frueh, Joanna ^a  

^a UNIVERSITY OF NEVADA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0141964559     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780429496059     Document Type: Chapter

References (34)

1. The Beauty Myth: How Images of Beauty Are Used Against Women (New York: Doubleday/Anchor, 1991).
2. Lois W. Banner, in In Full Flower: Aging Women, Power, and Sexuality: A History (New York: Alfred A. Knopf, 1992), p. 189.
3. Mira Schor’s “Patrilineage,” in Joanna Frueh, Cassandra L. Langer, and Arlene Raven, eds., New Feminist Criticism: Art, Identity, Action (New York: Icon, Harper-Collins, 1994).
4. Patricia Morgan’s “Icried when Ianswered your questions” (letter to the author, October 6, 1992).
5. Mitchell Sanford’s “The reaction to my work has been overwhelmingly positive….Juries and curators seemglad to show work on aging, and Ithink it’s because so little is out there” (letter to the author, August 24, 1992).
6. Simone de Beauvoir, The Coming of Age, trans. Patrick O’Brien (New York: G. P. Putnam’s Sons, 1972).
7. Robert Jacobs, The Wise Women: A Natural Approach to the Menopause (Shaftesbury, Dorset, and Rockport, Mass.: Element, 1992).
8. Ruth Raymond Thone, Women and Aging: Celebrating Ourselves (New York, London, and Norwood, Australia: Harrington Park Press, 1992).
9. Baba Copper’s Over the Hill: Reflections on AgeismBetween Women (Freedom, Calif.: The Crossing Press, 1988).
10. “FromArt-Mageddon to Gringo-Stroika,” High Performance 14, 3 (Fall 1991): 20-27.
11. Gómez-Pena, “The Multicultural Paradigm: An Open Letter to the National Arts Community,” High Performance 12, 3 (Fall 1989): 18-27.
12. “Silver Tongues Untie the (K)nots,” International Association of Art Critics, USA Conference, Chicago, Illinois, February 1992.
13. “The Language of War and the Language of Miracles,” Columbia College, Chicago, Illinois, November 1991, and Centenary College, Shreveport, Louisiana, October 1991.
14. Claire Wolf Krantz, “Questions as Model,” New Art Examiner 19, 10/11 (June Summer 1992): 30, 33,60.
15. Thalia Gouman-Peterson and Patricia Matthews, “The Feminist Critique of Art History,” Art Bulletin 69, 3 (September 1987): 326, 357.
16. Julia Kristeva, Powers of Horror: An Essay on Abjection, trans. Leon S. Roudiez (New York: Columbia University Press, 1982), p. 13.
17. Silver Lining: Photographs by Anne Noggle (Albuquerque: University of New Mexico Press, 1983)
18. Joanna Frueh, “The Fear of Flesh That Moves,” High Performance 14, 3 (Fall 1991): 70-71
19. Bernice L. Neugarten and Dail A. Neugarten, “Changing Meanings of Age in the Aging Society,” in Alan Pifer and Lydia Bronte, eds., Our Aging Society: Paradox and Promise (New York and London: W. WNorton, 1986), pp. 3-13.
20. Cynthia Rich, Look Me in the Eye: Old Women, Aging, and Ageism(San Francisco: Spinsters Ink, 1981)
21. Judith Butler’s Gender Trouble: Feminismand the Subversion of Identity (New York and London: Routledge, 1990).
22. Louise J. Kaplans Female Perversions: The Temptations of Emma Bovary (New York: Doubleday/Anchor, 1991)
23. Lisa Tickner, “The Body Politic: Female Sexuality and Women Artists Since 1970,” first published in Art History 1, 2 (June 1978).
24. Rosemary Betterton, ed., Looking On: Images of Femininity in the Visual Arts and Media (London and New York: Pandora, 1987), pp. 235-253.
25. “Strategies of Coherence: Narrative Cinema, Feminist Poetics, and Yvonne Rainer,” Technologies of Gender: Essays on Theory, Film, and Fiction (Bloomington and Indianapolis: Indiana University Press, 1987), pp. 123-124.
26. Thomas R. Cole, The Journey of Life: A Cultural History of Aging in America (Cambridge: Cambridge University Press, 1992), p. 232.
27. Sarah Boxer, “You Might as Well Act Dreadful,” The New York Times Book Review, October 11, 1992, p. 33.
28. Jane Caputi, Our Planet, Ourselves,” Camerawork 19, 2 (Fall 1992): 21
29. Dena Taylor and Amber Coverdale Sumrall, eds., Women of the 14th Moon: Writings on Menopause (Freedom, Calif.: The Crossing Press, 1991).
30. Jane Caputi, Websters First New Intergalactic Wickedary of the English Language (Boston: Beacon Press, 1987), pp. 128, 137.
31. Kenneth Clark, The Nude: A Study in Ideal Form(New York: Pantheon, 1956), p. 93.
32. Lorraine O’Grady, “Olympia’s Maid: Reclaiming Black Female Subjectivity,” in Frueh, Langer, and Raven, eds., New Feminist Criticism
33. Mary Douglas, Purity and Danger: An Analysis of Concepts of Pollution and Taboo (New York and Washington: Frederick A. Praeger, 1966), pp. 96, 98, 121.
34. Banner, In Full Flower, p. 192.