Preliminary notes on audiences in Africa

Africa

Volumn 67, Issue 3, 1997, Pages 347-362

  Barber, Karin ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0040644384     PISSN: 00019720     EISSN: None     Source Type: Journal    
DOI: 10.2307/1161179     Document Type: Article

References (26)

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3. Collingwood, R. G. 1938. The Principles of Art. London: Oxford University Press.
4. Cooper, Frederick. 1983. 'Urban space, industrial time and wage labour in Africa', in Frederick Cooper (ed.), Struggle for the City: migrant labour, capital and the state in urban Africa, pp. 1-50. Beverly Hills, Cal.: Sage.
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7. E(combining dot below)san, Oluyinka Anuolu. 1994. 'Receiving Television Messages: an ethnography of women in a Nigerian context'. Ph.D. thesis, Department of Sociology, Glasgow University.
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9. Götrick, Kacke. 1984. Apidán Theatre and Modern Drama. Stockholm: Almqvist & Wiksell.
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13. Jeyifo, Bio(combining dot below)dun. 1984. The Yoruba Popular Travelling Theatre of Nigeria. Lagos: Nigeria Magazine Publications.
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23. _1992. 'The mass public and the mass subject', in Craig Calhoun (ed.), Habermas and the Public Sphere, pp. 377-401. Cambridge, Mass.: MIT Press.
24. Waterman, C. A. 1990. ' "Our tradition is a very modern tradition": popular music and the construction of a pan-Yorùbá identity', Ethnomusicology 34 (3), 367-79; reprinted in Karin Barber (ed.), Readings in African Popular Culture, London: James Currey; Bloomington, Ind.: Indiana University Press, for the International African Institute, 1997.
25. Waterman, C. A. 1990. ' "Our tradition is a very modern tradition": popular music and the construction of a pan-Yorùbá identity', Ethnomusicology 34 (3), 367-79; reprinted in Karin Barber (ed.), Readings in African Popular Culture, London: James Currey; Bloomington, Ind.: Indiana University Press, for the International African Institute, 1997.
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