Complexity in the experimental audio/visual arts

Chaos, Solitons and Fractals

Volumn 20, Issue 1, 2004, Pages 45-53

  Winsor, Phil ^a  

^a UNIVERSITY OF NORTH TEXAS   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

FRACTALS; SOLITONS; STATISTICAL METHODS;

VISUAL ARTS;

CHAOS THEORY;

EID: 0141921706     PISSN: 09600779     EISSN: None     Source Type: Journal    
DOI: 10.1016/S0960-0779(03)00426-0     Document Type: Conference Paper

References (9)

1. Heidegger M. Heidegger Krell D.F. The origin of the work of art, from basic writings. 1993;Harper Collins Publishers, New York.
2. Hiller L. Experimental music: composition with an electronic computer. 1959;McGraw-Hill, New York.
3. Xenakis I. Formalized music. 1971;Indiana University Press, Bloomington.
4. McLuhan M. Understanding media: the extensions of man. 1964;McGraw-Hill, New York.
5. Pfingstl M. ChaosPro, fractal animation software. Available from: http://www.chaospro.de.
6. Winsor P. Automated music composition. 1992;University of North Texas Press, Denton, Texas.
7. Winsor P., DeLisa G. Computer music in C. 1991;McGraw-Hill, New York.
8. Winsor P. Computer composer's toolbox. 1990;McGraw-Hill, New York.
9. Youngblood G. Expanded cinema. New York: P. Dutton and Company; 1970 [This book is out of print, but can be obtained on the Internet as a PDF document at: http://artscilab.org/expandedcinema/book.pdf].