Automatic tonal analysis: Toward the implementation of a Music Theory Workbench

Computer Music Journal

Volumn 23, Issue 4, 1999, Pages 18-32

  Taube, Heinrich ^a  

^a UNIVERSITY OF ILLINOIS AT URBANA CHAMPAIGN   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0040368699     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.1162/014892699559977     Document Type: Article

References (15)

1. Aldwell, E., and C. Schlachter. 1989. Harmony and Voice Leading, 2nd ed. New York: Harcourt, Brace, Jovanovich.
2. Cope, D. 1991. Computers and Musical Style. Madison, Wisconsin: A-R Publications.
3. Ebcioglu, K. 1992. "An Expert System for Harmonizing Chorales in the Style of J. S. Bach." In M. Balaban, K. Ebcioglu, and O. Laske, eds. Understanding Music with AI: Perspectives on Music Cognition. Cambridge, Massachusetts: AAAI Press, pp. 294-334.
4. Gauldin, R. 1997. Harmonic Practice in Tonal Music. New York: W. W. Norton.
5. Hild, H., J. Feulner, and W. Menzel. 1991. "HARMONET: A Neural Net for Harmonizing Chorales in the Style of J. S. Bach." In R. P. Lippmann, J. E. Moody, and D. S. Touretzky, eds. Advances in Neural Information Processing 4. San Mateo, California: Morgan-Kaufmann, pp. 267-274.
6. Hörnel, D., and T. Ragg. 1996. "Learning Musical Structure and Style by Recognition, Prediction and Evolution." Proceedings of the 1996 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 59-62.
7. Mallery, J. 1994 (25 May). "A Common LISP Hypermedia Server." Proceedings of the First International Conference on the World-Wide Web Geneva: CERN.
8. Maxwell, J. 1992. "An Expert System for Harmonizing Analysis of Tonal Music." In M. Balaban, K. Ebcioglu, and O. Laske, eds. Understanding Music with AI: Perspectives on Music Cognition, Cambridge, Massachusetts: AAAI Press, pp. 335-353.
9. McHose, A. 1947. The Contrapuntal Harmonic Technique of the 18th Century. New York: Appletone-Century-Crofts.
10. Riemenschneider, A., ed. 1941. 371 Harmonized Chorales and 69 Chorale Melodies with Figured Bass. New York: G. Shirmer.
11. Schottstaedt, W. 1989. "Automatic Species Counterpoint." In M. Mathews and J. Pierce, eds. Current Directions in Computer Music Research. Cambridge, Massachusetts: MIT Press, pp. 225-262.
12. Schottstaedt, W. 1992. "Common Music Notation." Program documentation. Stanford, California: Stanford University, Center for Computer Research in Music and Acoustics.
13. Taube, H. 1997. "An Introduction to Common Music." Computer Music Journal 21(1):29-34.
14. Turek, R. 1996. The Elements of Music, 2nd ed. New York: McGraw-Hill.
15. Winograd, T. 1968. "Linguistics and Computer Analysis of Tonal Harmony." Journal of Music Theory 12:2-9.