Chauvet: The cave that changed expectations

South African Journal of Science

Volumn 99, Issue 5-6, 2003, Pages 191-194

  Lewis Williams, J D ^a  

^a UNIVERSITY OF THE WITWATERSRAND   (South Africa)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0141635222     PISSN: 00382353     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Note

References (10)

1. Clottes J. (ed.) (2003). Return to Chauvet Cave. Excavating the birthplace of art: the first full report. Thames & Hudson, London. (First published in French, Le Grotte Chauvet: L'art des origines. Le Seuil, Paris; 2001.) ISBN 0-500-51119-5. £45.00.
2. Pettitt P. and Bahn P. (2003). Current problems in dating Palaeolithic cave art: Candamo and Chauvet. Antiquity 77, 134-141.
3. Valladas H. and Clottes J. (2003). Style, Chauvet and radio-carbon. Antiquity 77, 142-145.
4. Clottes J., Chauvet J-M., Brunel-Deschamps E., Hillaire C., Daugas J-P., M. Arnold, H. Cachier, J. Évin, P. Fortin, C. Oberlin, N. Yisnerat and H. Valladas (1995). Les peintures paléolithique de la grotte Chauvet-Pont d'Arc (Ardèche, France): datations directes et indirectes par la méthod du radiocarbone. C. R. Acad. Sci. Paris 320 (series IIa), 1133-1140.
5. Clottes J. (1996). The Chauvet dates implausible? Int. Newsl. Rock Art 13, 27-29.
6. Clottes J. (1996). Thematic changes in Upper Palaeolithic art: a view from the Grotte Chauvet. Antiquity 70, 276-288.
7. Clottes J. and Lewis-Williams J.D. (1998). The Shamans of Prehistory: Trance and magic in the painted caves. Harry Abrams, New York.
8. Lewis-Williams J.D. (1997). Harnessing the brain: vision and shamanism in Upper Palaeolithic western Europe. In Beyond Art: Pleistocene image and symbol, eds M.W. Conkey, O. Soffer, D. Stratmann and N.G. Jablonski, pp. 321-342. California Academy of Sciences, San Francisco.
9. Lewis-Williams J.D. (1997). Agency, art and altered consciousness: a motif in French (Quercy) Upper Palaeolithic parietal art. Antiquity 71, 810-830.
10. Lewis-Williams J.D. (2002). The Mind in the Cave: Consciousness and the origins of art. Thames & Hudson, London.