Lips and fingers: Jane Campion's the piano

Screen

Volumn 36, Issue 3, 1995, Pages 277-287

  Gillett, Sue ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0040835967     PISSN: 00369543     EISSN: None     Source Type: Journal    
DOI: 10.1093/screen/36.3.277     Document Type: Note

References (17)

1. Ada's voiceover, The Piano (Jane Campion, 1993).
2. Luce Irigaray, 'Women on the market', in This Sex Which is Not One, trans Catherine Porter (New York: Cornell Press, 1985), p. 187.
3. Luce Irigaray, This sex which is not one’, in This Sex Which is Not One. p. 206.
4. Sam Neill, from the Production Notes, quoted in Jane Campion, The Piano (London: Bloomsbury. 1993), p. 147.
5. Carmel Bird, 'Mysteries of a tale left lacking'. The Age (22 March 1994), p. 15. In a further essay Bird admits to being disappointed that the film had not concluded with Ada's drowning: 'Ada and the piano sink into the sea with all the power of the unconscious mind of God. The tragedy, the glory, the moment
6. Carmel Bird, 'Freedom of speech', in Cassandra Pybus ed., Columbus' Blindness and Other Essays (St. Lucia: University of Queensland Press. 1994). p. 197.
7. Teresa de Lauretis. 'Desire in narrative', in Alice Doesn't: Feminism, Semiotics, Cinema (London: Macmillan, 1384). pp. 103-157.
8. Lisa Sarmas, What rape is.' Arena Magazine, no. 8 (Oecember/January 1993). p. 14.
9. Kerryn Goldsworthy, What music is,' Arena Magazine (October/ November 1993), pp. 46-48.
10. Irigaray, Women on the market, p. 189.
11. Irigaray, ‘Commodities among themselves', in This Sex Which is Not One. p. 193.
12. Irigaray. 'Women on the market', p. 189.
13. John Spooner, Tender, but it’s still harassment. The Age (22 March 1994), p. 15.
14. Anna Murdoch King, 'A man for woman of our times'. The Age (22 March 1994), p. 15.
15. Jacques Derrida, from 'Differance', in Anthony Easthope and Kate McGowan (eds), A Critical and Cultural Theory Reader (North Sydney: Allen and Unwin, 1992), pp. 108-133.
16. Elizabeth Ward, Father/Daughter Rape (London: Women's Press, 1984), p. 118.
17. Goldsworthy, 'What music is', p. 47.