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Hiller, L.1
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A discrete model of a struck string
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R. Bacon and J. Bowsher, "A discrete model of a struck string," Acustica 41, 21-27 (1978).
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Bacon, R.1
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Numerical simulations of struck strings. I. A physical model for a struck string using finite difference methods
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A. Chaigne and A. Askenfelt, "Numerical simulations of struck strings. I. A physical model for a struck string using finite difference methods," J. Acoust. Soc. Am. 95, 1112-1118 (1994).
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Numerical simulations of struck strings. II. Comparisons with measurements and systematic exploration of some hammer-string parameters
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A. Chaigne and A. Askenfelt, "Numerical simulations of struck strings. II. Comparisons with measurements and systematic exploration of some hammer-string parameters," J. Acoust. Soc. Am. 95, 1631-1640 (1994).
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Chaigne, A.1
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On the use of finite differences for musical synthesis. Application to plucked stringed instruments
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A. Chaigne, "On the use of finite differences for musical synthesis. Application to plucked stringed instruments," J. Acoust. 5, 181-211 (1992).
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Chaigne, A.1
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http://www-ccrma.stanford.edu/∼jos/waveguide/. (printed version forthcoming)
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J. O. Smith III, Digital Waveguide Modeling of Musical Instruments, http://www.ccrma.stanford.edu/∼jos/waveguide/http://www-ccrma. stanford.edu/∼jos/waveguide/. 2002 (printed version forthcoming).
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(2002)
Digital Waveguide Modeling of Musical Instruments
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Smith, J.O.1
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14
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Investigation of the curve formed by a vibrating string, 1747
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edited by R. Bruce Lindsay (Dowden, Hutchinson & Ross, Stroudsburg)
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J. le Rond d'Alembert, "Investigation of the curve formed by a vibrating string, 1747," in Acoustics: Historical and Philosophical Development, edited by R. Bruce Lindsay (Dowden, Hutchinson & Ross, Stroudsburg, 1973), pp. 119-123.
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Acoustics: Historical and Philosophical Development
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Le Rond d'Alembert, J.1
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15
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0021124473
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A flexible sampling-rate conversion method
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San Diego (IEEE Press, New York). The Digital Audio Resampling Home Page: http://www-ccrma.stanford.edu/∼jos/resample/
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J. O. Smith III and P. Gossett, "A flexible sampling-rate conversion method," Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, San Diego (IEEE Press, New York, 1984), Vol. 2, pp. 19.4.1-19.4.2. An expanded tutorial based on this paper and associated free software are available online at The Digital Audio Resampling Home Page: http://www.ccrma.stanford.edu/∼jos/resample/http://www-ccrma.stanford.edu/∼jos/resample/
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(1984)
Proceedings of the International Conference on Acoustics, Speech, and Signal Processing
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Smith, J.O.1
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Ph.D. thesis, Stanford University (CCRMA). CCRMA Technical Report STAN-M-14. http://www-ccrma.stanford.edu/∼jos/
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J. O. Smith III, "Techniques for digital filter design and system identification with applicaltion to the violin," Ph.D. thesis, Stanford University (CCRMA), 1983. Available as CCRMA Technical Report STAN-M-14. Portions available online at http://www.ccrma.stanford.edu/∼jos/http://www-ccrma.stanford.edu/∼jos/
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(1983)
Techniques for Digital Filter Design and System Identification with Applicaltion to the Violin
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Smith, J.O.1
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18
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0028419020
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Multichannel excitation/filter modeling of percussive sounds with application to the piano
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J. Laroche and J. L. Meillier, "Multichannel excitation/filter modeling of percussive sounds with application to the piano," IEEE Trans. Speech Audio Process. 2, 329-344 (1994).
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Laroche, J.1
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Physical modeling of plucked string instruments with application to real-time sound synthesis
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V. Välimäki, J. Huopaniemi, M. Karjalainen, and Zoltan Jánosy, "Physical modeling of plucked string instruments with application to real-time sound synthesis," J. Audio Eng. Soc. 44, 331-353 (1996).
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Välimäki, V.1
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Karjalainen, M.3
Jánosy, Z.4
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20
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0003309223
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Efficient synthesis of stringed musical instruments
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Tokyo (Computer Music Association)
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J. O. Smith III, "Efficient synthesis of stringed musical instruments," Proceedings of the 1993 International Computer Music Conference, Tokyo (Computer Music Association, 1993), pp. 64-71. Available online at http://www.ccrma.stanford.edu/∼jos/cs/
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(1993)
Proceedings of the 1993 International Computer Music Conference
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Smith, J.O.1
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21
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83455254648
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Towards high-quality sound synthesis of the guitar and string instruments
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Tokyo (Computer Music Association)
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M. Karjalainen, V. Välimäki, and Z. Jánosy, "Towards high-quality sound synthesis of the guitar and string instruments," Proceedings of the 1993 International Computer Music Conference, Tokyo (Computer Music Association, 1993), pp. 56-63. Available online at http://www.acoustics.hut.fi/∼vpv/publications/icmc93-guitar.htm
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(1993)
Proceedings of the 1993 International Computer Music Conference
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Karjalainen, M.1
Välimäki, V.2
Jánosy, Z.3
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22
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An approach to sound morphing based on physical modeling
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Beijing, Computer Music Association
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T. Hikichi and N. Osaka, "An approach to sound morphing based on physical modeling," Proceedings of the International Computer Music Conference (Beijing, Computer Music Association, 1999), pp. 108-111.
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(1999)
Proceedings of the International Computer Music Conference
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Hikichi, T.1
Osaka, N.2
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23
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Quality of piano tones
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H. Fletcher, E. D. Blackham, and R. Stratton, "Quality of piano tones," J. Acoust. Soc. Am. 34, 749-761 (1961).
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Fletcher, H.1
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25
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Modelling of natural sounds using time-frequency and wavelet representations
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R. Kronland-Martinet, Ph. Guillemain, and S. Ystad, "Modelling of natural sounds using time-frequency and wavelet representations," Organised Sound 2, 179-191 (1997).
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(1997)
Organised Sound
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Kronland-Martinet, R.1
Guillemain, P.2
Ystad, S.3
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26
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Resynthesis of coupled piano string vibrations based on physical modeling
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M. Aramaki, J. Bensa, L. Daudet, P. Guillemain, and R. Kronland-Martinet, "Resynthesis of coupled piano string vibrations based on physical modeling," J. New Music Res. 30, 213-226 (2002).
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Aramaki, M.1
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Coupled piano strings
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G. Weinreich, "Coupled piano strings," J. Acoust. Soc. Am. 62, 1474-1484 (1977). Also contained in Ref. 36. See also Sci. Am. 240, 94 (1979).
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G. Weinreich, "Coupled piano strings," J. Acoust. Soc. Am. 62, 1474-1484 (1977). Also contained in Ref. 36. See also Sci. Am. 240, 94 (1979).
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Design and tone in the mechanoacoustic piano. III. Piano strings and scale design
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H. A. Conklin, Jr., "Design and tone in the mechanoacoustic piano. III. Piano strings and scale design," J. Acoust. Soc. Am. 100, 1286-1298 (1996).
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Note and hammer velocity dependence of a piano string model based on coupled digital waveguides
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La Havana, Cuba (Computer Music Association)
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J. Bensa, F. Gibaudan, K. Jensen, and R. Kronland-Martinet, "Note and hammer velocity dependence of a piano string model based on coupled digital waveguides," Proceedings of the International Computer Music Conference, La Havana, Cuba (Computer Music Association, 2001), pp. 95-98.
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Mechanical impedance of a piano soundboard
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N. Giordano, "Mechanical impedance of a piano soundboard," J. Acoust. Soc. Am. 103, 2128-2133 (1998).
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N. Giordano, "Sound production by a vibrating piano soundboard: Experiment," J. Acoust. Soc. Am. 104, 1648-1653 (1998).
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Technical Report STAN-M-39, CCRMA, Music Dept., Stanford University
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J. O. Smith III, Music applications of digital waveguides. Technical Report STAN-M-39, CCRMA, Music Dept., Stanford University, 1987. A compendium containing four related papers and presentation overheads on digital waveguide reverberation, synthesis, and filtering. CCRMA technical reports can be ordered by calling (650)723-4971 or by sending electronic mail requests to info@ccrma.stanford.edu
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(1987)
Music Applications of Digital Waveguides
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Smith, J.O.1
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edited by A. Askenfelt (Royal Swedish Academy of Music, Stockholm). Lectures by H. A. Conklin, A. Askenfelt, E. Jansson, D. E. Hall, G. Weinreich, and K. Wogram. Sound example CD included. Publication number 64
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Five Lectures on the Acoustics of the Piano, edited by A. Askenfelt (Royal Swedish Academy of Music, Stockholm, 1990). Lectures by H. A. Conklin, A. Askenfelt, E. Jansson, D. E. Hall, G. Weinreich, and K. Wogram. Sound example CD included. Publication number 64. Available online at http://www.speech.kth.se/music/5_lectures/
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(1990)
Five Lectures on the Acoustics of the Piano
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