Application of pitch tracking to South Indian classical music

ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings

Volumn 5, Issue , 2003, Pages 557-560

  Krishnaswamy, Arvindh ^a  

^a Stanford University   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

DATA REDUCTION; FOURIER TRANSFORMS; INTERPOLATION; MUSICAL INSTRUMENTS;

CLASSICAL MUSIC;

COMPUTER MUSIC;

EID: 0141520468     PISSN: 15206149     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (6)

1. Levy, Intonation in North Indian Music: A Select Comparison of Theories with Contemporary Practice, Biblia Impex Private Limited, New Delhi, India, 1982.
2. Jairazbhoy and Stone, "Intonation in present-day north indian classical music," Bulletin of the School of Oriental and African Studies, vol. 26, pp. 119-132, 1963.
3. Sambamurthy, South Indian Music, vol. 4, The Indian Music Publishing House, Madras, India, 1982.
4. Wang, Instantaneous and Frequency-Warped Signal Processing Techniques for Auditory Source Separation, Ph.D. thesis, EE Dept., Stanford University, 1994.
5. Talkin, "A robust algorithm for pitch tracking (rapt)," in Speech Coding and Synthesis, Kleijn and Paliwal, Eds., chapter 14. Elsevier Science, 1995.
6. Burns, "Intervals, scales and tuning," in The Psychology of Music, Deutsch, Ed., chapter 7. Academic Press, 2nd edition, 1999.