Magical neoliberalism

Foreign Policy

Volumn , Issue 125, 2001, Pages 66-73

  Fuguet, Alberto ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0040481509     PISSN: 00157228     EISSN: None     Source Type: Journal    
DOI: 10.2307/3183328     Document Type: Article

References (21)

1. Lawrence E. Harrison and Samuel P. Huntington, eds., explore the relationship between development and culture in Culture Matters: How Values Shape Human Progress (New York: Basic Books, 2000). Mario Vargas Llosa argues that globalization enhances rather than curtails the evolution of local and regional culture in "The Culture of Liberty" (FOREIGN POLICY, January/February 2001), while David Rothkopf's "In Praise of Cultural Imperialism?" (FOREIGN POLICY, Summer 1997) suggests that the world will be a better place thanks to the dissemination of U.S. culture.
2. Lawrence E. Harrison and Samuel P. Huntington, eds., explore the relationship between development and culture in Culture Matters: How Values Shape Human Progress (New York: Basic Books, 2000). Mario Vargas Llosa argues that globalization enhances rather than curtails the evolution of local and regional culture in "The Culture of Liberty" (FOREIGN POLICY, January/February 2001), while David Rothkopf's "In Praise of Cultural Imperialism?" (FOREIGN POLICY, Summer 1997) suggests that the world will be a better place thanks to the dissemination of U.S. culture.
3. Lawrence E. Harrison and Samuel P. Huntington, eds., explore the relationship between development and culture in Culture Matters: How Values Shape Human Progress (New York: Basic Books, 2000). Mario Vargas Llosa argues that globalization enhances rather than curtails the evolution of local and regional culture in "The Culture of Liberty" (FOREIGN POLICY, January/February 2001), while David Rothkopf's "In Praise of Cultural Imperialism?" (FOREIGN POLICY, Summer 1997) suggests that the world will be a better place thanks to the dissemination of U.S. culture.
4. For reviews of the award-winning Amores perros (Love's a Bitch) (Lions Gate Films, 2000), see "From Mexico, 3 Stories and an Array of Lives United by a Car Wreck" by Elvis Mitchell (New York Times, October 5, 2000), "Amores Perros" (Salon.com, March 30, 2001) by Andrew O'Hehir, "Going to the Dogs" (National Review, April 30, 2001) by John Simon, and "Pitbull Realist" (Washington Post, April 22, 2001) by Sharon Waxman. John D. Watling assesses the contemporary Mexican film industry in "Amores Perros Spearheads New Age of Mexican Cinema" (Business Mexico, August 2000).
5. For reviews of the award-winning Amores perros (Love's a Bitch) (Lions Gate Films, 2000), see "From Mexico, 3 Stories and an Array of Lives United by a Car Wreck" by Elvis Mitchell (New York Times, October 5, 2000), "Amores Perros" (Salon.com, March 30, 2001) by Andrew O'Hehir, "Going to the Dogs" (National Review, April 30, 2001) by John Simon, and "Pitbull Realist" (Washington Post, April 22, 2001) by Sharon Waxman. John D. Watling assesses the contemporary Mexican film industry in "Amores Perros Spearheads New Age of Mexican Cinema" (Business Mexico, August 2000).
6. For reviews of the award-winning Amores perros (Love's a Bitch) (Lions Gate Films, 2000), see "From Mexico, 3 Stories and an Array of Lives United by a Car Wreck" by Elvis Mitchell (New York Times, October 5, 2000), "Amores Perros" (Salon.com, March 30, 2001) by Andrew O'Hehir, "Going to the Dogs" (National Review, April 30, 2001) by John Simon, and "Pitbull Realist" (Washington Post, April 22, 2001) by Sharon Waxman. John D. Watling assesses the contemporary Mexican film industry in "Amores Perros Spearheads New Age of Mexican Cinema" (Business Mexico, August 2000).
7. For reviews of the award-winning Amores perros (Love's a Bitch) (Lions Gate Films, 2000), see "From Mexico, 3 Stories and an Array of Lives United by a Car Wreck" by Elvis Mitchell (New York Times, October 5, 2000), "Amores Perros" (Salon.com, March 30, 2001) by Andrew O'Hehir, "Going to the Dogs" (National Review, April 30, 2001) by John Simon, and "Pitbull Realist" (Washington Post, April 22, 2001) by Sharon Waxman. John D. Watling assesses the contemporary Mexican film industry in "Amores Perros Spearheads New Age of Mexican Cinema" (Business Mexico, August 2000).
8. For reviews of the award-winning Amores perros (Love's a Bitch) (Lions Gate Films, 2000), see "From Mexico, 3 Stories and an Array of Lives United by a Car Wreck" by Elvis Mitchell (New York Times, October 5, 2000), "Amores Perros" (Salon.com, March 30, 2001) by Andrew O'Hehir, "Going to the Dogs" (National Review, April 30, 2001) by John Simon, and "Pitbull Realist" (Washington Post, April 22, 2001) by Sharon Waxman. John D. Watling assesses the contemporary Mexican film industry in "Amores Perros Spearheads New Age of Mexican Cinema" (Business Mexico, August 2000).
9. For reviews of the award-winning Amores perros (Love's a Bitch) (Lions Gate Films, 2000), see "From Mexico, 3 Stories and an Array of Lives United by a Car Wreck" by Elvis Mitchell (New York Times, October 5, 2000), "Amores Perros" (Salon.com, March 30, 2001) by Andrew O'Hehir, "Going to the Dogs" (National Review, April 30, 2001) by John Simon, and "Pitbull Realist" (Washington Post, April 22, 2001) by Sharon Waxman. John D. Watling assesses the contemporary Mexican film industry in "Amores Perros Spearheads New Age of Mexican Cinema" (Business Mexico, August 2000).
10. For a description of the unlikely events leading to the downfall of the Fujimori regime in Peru, see Isabel Hilton's "The Government is Missing" (The New Yorker, March 5, 2001) and Alberto Fuguet's "This Revolution Is Being Televised" (New York Times Magazine, February 25, 2001), which highlights the growing role of the mass media in Latin America's political life.
11. For a description of the unlikely events leading to the downfall of the Fujimori regime in Peru, see Isabel Hilton's "The Government is Missing" (The New Yorker, March 5, 2001) and Alberto Fuguet's "This Revolution Is Being Televised" (New York Times Magazine, February 25, 2001), which highlights the growing role of the mass media in Latin America's political life.
12. For an anthology showcasing the new generation of Latin American fiction writers, see Edmundo Paz Soldán and Alberto Fuguet's, eds., Se habla español: Voces latinas en USA (Spanish Spoken Here: Latin Voices in the USA) (Miami: Alfaguara, 2000). Notable works from the McOndo generation include Jaime Bayly's Los últimos días de "La Prensa" (The Last Days of "La Prensa") (Barcelona: Seix Barral, 1996) and Yo amo a mi mami (I Love My Mommy) (Lima: Adobe Editores, 1998); Alberto Fuguet's Mala onda (Santiago: Alfaguara, 1991) - translated into English as Bad Vibes (New York: St. Martin's Press, 1997) - and Tinta roja (Red Ink) (Santiago: Alfaguara, 1996); Edmundo Paz Soldán's Sueños digitales (Digital Dreams) (La Paz: Alfaguara, 2000) and short-story collection Amores imperfectos (Imperfect Loves) (La Paz: Santillana, 1998); and Ignacio Padilla's La catedral de los ahogados (The Cathedral of the Drowned) (Mexico City: Universidad Autónoma Metropolitana, 1995) and Si volviesen sus majestades (If Their Majesties Returned) (Mexico City: Nueva Imagen, 1996).
13. For an anthology showcasing the new generation of Latin American fiction writers, see Edmundo Paz Soldán and Alberto Fuguet's, eds., Se habla español: Voces latinas en USA (Spanish Spoken Here: Latin Voices in the USA) (Miami: Alfaguara, 2000). Notable works from the McOndo generation include Jaime Bayly's Los últimos días de "La Prensa" (The Last Days of "La Prensa") (Barcelona: Seix Barral, 1996) and Yo amo a mi mami (I Love My Mommy) (Lima: Adobe Editores, 1998); Alberto Fuguet's Mala onda (Santiago: Alfaguara, 1991) - translated into English as Bad Vibes (New York: St. Martin's Press, 1997) - and Tinta roja (Red Ink) (Santiago: Alfaguara, 1996); Edmundo Paz Soldán's Sueños digitales (Digital Dreams) (La Paz: Alfaguara, 2000) and short-story collection Amores imperfectos (Imperfect Loves) (La Paz: Santillana, 1998); and Ignacio Padilla's La catedral de los ahogados (The Cathedral of the Drowned) (Mexico City: Universidad Autónoma Metropolitana, 1995) and Si volviesen sus majestades (If Their Majesties Returned) (Mexico City: Nueva Imagen, 1996).
14. For an anthology showcasing the new generation of Latin American fiction writers, see Edmundo Paz Soldán and Alberto Fuguet's, eds., Se habla español: Voces latinas en USA (Spanish Spoken Here: Latin Voices in the USA) (Miami: Alfaguara, 2000). Notable works from the McOndo generation include Jaime Bayly's Los últimos días de "La Prensa" (The Last Days of "La Prensa") (Barcelona: Seix Barral, 1996) and Yo amo a mi mami (I Love My Mommy) (Lima: Adobe Editores, 1998); Alberto Fuguet's Mala onda (Santiago: Alfaguara, 1991) - translated into English as Bad Vibes (New York: St. Martin's Press, 1997) - and Tinta roja (Red Ink) (Santiago: Alfaguara, 1996); Edmundo Paz Soldán's Sueños digitales (Digital Dreams) (La Paz: Alfaguara, 2000) and short-story collection Amores imperfectos (Imperfect Loves) (La Paz: Santillana, 1998); and Ignacio Padilla's La catedral de los ahogados (The Cathedral of the Drowned) (Mexico City: Universidad Autónoma Metropolitana, 1995) and Si volviesen sus majestades (If Their Majesties Returned) (Mexico City: Nueva Imagen, 1996).
15. For an anthology showcasing the new generation of Latin American fiction writers, see Edmundo Paz Soldán and Alberto Fuguet's, eds., Se habla español: Voces latinas en USA (Spanish Spoken Here: Latin Voices in the USA) (Miami: Alfaguara, 2000). Notable works from the McOndo generation include Jaime Bayly's Los últimos días de "La Prensa" (The Last Days of "La Prensa") (Barcelona: Seix Barral, 1996) and Yo amo a mi mami (I Love My Mommy) (Lima: Adobe Editores, 1998); Alberto Fuguet's Mala onda (Santiago: Alfaguara, 1991) - translated into English as Bad Vibes (New York: St. Martin's Press, 1997) - and Tinta roja (Red Ink) (Santiago: Alfaguara, 1996); Edmundo Paz Soldán's Sueños digitales (Digital Dreams) (La Paz: Alfaguara, 2000) and short-story collection Amores imperfectos (Imperfect Loves) (La Paz: Santillana, 1998); and Ignacio Padilla's La catedral de los ahogados (The Cathedral of the Drowned) (Mexico City: Universidad Autónoma Metropolitana, 1995) and Si volviesen sus majestades (If Their Majesties Returned) (Mexico City: Nueva Imagen, 1996).
16. For an anthology showcasing the new generation of Latin American fiction writers, see Edmundo Paz Soldán and Alberto Fuguet's, eds., Se habla español: Voces latinas en USA (Spanish Spoken Here: Latin Voices in the USA) (Miami: Alfaguara, 2000). Notable works from the McOndo generation include Jaime Bayly's Los últimos días de "La Prensa" (The Last Days of "La Prensa") (Barcelona: Seix Barral, 1996) and Yo amo a mi mami (I Love My Mommy) (Lima: Adobe Editores, 1998); Alberto Fuguet's Mala onda (Santiago: Alfaguara, 1991) - translated into English as Bad Vibes (New York: St. Martin's Press, 1997) - and Tinta roja (Red Ink) (Santiago: Alfaguara, 1996); Edmundo Paz Soldán's Sueños digitales (Digital Dreams) (La Paz: Alfaguara, 2000) and short-story collection Amores imperfectos (Imperfect Loves) (La Paz: Santillana, 1998); and Ignacio Padilla's La catedral de los ahogados (The Cathedral of the Drowned) (Mexico City: Universidad Autónoma Metropolitana, 1995) and Si volviesen sus majestades (If Their Majesties Returned) (Mexico City: Nueva Imagen, 1996).
17. For an anthology showcasing the new generation of Latin American fiction writers, see Edmundo Paz Soldán and Alberto Fuguet's, eds., Se habla español: Voces latinas en USA (Spanish Spoken Here: Latin Voices in the USA) (Miami: Alfaguara, 2000). Notable works from the McOndo generation include Jaime Bayly's Los últimos días de "La Prensa" (The Last Days of "La Prensa") (Barcelona: Seix Barral, 1996) and Yo amo a mi mami (I Love My Mommy) (Lima: Adobe Editores, 1998); Alberto Fuguet's Mala onda (Santiago: Alfaguara, 1991) - translated into English as Bad Vibes (New York: St. Martin's Press, 1997) - and Tinta roja (Red Ink) (Santiago: Alfaguara, 1996); Edmundo Paz Soldán's Sueños digitales (Digital Dreams) (La Paz: Alfaguara, 2000) and short-story collection Amores imperfectos (Imperfect Loves) (La Paz: Santillana, 1998); and Ignacio Padilla's La catedral de los ahogados (The Cathedral of the Drowned) (Mexico City: Universidad Autónoma Metropolitana, 1995) and Si volviesen sus majestades (If Their Majesties Returned) (Mexico City: Nueva Imagen, 1996).
18. For an anthology showcasing the new generation of Latin American fiction writers, see Edmundo Paz Soldán and Alberto Fuguet's, eds., Se habla español: Voces latinas en USA (Spanish Spoken Here: Latin Voices in the USA) (Miami: Alfaguara, 2000). Notable works from the McOndo generation include Jaime Bayly's Los últimos días de "La Prensa" (The Last Days of "La Prensa") (Barcelona: Seix Barral, 1996) and Yo amo a mi mami (I Love My Mommy) (Lima: Adobe Editores, 1998); Alberto Fuguet's Mala onda (Santiago: Alfaguara, 1991) - translated into English as Bad Vibes (New York: St. Martin's Press, 1997) - and Tinta roja (Red Ink) (Santiago: Alfaguara, 1996); Edmundo Paz Soldán's Sueños digitales (Digital Dreams) (La Paz: Alfaguara, 2000) and short-story collection Amores imperfectos (Imperfect Loves) (La Paz: Santillana, 1998); and Ignacio Padilla's La catedral de los ahogados (The Cathedral of the Drowned) (Mexico City: Universidad Autónoma Metropolitana, 1995) and Si volviesen sus majestades (If Their Majesties Returned) (Mexico City: Nueva Imagen, 1996).
19. For an anthology showcasing the new generation of Latin American fiction writers, see Edmundo Paz Soldán and Alberto Fuguet's, eds., Se habla español: Voces latinas en USA (Spanish Spoken Here: Latin Voices in the USA) (Miami: Alfaguara, 2000). Notable works from the McOndo generation include Jaime Bayly's Los últimos días de "La Prensa" (The Last Days of "La Prensa") (Barcelona: Seix Barral, 1996) and Yo amo a mi mami (I Love My Mommy) (Lima: Adobe Editores, 1998); Alberto Fuguet's Mala onda (Santiago: Alfaguara, 1991) - translated into English as Bad Vibes (New York: St. Martin's Press, 1997) - and Tinta roja (Red Ink) (Santiago: Alfaguara, 1996); Edmundo Paz Soldán's Sueños digitales (Digital Dreams) (La Paz: Alfaguara, 2000) and short-story collection Amores imperfectos (Imperfect Loves) (La Paz: Santillana, 1998); and Ignacio Padilla's La catedral de los ahogados (The Cathedral of the Drowned) (Mexico City: Universidad Autónoma Metropolitana, 1995) and Si volviesen sus majestades (If Their Majesties Returned) (Mexico City: Nueva Imagen, 1996).
20. For an anthology showcasing the new generation of Latin American fiction writers, see Edmundo Paz Soldán and Alberto Fuguet's, eds., Se habla español: Voces latinas en USA (Spanish Spoken Here: Latin Voices in the USA) (Miami: Alfaguara, 2000). Notable works from the McOndo generation include Jaime Bayly's Los últimos días de "La Prensa" (The Last Days of "La Prensa") (Barcelona: Seix Barral, 1996) and Yo amo a mi mami (I Love My Mommy) (Lima: Adobe Editores, 1998); Alberto Fuguet's Mala onda (Santiago: Alfaguara, 1991) - translated into English as Bad Vibes (New York: St. Martin's Press, 1997) - and Tinta roja (Red Ink) (Santiago: Alfaguara, 1996); Edmundo Paz Soldán's Sueños digitales (Digital Dreams) (La Paz: Alfaguara, 2000) and short-story collection Amores imperfectos (Imperfect Loves) (La Paz: Santillana, 1998); and Ignacio Padilla's La catedral de los ahogados (The Cathedral of the Drowned) (Mexico City: Universidad Autónoma Metropolitana, 1995) and Si volviesen sus majestades (If Their Majesties Returned) (Mexico City: Nueva Imagen, 1996).
21. For an anthology showcasing the new generation of Latin American fiction writers, see Edmundo Paz Soldán and Alberto Fuguet's, eds., Se habla español: Voces latinas en USA (Spanish Spoken Here: Latin Voices in the USA) (Miami: Alfaguara, 2000). Notable works from the McOndo generation include Jaime Bayly's Los últimos días de "La Prensa" (The Last Days of "La Prensa") (Barcelona: Seix Barral, 1996) and Yo amo a mi mami (I Love My Mommy) (Lima: Adobe Editores, 1998); Alberto Fuguet's Mala onda (Santiago: Alfaguara, 1991) - translated into English as Bad Vibes (New York: St. Martin's Press, 1997) - and Tinta roja (Red Ink) (Santiago: Alfaguara, 1996); Edmundo Paz Soldán's Sueños digitales (Digital Dreams) (La Paz: Alfaguara, 2000) and short-story collection Amores imperfectos (Imperfect Loves) (La Paz: Santillana, 1998); and Ignacio Padilla's La catedral de los ahogados (The Cathedral of the Drowned) (Mexico City: Universidad Autónoma Metropolitana, 1995) and Si volviesen sus majestades (If Their Majesties Returned) (Mexico City: Nueva Imagen, 1996).